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Wednesday 30 July 2014

My Girl Valentine`s Myth

My Girl Valentine`s Myth

Britney Spears` `video for the singer`s pop music CD single, `Oops I Did It Again` (2000), presents her as a girl in a red pilot`s suit on Mars where an astronaut wearing a North American Space Administration (NASA) spacesuit arrives to marvel, `What the ..!` The astronaut discovers what looks like a cameo brooch of the singer in the sandy desert of the red planet by his feet and picks it up to examine it more closely. Looking like a `cookie`, that is, what the English call a `biscuit`, it functions as a `cookie` or `password` in a personal computer game, and `Open Sesame!` There`s a huge rumbling sound as a great edifice majestically rises up from under the planet`s crust. Inside the structure Britney and her dancers perform `Oops I Did It Again` while the spaceman watches entranced. In her red suit she places a hook in his backpack and winches him up until he is looking down upon her below where she`s wearing a white bikini dress: `Oops! ... I did it again. I played with your heart, got lost in the game.`

 The game is the computer game represented by the video action. Raised above Britney in her white bikini dress, she represents the prize in an arcade `claw crane` game and the spaceman is the grab. Beside his spacesuit`s helmet are what look like the tines of a giant`s fork, which suggests that the girl must be grabbed or the ogre will devour her: `All aboard!`

 The scene shifts and the viewer sees Britney in her red jump suit run and somersault through the air. She is transformed in mid-air and lands in front of the spaceman wearing a white blouse, black skirt and boots. The astronaut gives her a black box and, although the viewer can`t see the contents, Britney`s question suggests a clue: `But I though the old lady dropped it into the ocean at the end?` The astronaut replies, `Well baby, I went down and got it for you.` In the movie Titanic (1997), actress Kate Winslet is Rose who drops the blue heart shaped diamond, `the heart of the ocean`, into the sea at the place where the ship that was on its maiden voyage from Liverpool to New York sank after being hit by an iceberg on 15 April, 1912, and is being salvaged by divers. The heart represents Rose`s memory of the voyage in which her fiancée, actor Billy Zane as Cal Hockley, refuses to be jilted for another, actor Leonardo Di Caprio as Jack Dawson, and plants the heart of the ocean in his rivals pocket before calling him a thief. When the Titanic sinks, Rose`s new lover is killed helping others escape to the lifeboats and she discovers the jewel in the pocket of the coat she`s wrapped in.

 Titanic is a tale of betrayal, just as Jesus betrayed by the disciple, Judas, is the story of Christianity. Jesus is referred to as `the sacred heart` in Catholic, or Western Orthodox Christianity, and on the cover of Britney Spears` `Piece Of Me` single she appears on a wooden cross similar to that Jesus was nailed to after being betrayed by Judas as a `dissident` of the Roman Empire (27 B.C.-1453 C.E.) in Palestine for `thirty pieces of silver`. Consequently, `Piece Of Me` is a symbol of Jesus` `sacred heart` from `Oops I Did It Again`, which Britney`s spaceman brought from the depths of the sea. Because Jesus had Resurrection and Ascension to heaven after death upon the cross of his crucifixion, Britney`s fourfold cross with her upon it for the cover of the CD single `Piece Of Me` represents the American reconstitution celebrating Jesus` birth uncontaminated by male semen and the Resurrection of `woman`s seed` represented by Jesus born from his mother, the Virgin Mary.

 In Eden God tells Eve her `seed` will, `… crush the head of the serpent as she leaves.` (Gen: 3. 15) Because Eve has `futanarian` penis` semen of her own through her daughters who will sexually reproduce her own brains` powers for liberation. Consequently, Eve`s story with the first man Adam is of women`s subjugation in womb slavery through killing and culling. She and Adam are depicted as accepting the `fruit of the tree of the knowledge of good and evil` from the serpent, which is death, despite the serpent`s promise, `You shall be as gods,` (Gen: 3. 5)  When Eve and Adam reject God`s `fruit of the tree of life`, that is, immortality, God expels them from the original paradisal heaven on Earth of Eden, because he foresees men`s enslaving women`s wombs in culling and culling. Telling Adam he must work and Eve will experience labor pain, Mary`s bearing of Jesus uncontaminated by male semen is Redemption, but humankind must understand it, that is, women`s `futanarian` species of `woman`s seed` will have Resurrection, or God will punish the original sinners and those who support them by torturing the human race in slavery with eternal unendurable pain: `Guess I can't see the harm in workin' and being a mama and with a kid on my arm, I'm still an exceptional earner. You want a piece of me?`

 Because CD singles look like `pieces of silver`, they`re representative of women`s betrayer, Judas, and Britney wants to know if men`s male braining of herself and her children is enough, or they want more? Does she have to fight physically for her socio-economic independence from bondage, as the Jews had to fight before they left Egypt, and when the German National Socialist government (1933-45) were pogroming them during the second world war (1939-45), and after the British Empire (1497-) gave them Palestine after a fight in 1948, before they began fighting the Palestinian Arabs and the Egyptians again to keep the land promised by God to their `chosen people` in the Bible? Britney`s  vision of American womanhood`s Reconstitution in `Piece Of Me` represents her `Declaration of Independence` from the Empire of men as the US declared independence from the British Empire on July 4, 1776, because women who can sexually reproduce their own brains` powers are the independent socio-economic and historical future of the human race.

 Jewish women are taught to save the daughter, which is why the movie Sophie`s Choice (1982), starring actress Meryl Streep, focuses on Sophie`s decision to save her daughter rather than her son when a German `Nazi` `death camp` guard offers her the choice. It isn`t possible to be born a Jew unless born from a Jewess, so women are the Jews and the `chosen people`, as `futanarian` women capable of sexually reproducing their own brains` power from their own penis` semen and host wombs, which means the Nazi pogroms against the Jews as the `chosen people` were designed by the `serpent`s seed` grown in size to a devouring dragon to consume the human race in ovens at Belsen, Dachau, Buchenwald and Auschwitz, for example, because that`s what parasitical serpent`s that grow into dragons are for.

 Although Britney`s fourfold symbol of the cross on the CD cover of `Piece Of Me` is usually thought of as Christian, it`s a Moslem women`s symbol too, as the developmental psychologist Carl Gustav Jung (1875-1961), indirectly observed. In Jungian psychology there are four functions of consciousness; `Thinking, Sensation, Feeling and Intuition`, which are associated in undifferentiated form with the ears or hearing, the eyes or sight, the mouth or speech, and the nose or sense of smell. According to Jung the growing individual`s ego actuates the `Self` in the course of development, which is represented by the cohesion of the four functions as they work together within the framework of consciousness. Jung argues that fourness is an archetype and that there are many archetypes existent in the collective consciousness of humankind that emerge in dreams, art and the imagination to impel the species forward. In Islam, which means` accept`, the archetype of fourness appears in the Moslem marriage where four wives are permitted in accordance with the principles of the Koran (610-30 C.E.) dictated by the angels of God to the Prophet Mohamed, according to Islamic tradition, more than six hundred years after Jesus. Because women with their own penis` semen and host womb need a vehicle in which to sexually reproduce, Islam, like Christianity, is a woman`s religion focusing on `woman`s seed`, but men have obfuscated the thrust of the teaching. In Islam, `accept`, Jesus` Ascension follows the Catholic dogma of the Assumption of the Virgin Mary bodily to heaven made doctrine by Pope Pius XII in 1950, that is, Jesus isn`t crucified and doesn`t die because Islam accepts `woman`s seed` born uncontaminated by male semen, which is `futanarian` women with their own penis` semen and host wombs within Moslem marriages sexually reproducing their own brains` powers for socio-economic independence and the Resurrection of the human race.

 Carl Jung observes that the differentiation of the four functions of `Thinking, Sensation, Feeling and Intuition` is difficult and that Jesus was probably among the few to achieve it, which is likely because he was born uncontaminated by male semen, that is, exclusive of male braining. The male brained aren`t `woman`s seed`, as Jesus` birth uncontaminated by male semen teaches, while the human species` semen of women isn`t contaminated by the parasite, described in the Bible as `the serpent of Eden`, that inveigled itself into the host womb of the human race, and waits in vain as the dragon to devour Jesus in his `Second Coming` as he who will `rule the nations with an iron scepter` on behalf of the human race of `futanarian` women with their own penis` semen for the sexually reproduction of naturally fully functioning humans from humanity`s own host wombs unenslaved by the `serpent`s seed` of men who`ve killed and culled the true human race since Eden to prevent her from escaping death: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 Although Britney Spears` red pilot suit suggests her science fiction character is Robert A. Heinlein`s (1907-88) from his novel, Podkayne Of Mars (1963), because she`s the `Poddy beautiful`, as Heinlein describes her, and although her name resembles the biblical Cain`s, who murdered his brother Abel, because he could cook and so was more able, Britney in her white bikini dress corresponds to Abel and Podkayne in her red pilot`s suit lives with her, because the relationship is based on human attraction and not parasitism, `Poddy Fries, free citizen of Mars, female. Future pilot and someday commander of deep-space exploration parties. Watch for me in the news.`1 The news from Mars is `Mars Lander`, as Britney`s spaceman is called by `Mission Control`, has found Podkayne on Mars with a `space exploration party` in fulfilment of Poddy`s desire to be a `future pilot`. The video emphasizes the functions of hearing or `Thinking`, seeing or `Sensation`, and speech or `Feeling, while the sense of smell or `Intuition` has to be imagined, which of course is the function of `Intuition`. Consequently, `Oops I Did It Again` denotes the process whereby the four functions of consciousness are actuated in the course of an individual`s growth.

 In the novel Podkayne Of Mars by Heinlein `Poddy` is killed by her brother, Clarke, who has the Cain role with his more able sister, although the murder is depicted as an accidental outcome attending Clarke`s desire to be revenged on their kidnappers who want to stop their uncle, Senator Tom Fries, from achieving political power by holding the children `hostages to fate`. Clarke constructs a small bomb to kill their captors and Poddy loses her life, although readers` reactions persuaded Heinlein to resurrect `Poddy` in later versions of the text:

`Her little recorder was still in her purse and part of the tape could be read. Doesn`t mean much, though; she doesn`t tell what she did, she was babbling, sort of: `Very dark where I’m going. No man is an island complete in himself. Remember that; it`s important. They all have to be cuddled sometimes. My shoulder - Saint Podkayne! Saint Podkayne, are you listening? Unka Tom, Mother, Daddy - is anybody listening? Do listen, please, because this is important. I love-` It cuts off there. So we don’t know whom she loved. Everybody, maybe.`2

 Of course Poddy loves the author, Robert `tape` Heinlein, for recording her adventure and giving her Resurrection, while Britney Spears` appearance on the cross of Jesus for the cover of the CD single `Piece Of Me` represents Salvation, because her Jungian `Self` is permanently recorded on disk. The fourfold symbolism of Britney upon the crucifix on the cover of the CD single `Piece Of Me` denotes fourfold consciousness, `Thinking, Sensation, Feeling and Intuition`, that is, hearing, seeing, speaking, and imagination, which attend the actuation of an individual`s perceptions.  If they care sufficiently about the meaning of Britney`s `Poddy beautiful`, that is, which is that women can sexually reproduce with each other and live together, as they don`t have predators if they`re socio-economically independent and dependent upon their own brains` resources for development and growth away from their parasite; for example, on Mars.

 Robert A. Heinlein`s most celebrated novel of the `counter culture` generation of Americans engaged in protest against US involvement in the Indo-China war (1946-89) was Stranger In A Strange Land (1961), which detailed the education of a human on Mars found by Martians in a lost spaceship before he was returned to Earth as a survivor and reeducated. The story of Valentine Michael Smith who, through his `Church Of All Worlds`, becomes a Christ-like figure preaching sexual permissiveness as a solution to the conflicts besetting humanity, is indirectly referred to in the symbolism of the tines of the giant fork, which appear beside Britney Spears` spaceman`s helmet in `Oops I Did It Again` briefly, because Michael was stoned at the conclusion of the novel by Fosterites whose church encourages the practices of gambling and alcoholism:

`Lynch him! Give the bastard a nigger necktie!` A heavy-gauge shotgun blasted at close range and Mike's right arm was struck off at the elbow and fell. It floated gently down, then came to rest on the cool grasses, its hand curved open in invitation.

 `Give him the other barrel, Shortie - and aim closer!` The crowd laughed and applauded. A brick smashed Mike's nose and more rocks gave him a crown of blood.

`The Truth is simple but the Way of Man is hard. First you must learn to control yourself. The rest follows. Blessed is he who knows himself and commands himself, for the world is his and love and happiness and peace walk with him wherever he goes.` Another shotgun blast was followed by two more shots. One shot, a forty-five slug, hit Mike over the heart, shattering the sixth rib near the sternum and making a large wound; the buckshot and the other slug sheered through his left tibia five inches below the patella and left the fibula sticking out at an angle, broken and white against the yellow and red of the wound.

 Mike staggered slightly and laughed, went on talking, his words clear and unhurried. `Thou art God. Know that and the Way is opened.`

`God damn it - let's stop this taking the Name of the Lord in vain!` - `Come on, men! Let's finish him!` The mob surged forward, led by one bold with a club; they were on him with rocks and fists, and then with feet as he went down. He went on talking while they kicked his ribs in and smashed his golden body, broke his bones and tore an ear loose. At last someone called out, `Back away a little so we can get the gasoline on him!`

 The mob opened up a little at that waning and the camera zoomed to pick up his face and shoulders. The Man from Mars smiled at his brothers, said once more, softly and clearly, `I love you.` An incautious grasshopper came whirring to a landing on the grass a few inches from his face; Mike turned his head, looked at it as it stared back at him. `Thou art God,` he said happily and discorporated.`3

 Michael Smith is my girl`s myth in `Oops I Did It Again` and `Piece Of Me`, where the tines of the giant`s fork represent the serpent grown in size to a dragon symbolized by the Fosterites. Britney has fire breathing performers to emphasize the symbolism of the `red dragon`, which appears to devour Jesus in his `Second Coming`, born from the `woman clothed with the sun and with the moon at her feet`, but has to wait in vain for the redeemer who`ll `rule the nations with an iron scepter`. On Mars Britney`s `clothed with the sun and with the moon at her feet`, while Podkayne was reborn after Heinlein`s Resurrection of her in the revised version of Podkayne Of Mars when Clarke had inadvertenly killed her with the small atomic bomb he`d made to punish their kidnappers. Consequently, Poddy is `clothed with the sun` as the United States was after dropping the atomic bombs `Little Boy` and `Fat Man` on Hiroshima and Nagasaki on 6 and 9 August, 1945, to end the second world war in the Pacific theatre that began with the Japanese `sneak attack` on the US Pacific fleet at Pearl harbor on 7 December, 1941.

 Because `the pearl of great price` is the symbol of the moon representing heaven and the planets and stars above the Earth, Poddy on Mars has the `moon at her feet` too, because God promises `woman`s seed` pearl, that is, the moon reflected in the waters of Pearl harbor, Resurrection and heaven as `futanarian` Eve`s daughters with their own penis` semen and host wombs for sexually reproducing their own brains` powers for technological liberation as the party of space exploration. Constituting the largest political party, because men can only sexually reproduce with women if women want them to, women with their own penis` semen and host wombs are the voting future of humanity amongst the planets and stars no longer beset by the devouring dragon of the `serpent`s seed` represented by `Little Boy` and `Fat Man` enslaving her for pederasty in warfare against her human race after stealing her penis and sublimating her own desire for herself in manufacturing weapons to kill her with instead of leaving her alone to love herself. Although the tines of the giant`s fork beside Britney Spears spaceman`s helmet indicate the invisible devourer, they also denote Valentine`s myth of the Messiah eaten by his disciples after he`s broken into pieces by the rabid Fosterite crowd opposed to his `Church Of All Worlds` and its message of `Agape`, which is familial love extended to all members of the human family who accept Mike`s mission. The tines of the giant`s fork represent cannibalism: `Slowly they drank the broth, stretching it out, savoring it, praising and cherishing and grokking their donor.`4

 Mike`s followers make soup out of his remains and drink his essence in a form of Christian `Holy Communion`. In the Christian church, Jesus` `body and blood` is consumed as `the host`, that is, the `bread and wine`, in a transformation process called `transubstantiation`, where the parishioner accepts a wafer of bread and a sip of wine from the Communion chalice of the priest in order to be reborn spiritually as Jesus was; uncontaminated by male semen. Because the Bible is interpreted by Satanists as a recipe for cannibalism. At the `Last Supper` before his crucifixion, Jesus as the host offered `bread and wine` as symbols of his `body and blood` to the disciples, which Judas pointedly rejected in selling Jesus to the Romans as a `dissident` of the Empire for `thirty pieces of silver`, because Judas was a betrayer of the host womb of the human race of `futanarian` woman with her own penis` semen for the sexual reproduction of `woman`s seed` from her own host wombs rather than her enslavers, who`re the men and women of Satanism in death to the human species of `woman`s seed` through the parasitism of the `serpent`s seed` and the preaching of warfare to humans as a means of having the race cannibalistically eat itself, so the elitist parasites of Satan can enjoy the meal without the dragon growing.

 Although signs of someone wanting to be known as Robert `tape` Heinlein can be perceived in Podkayne Of Mars, the figure of Robert `ape` Heinlein might similarly be discerned as the author of Jerry Was A Man (1947), which is the  story most pertinent to the argument between Christian and Satanist perspectives. Jerry is a slave worker and a brain enhanced chimpanzee who fights for the right to be acknowledge human in the courts, because he can speak and live by his efforts, so isn`t much different from Abel in the biblical story of the man who was murdered by his brother Cain because he could cook and Cain couldn`t. The meaning of the Bible story is that Cain represents those aspects of humanity that would kill can cull the species if it showed enough intelligence to be capable of escaping from womb slavery to the `serpent`s seed` of men who must have been killing and culling women as the human `futanarian` race of Eve promised heaven by God as the `seed` of woman for her own host wombs production of her own brains` powers for socio-economic independence and liberation since Eden, or women would have sexually outproduced men in exclusive sexual relationships with their own species. Jerry corresponds to Abel, while Cain represents those who would deny life to their brothers, which is what womb enslavement to war in pederasty is: `Way down upon de Suwannee Ribber Far, far away; dere`s where my heart is turning ebber -`5

 The judgement of the court turns on Jerry`s singing an old slave song sung by black Africans transported to the Southern United States of America to work on the cotton plantations there before the war between the North and South known as the American Civil War (1861-5) manumitted black slaves and theoretically ended that abomination, whereas the subjugation of women`s human penis` semen suggests that slavery is very much with us today and that the same trite formulas relating to animal and human are used to maintain women`s oppression.

 Hollywood, Los Angeles, California, became the centre of the motion picture industry from 1910, when director D.W Griffiths made the film In Old California, but the appellation Babylon quickly came to be applied after 1930 when the `Hays code` was established to prevent women from raising their foot from the floor in bedroom scenes, because men didn`t want the Bible of God`s promise to Eve that her `foot` would `crush the head of the serpent` as she left Earth for the planets and stars of God`s heaven through the sexual reproduction of her own brains` powers for technological liberation from her own penis` semen and host wombs, so her `futanarian` species` penis` semen was occluded and heterosexuality could be presented as normal, whereas it isn`t. Women taught schizophrenically that their bodies are desirable to the male parasite that has inveigled itself into her host womb to endanger her human race can`t see their sexual counterpart in the mirror of their dreams, because Hollywood Babylon has denied her existence to an audience unaware that they live in a lie devised by species` pogromers who don`t want human brains because they`re better than the male brained abominations devised by the `serpent`s seed` to maintain humanity in womb slavery to war and death for Hollywood filmmakers to celebrate the extinction of `woman`s seed` after 1967 when the Hays code was relaxed so that movies such as Barefoot In The Park could be made with Jane Fonda and Robert Redford that established heterosexual nudity as normal while simultaneously representing the mocking of the futanarian foot of Eve`s `seed` banned from view in the movies and so unlikely to be looked for in Central Park or anywhere else: `One small step for a man, one giant leap for mankind.`6

 The North American Space Administration`s (NASA) Apollo 11 mission astronaut, Neil Armstrong`s words upon being the first man on the moon, are remembered in Britney Spears` `Oops I Did It Again` video single in which the tines of the giant fork of Britney Spears` putative author, Robert A. Tinelein,7 appearing beside her spaceman`s helmet, represent men as a self-devouring monster, which won`t have Redemption until a woman`s `foot` is firmly placed upon Earth`s satellite, `without let or hinderance,`8 as Britney Spears` Poddy in her red jump suit indicative of an accomplished spaceplane pilot`s awaiting the arrival of the Apollo style astronaut on Mars suggests.

 Britney`s astronaut leaves without grabbing her sister in the white bikini dress from Jennah, which is the name of paradise in Arabia, where `Open Sesame` is the `password` that allows Ali Baba in the tale `Ali Baba and the Forty Thieves` from the 8th century anthology of Arabian folktales, One Thousand and One Nights, to enter into the cave where the thieves have their treasure. A silver spaceman statuette is the coveted MTV Award given by music television for achievement in pop music and so Britney Spears` astronaut is the treasure in the cave, which she`s won, although he has the role of Ali Baba gaining admittance to the thieves` treasure, who is Britney herself as Poddy with the `space exploration party` who`ve voted her the spaceman, as it were, without authorization. Britney`s video of the year MTV Award didn`t come until 2008`s `Piece Of Me` from the Blackout (2007) album, which provided a further critique of women`s occlusion in the lyric to the track, `Radar`: `I Wonder if he knows he's on my radar (on my radar) on my radar (on my radar).`

 Although bats use sonar to guide them because they`re blind, radar is used to track what can`t see you, which is why Britney Spears` `Oops I Did It Again` is about the MTV spaceman, because it was on her `radar` in 2000. Although `Piece Of Me` is about Jesus, in Arabia Jesus is Isa, and `Ali Baba and the Forty Thieves` is about Ali`s brother, Cassim, who goes to the cave with Ali`s password, `Open Sesame!` But Cassim can`t remember the password to leave and the thieves kill him. A woman of Ali`s household, Morgiana, sews the pieces of Cassim together, so no one knows he`s dead. In Egyptian mythology Osiris` penis is lost after he`s torn apart and Isis fashions it anew in prefiguration of Jesus` birth uncontaminated by male semen, that is, Osiris` penis is Isis`. Britney`s spaceman is Cassim in the thieves` cave, because the thieves` cave is a symbol of the mother dispossessed of her own womb space by parasites.

 Britney`s astronaut in `Oops I Did It Again` represents Cassim sewn together, that is, he`s mummified, as he doesn`t have a mother, who can give him heaven, because her womb space has been taken over by thieves, which suggests that`s why the Egyptian Pharaohs had themselves entombed in the pyramids of Egypt. They were waiting for their mother, who was Isis the fatherer, with her own penis as more than a symbol of the technology women had achieved that permitted them escape from Earth and so would bring the Pharaohs Resurrection if they anticipated their return.

 Britney`s MTV spaceman in `Oops I Did It Again` is a `mummy`, but representative of the basic problem of men amongst thieves in degeneration. There`re no mothers` caves, or rather resting places, safe from tomb robbers. Jesus` Resurrection was complete, because he had Ascension, but thieves compromise women`s space, so heaven on Earth, which the Arabians call Jennah or paradise, and corresponds to the biblical garden of paradise, that is, Eden, is overrun by criminals, who`ve stolen the woman`s womb and penis` semen to make more of themselves, while the resultant spawn of devils, demons, and ghouls beset her human race in parasitism, teaching cannibalism, and gloating over her demise.


1 Heinlein, Robert A. Podkayne Of Mars, G. P. Putnam`s Sons, 1963, p.2
2 Heinlein, Podkayne Of Mars, `Postlude`, 1963.
3 Heinlein, Stranger In A Strange Land, 1961, G.P. Putnam`s Sons, pp. 336-7.
4 Heinlein, Stranger In A Strange Land, 1961, G.P. Putnam`s Sons, p. 340.
5 Heinlein, Jerry Was A Man, [Jerry Is A Man] `Thrilling Wonder Stories`, October, 1947.
6 Armstrong, Neil UTC: 2. 56, July 21, 1969.
7 Cf. Heinlein`s reference to Revelation 22. 13, `I am the Alpha and the Omega, the First and the Last, the Beginning and the End` as a gloss on the contents of Chapter XLVIII, `L`Envoi`, The Number Of The Beast, 1980, in which appear `Both Heinleins` as a comment on self-sufficiency and schizophrenia, because women are made `schizophrenic` as a species with her own penis` semen taught to want cannibalism by their parasite. The `other` Heinlein is Robert`s wife, Virginia, or an `alternative` Heinlein from a `parallel universe` appearing in different guises amongst the guests, and whose fragmented identity is discernible from anagrams and allusions to scenes and events from previous or unknown works that provide clues to the author`s mental development within the `Alpha and Omega` of his self-contained marital relationship.
 The appearance of a motif `split`, or otherwise differentiated, is indicative of a conscious function becoming realized in Jungian psychology, that is, Redemption isn`t the retailing of the dragon as a self-devourer for the book publishing industry, but the perception that women, as the `futanarian` human race with her own penis` semen and host womb, isn`t to be read from the beginning to the end: because that`s a death sentence.
8 Field, J. Clarification of the Constitution of the United States` defining of the rights of workers, Supreme Court, 111, 746, 1884.

Monday 28 July 2014

Hysterical Blindness

Hysterical Blindness

The history of the 20th century was overshadowed by the German National Socialist government`s (1933-45) pogroms against the Jews in which six million died and were placed in ovens in `death camps` like Belsen to be consumed. The United States` dropping `Little Boy` and `Fat Man` on the Japanese cities of Nagasaki and Hiroshima on 6 and 9 August, 1945, consumed the Japanese in the heat of a small sun, and represented the desire of the US to leave infancy behind. Although the US purports to be a Christian nation, the symbolism of `Little Boy` and `Fat Man` is that of the `serpent` of Eden grown to the size of a `dragon` to devour the `new redeemer`, who will `rule the nations with an iron scepter`, and will wait in vain to consume Jesus in his `Second Coming` to the Earth, `born from the woman clothed with the sun and with the moon at her feet`, who is represented for the Western democracies by the statue of Liberty in New York harbor who bears the torch of freedom, because the US myth is that they fought for `the pearl of great price` (Matt: 13. 45-6), that is, heaven above, against the Empire of Japan (1868-1947), after it launched a `sneak attack` upon the US Pacific fleet at Pearl harbor on 7 December, 1941, to bring the US into the second world war (1939-45) against German, Italian and Japanese fascism, whereas `Little Boy` and `Fat Man` represent the US as a baby dragon.

 The `woman clothed with the sun` in the Bible is `Liberty` after the defeat of the red sun of the flag of Imperial Japan by means of the power of the sun, which was the atomic bombs, `Little Boy` and `Fat Man` indicating the US` serpent grown in size to a dragon waiting in vain to devour the `New Redeemer`. In the Bible the dragon is `red`, which is often used by capitalist Western democracies to represent communism, that is, the socio-economic system that believes in `state control of the means of production` from the theories of the German, Karl Marx, expounded in Das Kapital (1856), while capitalism believes in `ownership of the means of production`. If women are `the means of production`, communism is `state ownership`, while capitalism is entrepreneurial `ownership`. Capitalism accuses communism of not producing what `the means of production` want, while communism argues that it produces what `the means of production` need, and God`s socio-economic law was that the `seed` of the first woman, Eve, would: `… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15)

 Because women would be born as Eve`s descendants who would have their own penis` semen for her host wombs to sexually reproduce the human species` brainpower to liberate humanity from their womb enslavement to the `serpent`s seed` of `ownership`. Without `woman`s seed`, humans would remain male brained with male semen, while Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, indicated the path of human Redemption, which Jesus illustrated by allowing the Roman Empire`s (27 B.C.-1453 C.E.) agents to nail him to a wooden cross and torture him to death as a `dissident`. Jesus had Resurrection and Ascension to heaven in prefiguration of the Resurrection of women`s semen as the future host of God. The biblical story of the serpent depicts a parasite inveigling itself into the host womb of womankind to steal her penis` semen and consume her race in womb slavery. The `dragon` is a symbol of the parasite`s periodic emergence to destroy the civilization, culture and art woman is able to produce from her host womb despite its depredations: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 Babylon is depicted in the Bible as riding upon the dragon, because devouring war is what the parasite and its willing host represent. Consequently, because neither communism nor capitalism allow the `means of production`, that is, womankind with her own penis` semen as `futanarian` humans, to sexually reproduce her own brains` powers for self-liberation from `ownership`, the `red dragon` is the `owner`. During the Bosnian war (1992-95) Christian Serbs set up `rape camps` to male brain the Moslem women whose Islamic marriages with four wives permit of `futanarian` sexual reproduction with each other for the purpose of socio-economic independence and liberation through their own brains` powers. Consequently, the `red dragon` is male semen in male braining that enforces womb slavery in consumption.

 The US Military Industrial Complex (MIC) that produces for war is the main consumer. Most economic theorists argue that war `boosts` an economy. The terrorist attack upon New York`s World Trade Centre on 11 September, 2001, by the terrorist group, Al Qaeda, after the group hijacked planes to crash them into the Twin Towers, precipitated war against Afghanistan, where the terrorists had been trained by the misogynist Taliban regime, and so `boosted` the US economy in theory. The deposing of Al Qaeda`s supporter, Saddam Hussein, took longer than the Taliban regime, which was gone before the end of the year. The Gulf war to depose Saddam Hussein began in March, 2003, while the Iraqi dictator was executed on December 30, 2006, but `rough trade`, that is, the `brutality and violence` associated with homosexuality in pederasty, was reestablished after the World Trade Centre attack. The `democratic` model was ancient Greece`s institutionalization of homosexuality in pederasty and war. If women don`t sexually reproduce with each other, men have all of the voting stock in the business of being the retailer to the consumer.

 Men`s socio-history is of hysterical blindness in which they`re unable to see the truth because no one tells them. Some Christians think that Jesus` crucifixion is what they worship, which is why the Nazis were able to pogrom the `chosen people` of the Bible. Because Jews can`t be born unless from women, women are Jews, that is, the Nazis pogroms were against the women because of `woman`s seed`. When the US dropped `Little Boy` and `Fat Man` on Nagasaki and Hiroshima on 6 and 9 August, 1945, they didn`t care about the Japanese women, which is why Hollywood Babylon heroes are nonsense. In 1930 the `Hays code` forbade women from lifting their `foot` from the floor in bedroom scenes. It was a metaphor for the sexual repression of `woman`s seed` and the restriction wasn`t lifted until 1967, which meant that a movie like Barefoot In The Park (1967) about a cure married pair, actress Jane Fonda as Corie and Robert Redford as Paul, could depict heterosexuality as the norm, whereas it isn`t: `What goes on four in the morning, two in the afternoon and three in the evening?`1

 A baby is the answer, but Oedipus, the protagonist of the Greek dramatist Sophocles` Oedipus Rex (c. 429 B.C.), says `A man` to the Sphinx with the body of a lion, the wings of an eagle, and the face of a woman, because the Theban prophetess, Cassandra, tells him to. Oedipus becomes king of Thebes married to his mother, Jocasta, on the strength of his reply to the Sphinx`s `riddle`. Having already unwittingly killed his father in a fit of blind anger, Oedipus blinds himself when he discovers he`s broken the incest taboo. He represents the man who is an infant, because he`s accepted the socio-historical picture painted for him by the enemy. Jesus` teaching, `love your neighbor as you love yourself,` as the transcendent law of God, is for the woman who can see herself in the mirror, that is `futanarian` woman with her own penis` semen and host womb for the sexual reproduction of her own brains` powers as the human race, while men can`t see the human species in their mirror because they`re not it. Men`s incest taboo is to prevent the daughter from perceiving a motherer`s instruction as her fatherer. The `riddle` of the Sphinx is of the third `foot` of humanity, that is, the `futanarian` woman with her own penis` semen and host womb for the sexual reproduction of her own brains` powers walking beside Oedipus and Jocasta, whereas their daughter, Antigone, becomes the blind Oedipus` guide, because she`s conditioned to care; although it`s of no importance to God that Oedipus sees. What`s important is that the human species of woman with her own penis` semen sees herself in the mirror. As a `futanarian` woman with her own penis` semen, Antigone represents the woman who has what she wants, which is a blind man who can`t see her race.

 Jesus` teaching of the `Holy Spirit` as an educator that would come after him pertains to the unseen `futanarian` woman with her own penis` semen and host womb invisible to men who`re blind. After Jesus` death, the Roman centurion, Longinus, pierced the side of Jesus, the `Second Adam`, with his spear, because the Holy Spirit corresponds to the `Second Eve`. The wisdom of `futanarian` woman, killed and culled by the male descendants of Eve and Adam`s coupling, after God expelled the pair from `heaven on Earth`, that is, Eden, for accepting the `fruit of the tree of the knowledge of good and evil`, which was death, rather than the `fruit of the tree of life`, which was immortality, is that men are death in homosexuality and pederasty`s womb slaving for their war economies, and that`s the socio-historical `original sin` they`re required to pray for forgiveness for if they`re to have any chance of Redemption. The anti-Christian perspective is that humans should be tortured to produce in slave labor, which is what fascism was. Some Christians are unable to perceive the difference between Jesus crucified and crucifying. Employment in torturing the worker to produce isn`t employment, whereas Christianity`s denuding the woman of her own penis` semen and host wombs to present a Messiah born uncontaminated by male semen as a recipe for success in business, because he represents the human host tortured to death by an employer who doesn`t want `woman`s seed` to breed her own brainpower for socio-economic independence and liberation from womb slavery to the serpent`s seed` of her owners, is Satanism.

 The figure of Oedipus walking alone with a third limb at the close of Oedipus Rex depicts the possible future of mankind with the `futanarian` species of `woman`s seed` represented by Antigone`s willingness to lead her blind fatherer, but the image of the man with a rifle as his third limb is the picture the United States painted for the Earth from Hollywood Babylon subsequent to the discovery of the continent of America by Christopher Columbus` ships of exploration sent by Queen Isabella of Spain in 1492. The reservations of the European settlers constructed by them for the North American Plains` Indians as the indigenous inhabitant they didn`t want were similar in intent to the `death camps` of the Nazis because they represented the stifling of a race. Hollywood movies` depiction of the `Wild West` as settlers moved from the East part of the US to the West coast of California where Los Angeles would be the home of the film industry from 1910, was of a blindly hysterical gunman who`d stolen the woman`s penis` `seed` as the parasite that had inveigled itself into her host womb and had turned her penis into a rifle to kill itself and her with, rather than walk beside her `futanarian` race as the third `foot` of humanity. The settlers used rifles to kill as many of the buffalo as they could to starve the Indians so that they`d leave their land and go to their `reservations` where food was scarce and they starved to death. Consequently, the figure of the US cowboy with a rifle presages `Little Boy` and `Fat Man`, the atomic bombs that ate Nagasaki and Hiroshima on 6 and 9 August, 1945, because men are reptiles with a long tail: `Dead men don`t tell no tales.`2

 But living men have long tails, and there aren`t any women to speak of it. Edgar Rice Burroughs` novella, Beyond Thirty, was written and published in February 1916`s `All Around Magazine` during the first world war against Empire, but wasn`t published, as The Lost Continent (1955), until after the second world war, when the old consumer durable of the dragon of war was being retailed again. Burroughs` science fiction hypothesis is of a US two hundred years in the future that had returned to the political theory of isolationism behind the 30th parallel where the US became self-sufficient and didn`t need the rest of the world, especially wars in Europe, to develop socio-economic growth.

 In Beyond Thirty Pan-America is technologically advanced and peaceful while Europe has descended into barbarism. The Abyssinian Emperor Menelek XIV rules Europe, Africa and Asia and white people are enslaved. The defining moment is of Victory, the queen of the primitives in England, taken into the harem of Menelek, but the hero, Turck, rescues her and he`s a Pan-American hero as the possibility of the two hemispheres of the planet coming together economically grows. The `wingéd Victory of Samothrace` is Greek statuary`s counterpart to `Liberty`. Socio-economic independence and freedom for Greece requires women`s being able to sexually reproduce with their own penis` semen and host wombs, whereas the headless statue of `wingéd Victory` represents men`s hysterical blindness in their male braining of women with men`s semen until all of the women and all of the human race can`t see God`s `seed` of humanity because they have male brains and male eyes. Without penis` semen of her own under her skirts of `Liberty`, womb slavery for women will continue. Pan-America in Beyond Thirty is a utopian fantasy whereas, if women can`t be alone together apart from their imprisoners, it`s a jail for those who work well for those who marry them in order to put slave rings on their property in `ownership of the means of production`; irrespective of race, color or creed. Although men`s argument could be that women`s brains are theirs, because it`s men`s semen that fertilizes women`s ova, the argument is defeated when it`s pointed out that women have their own penis` semen and so the human race is suppressed by men`s womb slaving of her.

 Jesus` birth from `the woman clothed with the sun and with the moon at her feet` is related to the male Moslem moon and the women in the `rape camps` in Bosnia and those interned at Guantanamo Bay in Cuba after the moon of the flag of Al Qaeda was flown on September 11, 2001, when the hijackers crashed their planes into the Twin Towers and the US government began hysterically incarcerating Moslem men and women for interrogation. Reflected in New York harbor, beneath the statue of Liberty, the genuine moon was `the pearl of great price` of heaven above the Earth that their myth says the US fight for, as they fought for `heaven on Earth` at Pearl harbor after 7 December, 1941, and as the second birth of Jesus is from `the woman clothed with the sun and with the moon at her feet`, `Liberty` is his birth mother, while the red sun of the flag of Japan and the moon of the flag of Al Qaeda are the symbols of Jesus` `Victory` because, uncontaminated by male semen, he`ll `rule the nations with an iron scepter` until humans have brains.

 The technologically advanced super civilization of Pan-America gives Beyond Thirty another meaning, which is that of ageing. In US` science fiction `Grand Master` Robert A. Heinlein`s Time Enough For Love (1973), the human race has colonized the planets amongst the stars of the universe and has virtually conquered death through the science of rejuvenation so that people don`t deteriorate after thirty years of age. In Burroughs` Beyond Thirty Europe is barbaric so people die young, while in the US technology is advanced, although to maintain womb slavery women would have to be kept in blind ignorance of their true nature lest they sexually reproduce their own brains` powers to produce the technological advances in medical science to guarantee their memory in longevity and youth so they didn`t forget men`s parasitism upon women as their host. Consequently, Burroughs` Beyond Thirty and Heinlein`s Time Enough For Love are typical science fiction utopias for women`s enslavers to enjoy, while God`s punishment of eternal pain for the sinner awaits those who prefer it, which places the purveyor of power fantasy fiction for boys in a precarious position. If women aren`t educated by the `serpent`s seed` of men in their true human nature, boys are educated into following their leaders into the pit of hell, because they`re educated in the belief that dropping `Little Boy` and `Fat Man` onto Japan`s cities of Nagasaki and Hiroshima on 6 and 9 August, 1945, was `Victory over Japan`, while the continued celebration of `VJ Day` actually represents the devouring of Japan`s `futanari` women with their own penis` semen and host wombs for the sexual reproduction of the Earth`s human brains that could bring Redemption from hellfire for boys mistaught by their fathers in Satanism.


1 Apollodorus, Library Apollud, 3. 5. 8.
2 Burroughs, Edgar Rice Beyond Thirty (The Lost Continent, 1955) serialized in `All Around Magazine`, February 1916.

Sunday 27 July 2014

The Carnivore`s Cannibal

The Carnivore`s Cannibal

Cannibalism is deemed to be something that besets primitive societies, but 21st century society is a cannibal culture. In the Bible God warns of the serpent and, grown to the size of a dragon, Satan waits to devour he who will `rule the nations with an iron scepter`, because Satan represents cannibalism. In Eden, Eve is told by God that her `seed` will, `… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) She and Adam, the first man, are expelled from Eden for eating of the `fruit of the tree of the knowledge of good and evil`, `You shall be as gods.` (Gen: 3. 5) God expels them for rejecting life and the `fruit of immortality` because womb slavery for the daughters of Eve with `seed` of their own will follow. Because there are so few `futanarian` women upon the Earth, Eve`s `foot` is finding it difficult to `crush the head of the serpent` because her own penis` semen and host wombs can`t sexually reproduce the brainpower needed to reject cannibalism. Jesus` birth uncontaminated by male semen indicated Redemption and Resurrection for `woman`s seed` would come in the future, but men`s nailing of Jesus to the wooden cross and torturing him to death before he experienced Resurrection and Ascension to heaven was an indication of the difficulty `woman`s seed` would have in escaping from captivity as a slave bred for meat.

 Although the analogy seems false, men`s history of `concentration camps`, which become `death camps` after the guards are told to end the pretense of concentrating the minds of the prisoners, suggests that meat for the ovens, as occurred when Germany`s National Socialist government (1933-45) began to `concentrate` Europe`s Jewish populations through conquest in the second world war (1939-45), is rightfully analogous. During the Bosnian war (1992-5) `rape camps` were set up by `Christians` as a part of `ethnic cleansing`, because male braining of Moslem women was a part of their campaign against `woman`s seed`, which the German Nazis` `death camps` of Belsen Dachau and Auschwitz, etc., had brought to Western Europe, although `concentration camps` were historically familiar from the reservations constructed for the indigenous North American Plains` Indians during the colonization of North America by the white European settlers after the discovery of the continent of America by Christopher Columbus` exploration vessels sailing under the flag of Queen Isabella of Spain in 1492. In the Boer Wars (1880-92) between the Dutch settlers and the colonial Empire of Britain (1497-), the British were the first nation to construct `concentration camps`, while their logic is clear from the Nazis` targeting the `chosen people` of the Bible, that is, the Jews, as it isn`t possible to be born a Jew unless from a Jewess, which means women are `the chosen`, because they have their own penis` semen and host womb as `futanarian` humans able to sexually reproduce their own brains` powers for liberation in socio-economic independence from the `serpent`s seed` of men`s parasitism. In the Moslem religion of Islam four wives are permitted, which means women can sexually reproduce with each other and `Christian` men don`t want them to because it interferes with their enslaving of the women`s host wombs, so `rape camps` were constructed during the Bosnian war to separate Bosnia from Yugoslavia in order to male brain the new Moslem generation to accept being meat rather than brains.

 `Islam` means `accept` because Jesus` birth uncontaminated by male semen from his mother, is accepted in the Koran (610-30 C.E.) where Jesus` name is Isa and Mary is Miriam. In the Koran dictated to the Prophet Mohamed by the angels of God, according to Islamic tradition, Jesus has Ascension to heaven without death, because Islam accepts the Resurrection of `woman`s seed` announced by the birth of Jesus uncontaminated by male semen. Consequently, the Koran accepts Pope Pius XII`s 1950 Catholic doctrine of the Assumption of the Virgin Mary bodily into heaven without death, which is the Resurrection of `woman`s seed` that Jesus` death before Resurrection and Ascension into heaven symbolizes as the future of humankind.

 During the second world war in the Pacific theatre, the Japanese Empire (1868-1947) used `slave labour` from prisoner of war (P.O.W.) camps functioning in the same way as Nazi `concentration camps` in which people died from starvation, because the Japanese ate the food that was available. It was a pointed refusal on the part of the Japanese to eat the prisoners of war, however much they were starving, to demonstrate what they believed was the superiority of the German, Italian and Japanese fascist ideology then taking control of the Earth, which was that `woman`s seed` wasn`t going to provide them with adequate nourishment.

 The United States was brought into the second world war to end cannibalism when the Japanese attacked the US Pacific fleet at Pearl harbor on 7 December, 1941, and the war ended in the Pacific when the US dropped the atomic bombs, `Little Boy` and `Fat Man` on the Japanese cities of Hiroshima and Nagasaki on 6 and 9 August, 1945, as a symbolic meal at which many women were consumed. In the Bible the `woman clothed with the sun and with the moon at her feet` gives birth to Jesus as second time before the world ends and God`s judgment upon the sinners is that they shall experience eternal unendurable pain forever, that is, perdition, because they didn`t accept woman. Although the September 11, 2001, attack by Al Qaeda`s terrorist group of Islamic Fundamentalists, trained by the misogynist Taliban government in Afghanistan, who hijacked planes to crash into the Twin Towers of New York`s World Trade Centre, doesn`t appear symptomatic of cannibalism, precipitating wars against Christian, Jewish and Moslem women`s `seed` are what the conflicts of the 20th century were concerned with:

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 The ancient Greeks institutionalized womb enslavement in homosexuality and pederasty`s contagion of war, because that`s what the parasite that had inveigled itself into the host womb of the human species to steal her penis` semen was for. Having invaded women`s host wombs and stolen her penis the parasite explained how she should become a cannibal and devour her own race. In the British Broadcasting Corporation`s television comedy, Hitchikers Guide To The Galaxy (1981), from Richard Adams` novel and radio script for The Restaurant At The End OF The Universe (1980), the `Dish Of The Day` states emphatically that it wants to be eaten. The Ameglian Major Cow`s been bred to say so and guests are introduced to the meal at Milliways, `Okay, we`ll meet the meat.`1 The joke is that women are the male brained human species that wants to be eaten by its parasite, which is misogynist humor and not actually amusing.

 Britain`s BBC TV are known for misogynistic depictions of society. Comedies like One Foot In The Grave (1990-2000) represent the repression of the `futanarian` human species of women`s own penis` semen and host womb, which leaves the race with one foot because the `serpent`s seed` of men have eaten the other in fear of being crushed by `woman`s seed`, `… as a close friend of the family I'm sure she will agree to do the decent thing and shoot herself.`2 English humor follows that of the United States where Hollywood Babylon`s `Hays code` (1930-67) forbade women from raising their foot off the floor of the bedroom in movie scenes lest immoral thoughts enter into the heads of cinema audiences. By the time Barefoot In The Park (1967) had been released as a demure film featuring Jane Fonda (Corrie Bratter) and Robert Redford (Paul Bratter) in bed together, women`s own penis` semen and host womb was so repressed as to be invisible, and not only from New York`s Central Park, but from the world`s stage entirely, `When I pulled my foot out, I stepped in a puddle. Then a cab went by and splashed my stockings. If the hardware store downstairs was open, I was going to buy a knife and kill myself.`3 Corrie`s mother Ethel describes a woman`s frustration over her species` predicament. She has a male brain that wants to kill her. In BBC TV`s It Ain`t Half Hot Mum (1974-81), Melvin Hayes as `Gloria` and other British soldiers, in a colonial India setting during the period of the British Empire, dress as women to perform entertainments as the `Concert Party` on makeshift stages:

`Meet the gang 'cos the boys are here! The boys to entertain you! With music and laughter to help you on your way; to raising the rafters with a `Hey, hey, hey!` With songs, sketches, and jokes old and new; with us about you won't feel blue. So meet the gang 'cos the boys are here! The boys to entertain you! `B, O, B O Y S!` Boys to entertain you!`4

 Almost immediately after It Ain`t Half Hot Mum`s `gay` comedy about British colonialism in India`s jungles, BBC TV ran Tenko (1981-4) about a Japanese P.O.W. camp for women in the jungle during the second world war, where Sally Markham (Joanna Hole) and Nellie Keene (Jeananne Crowley) were depicted as persecuted lesbians,5 and which ultimately resulted in Sally killing herself in Season 2, Episode 3, because that `s how homosexual parasitism teaches cannibalism to women. BBC TV`s contribution to `gender studies` ended with the reestablishing of the traditionalist perspective that men and women segregated in confinement turn to each other sexually as an aberration. In `politically correct` feminism, which was adopted by the world`s media to spare its blushes over exterminating `woman`s seed`, women were homosexual and equal to men if they were `lesbian`, as Nellie and Sally were accused of being by the other imprisoned women in Tenko, whereas `futanarian` women, with their own penis` semen and host wombs, are the true human species of woman`s, manhandled from the stage and `man managed` to schizophrenically deny their own race, so they`ll remain meat for the carnivore`s table. Homosexuality isn`t `PC` and the label `lesbian` indicates imposed species` denial and a falsely imprisoning schizophrenia in which women are made to reject each other for what is essentially a devouring `gay` parasite that thinks it`s funny to have its pretense accepted that it`s better to be a man who enjoys a woman`s taste.

 The phenomenon of the `cargo cult` was observed by the US army after its defeat of Japan in the Pacific, where islanders or isolated communities were discovered later having constructed planes out of wood that they worshipped in memory of the Americans who`d visited their lives a generation or more ago. These were `concentration camp` peoples who`d been given time and space to think, which unscrupulous theorists saw as a methodology that could be applied to keep peoples in slavery. If people were unaware of advanced technology, they`d invent it. Although Scotsman John Logie Baird invented television in 1926, others were working on the same idea, which suggests `cargo cult`, that is, genius developing new technologies in isolation as a form of `concentration camp` imposed on those humans who can think. Male braining in homosexuality represents reincarnation, rather than Resurrection of `woman`s seed`, so woman`s humanity have lost the power of thought. Consequently, `concentration camp` humanity in homosexuality`s `cargo cult` is the future if male braining continues, because the owner of a hand held Nokia mobile `phone doesn`t mind if the isolated Scottish Orkney islander has a `phone made of wood from an encounter barely remembered, whereas mother, wife, and daughter might; if they knew what a Nokia `phone was. The new `concentration camp` principles were learned from the United States` discovery of South Sea Island `cargo cults` subsequent to the US army`s withdrawal from the Pacific theatre after the second world war, but the principle has been applied almost universally amongst capitalist societies since, where ignorance is used to persuade humans, who can still think, to concentrate on behalf of those homosexuals in pederasty, who no longer have any brains to do anything other than remain engaged in warfare against humanity`s womb enslaved woman`s `seed` to ensure her compliance in reinventing civilization, culture and art from her womb before their Empires begin devouring each other and her again:

`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)

 Breeding her own parasitical devourer is what women have done insofar as men`s paradigm is of the virus that kills the host. In the Bible Jesus is the host at the `Last Supper` offering `bread and wine` as symbols of his `body and blood` uncontaminated by male semen born from his mother, the Virgin Mary, and when his disciple Judas Iscariot betrays him to the Roman Empire (27 B.C.-1453 C.E.) in Palestine he`s betraying the human host. In the late 20th century men`s mixing of blood, shit and semen in each others` anuses in mockery of human sexual reproduction spread the incurable `killer disease` of HIV/AIDS which pretended to be like the white leukocyte cells of the human body`s immune system  in order to kill the brain much in the same way that men as women`s parasite inveigles itself into the host wombs of the `futanarian` human species of woman with her own penis` semen and host womb to kill her brain.

 The paradigm is explainable most clearly in the Greek poet Homer`s Iliad (c. 760-10 B.C.) where the Greeks deploy a huge hollow wooden horse, which the Trojans take into their city and the Greeks emerge to enslave the host wombs of the women for pederasty and to spread the contagion of war further. In the late 20th century the successors of the Greeks, the `geeks`, deployed `bad machine code` known as `Trojan viruses` to infect and kill the computer brains devised by those humans who were still able to think up a means of compensating for the degeneration in human thought due to male braining in homosexuality. The term `geek` originally applied to circus sideshow freaks who ate the heads of chickens to please an audience waiting for the main event in the big top. Because `top` was a 20th century term amongst mafia meaning `murder`, `big top` means mass murder. `Circus` itself was a term derived from the Roman amphitheatres in which Christians were thrown to the ravenous lions as `big top` entertainment for the Emperor of Rome and his people. In the late 20th century `circus` meant those who were blinded by spies or `topped` so that others could see. Consequently, circus geeks correspond to those who`re preparing for a `big top` performance and remove smaller, peripheral brains, for example, computer brains, as a preliminary to the main event.

 When Al Qaeda crashed planes through the US` computerized defense system in what became known as the `events of 11 September, 2001`, they were removing a smaller brain as `geeks` hijacking planes to use as `Trojan horses` to infect the system and precipitate the equivalent of a collective brain hemorrhage that would result in the United States` war machine being geared up for an attack on `woman`s seed` in the Gulf, where Iraq`s dictator, Saddam Hussein`s ancient seat of Babylon, had been prepared by Hollywood`s repression of the woman`s `futanarian` penis` semen and host womb, to be an `epic` abomination since the `Hays code` forbade women`s penis to be seen in the bedroom in the movies. Saddam Hussein`s name meant `small handsome man` and `crusher`, which meant he`d be the biblical `small screen` villain after he declared support for Al Qaeda when the planes had been seen `live on CNN` and other television networked news channels crashing into the Twin Towers. Saddam Hussein was made to correspond to God`s description to Eve of he who, `… shall crush your head, and you shall bruise his heel.` (Gen: 3. 15) In male braining everyone is a transvestite wearing each others` clothes and so `TV war` is the medium Hollywood Babylon had prepared for its perpetuation of misogynistic extermination of the human species of `woman`s seed` and the greater brains she represents. As a false Prophet of Islam, Saddam Hussein would provoke war with the West and exacerbate the racism of the Serbian `Christians` towards Moslem women expressed in those `rape camps` set up to perpetrate `ethnic cleansing` during the Bosnian war (1992-5), and that would assist the `serpent`s seed` in their exterminations of `woman`s seed` as Hollywood Babylon`s `leading men` made further inroads against her from their Los Angeles, California, beachhead.


1 Wing-Davey, Mark as Zaphod Beeblebrox in Richard Adams Hitchikers Guide To The Galaxy, Episode 5, BBC 2, 2 February, 1981.
2 Wilson, Richard as Victor Meldrew in One Foot In The Grave, `The Beast In The Cage`, Season 3, Episode 4, 23 February, 1992.
3 Natwick, Mildred as Ethel Banks in Barefoot In The Park, Paramount Pictures, 1967.
4 `Concert Party` song lyrics from the opening credits to It Ain`t Half Hot Mum, BBC 1, 1974-81.
5 Tenko Season 1, Episode 7, BBC 1, 9.25pm, Thursday, 3 December 1981, 15 million viewers.

Led Zeppelin

Led Zeppelin

 Let`s spell, `I-n the beginning was the Word and the Word was God,` (Gen: 1.1) and not Page I. There`s a bookshop, Page One, at 9 Princes Avenue, West Kingston Upon Hull, a University city in England where students go to purchase their textbooks, and whatever else they might need in the way of literary food for thought. Page One doesn`t  mean Led Zeppelin guitarist, Jimmy Page, is James I, although the King James Bible is the preferred text for millions of English people. The first words on the first page of the Bible in Genesis explain succinctly that God is `the Word` and not Satan, whereas the rock group, Led Zeppelin (1969-), based around the blues` guitar of Jimmy Page, allow themselves to be declared Satanists in the sleeve notes for the release of the 27 May, 2003, Atlantic Records` `live` triple album, How The West Was Won,1 which consists of two concerts from the band's 1972 concert tour of the United States, recorded at the L.A. Forum on 25 June, 1972, and Long Beach Arena on 27 June, 1972.

 How The West Was Won contains the tracks  `L.A. Drone`, which is what it suggests, a long droning guitar intro, followed by tracks from the first five albums, `Immigrant Song`, `Heartbreaker`, `Black Dog`, `Over the Hills and Far Away` `Since I've Been Loving You`, `Stairway to Heaven`, `Going to California`, `That's the Way`, `Bron-Yr-Aur Stomp`, `Dazed and Confused`, `Walter's Walk`, `The Crunge`, `What Is and What Should Never Be`, `Dancing Days`, `Moby Dick`, `Whole Lotta Love`, `Boogie Chillun`, `Let's Have a Party`, `Hello Marylou`, `Going Down Slow`, `Rock and Roll`, `The Ocean`, `Bring It On Home`, and `Bring It On Back`. `Walter`s Walk` appeared on the tribute album to drummer, John Bonham, Coda (1982), a collection of previously unreleased material constituting the group`s last real output after John was found dead in bed following a heavy drinking session on 25 September, 1980, during rehearsals for a proposed US tour, while John Lee Hooker`s `Boogie Chillun` (1948), `Let`s Have A Party`, recorded by Elvis Presley for the film, Loving You (1957), `Hello Marylou` popularized by singer and actor, Ricky Nelson, star of the seminal `Wild West` movie, Rio Bravo (1959), and St Louis Jimmy Olden`s `Going Down Slow` (1941) were blues` standards, which Led Zeppelin often performed as an encore, while `Bring It On Back` was the middle section of Sonny Boy Williamson`s `Bring It On Home` (1966). Written by Willie Dixon, `Bring It On Home` was a tribute to Sonny, but poverty often persuaded writers to accuse Led Zeppelin of plagiarism and Dixon is credited on `Whole Lotta Love` because of the similarity in lyrics. The band were sued by Dixon and others but paid up charitably while subsequently, as with `Bring It On Back` from How The West Was Won, they felt it necessary to indicate parts of recordings that were theirs while giving full credit to the original artist.

 The title How The West Was Won derives from the Ricky Nelson song, `Hello Marylou`, because Nelson was the singer acting opposite John Wayne in the movie, Rio Bravo, as Colorado, a young `gunslinger`, that is, someone able to work as a killer. Wayne is the Sheriff of the town, Chance, who deputizes the town drunk, Dude, played by singer and actor, Dean Martin, because he was a good gunslinger. The stage is set for a typical film of how the west was won from lawlessness, which is the same scenario facing Moses and the Jews after their exodus from slavery in Egypt as the journey to Palestine and God gives Moses the law to guide them:

`You had a chance to get in this and you didn't want it.`2

 Chance`s friend Pat Wheeler is gunned down by a killer and Chance upbraids Colorado for refusing to accept deputization. Dude tracks the killer to the saloon and kills him. Nathan Burdette arrives with his men to see his brother Joe who`s in prison for killing an unarmed bystander while fighting with Dude in the saloon. Colorado learns that Nathan is paying for a song to be played there indicating that `no quarter` will be given to one's enemy, that is, no mercy. Because `No Quarter` is the title of a track from Led Zeppelin`s fifth recorded studio album, Houses Of The Holy (1973), How The West Was Won is clearly about Rio Bravo:

`Walking side by side with death. The devil mocks their every step.`3

 Dude is held hostage, but during the exchange for Joe he overpowers the murderer and Chance, Colorado, and deputy `Stumpy` force the criminals to surrender. The final scene is of saloon girl Feathers` skimpy outfit drifting down into the street from the room she`s sharing with Chance. `Stumpy` picks it up delightedly while Dude advises caution. `Stumpy` is played by actor, Walter Brennan, who has a bad leg in the film, and so corresponds to Walter in Led Zeppelin`s `Walter`s Walk` (1972):

`As you stand alone do you wonder how? Can you step aside, does it matter now?`4

 The background for Rio Bravo is Sophocles` Oedipus Rex (c. 429 B.C.), in which Oedipus means `swollen foot` or `lame`, because Oedipus` fate is a `lame excuse` for a man. Psychologically, he has `Walter`s Walk`, that is, he`s a `Wild West` gunman hysterically blind through fear. Unwittingly, Oedipus kills his own father, Laius, in a fit of hysterical blind anger, and marries his mother, Jocasta, without knowing who she is. When he discovers he`s broken the incest taboo he blinds himself and his daughter, Antigone, has to act as his guide, that is, as in Led Zeppelin`s `No Quarter` lyric, Antigone is being mocked by the devil:

`What goes on four in the morning, two in the afternoon and three in the evening?`5

 The `riddle of the Sphinx`, who is the `Terrible Mother` figure with the body of a lion, the wings of an eagle, and the face of a woman discerned by developmental psychologist, Carl Gustav Jung (1875-1961) as among the archetypes existing within the dreams, art and imagination that emerge from within the collective unconscious of humankind to drive the species on to growth and progress, was referred to as a track, `In The Evening`, from Led Zeppelin`s last studio recorded album with John Bonham, In Through The Out Door, because a man doesn`t walk with a rifle as an aid to progress, nor does he walk with a stick because he`s an old man. Oedipus` answer to the riddle is `a man`, because that`s what he`s told by the seer of Thebes, Cassandra, and the Sphinx`s acceptance precedes Oedipus` marriage with his mother, Jocasta, before his inability to perceive the meaning of the incest `riddle` leads him to suffer the consequences of his acceptance of men`s taboo and he self-blinds himself:

`I hear you crying in the darkness, Don't ask nobody's help.`6

 Because women have their own penis` semen and host wombs as `futanarian`, God tells Eve in Eden her `seed` will `crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) Led Zeppelin`s `In The Evening` is, `Let`s spell `in the evening`,` because the meaning of Oedipus` fate needs to be spelled out for humankind, which is that women are the third `foot` of the race. Eve and the first man, Adam, were expelled from Eden by God for accepting the `fruit of the tree of the knowledge of good and evil` from the serpent, who was Satan, the angel who`d been expelled by God from heaven and turned into a low thing for rejecting humanity, `You will be as gods,` (Gen: 3. 5) Led Zeppelin were féted as gods whenever they went to the United States and How The West Was Won is hubris from an English rock group who weren`t Americans. God`s story after Eden is of Jesus` birth uncontaminated by male semen as a sign of what humankind must do to have Redemption. God tells Eve after her expulsion for rejecting the `fruit of the tree of life`, which is immortality, that she and her descendants will die, and Adam must labor while she`ll experience labor in childbirth, which Jesus` birth as the redeemer of `woman`s seed` fulfils. Jesus represents the host womb of the human species, that is, his mother, the Virgin Mary, at the `Last Supper` where he offers `bread and wine` to his disciples as symbols of his `body and blood`, but Judas Iscariot rejects the host and betrays Jesus to the Roman Empire in Palestine which has him nailed upon a cross of wood and tortures him until he dies. Jesus` Resurrection and Ascension to heaven prefigures the Resurrection of women`s own `futanarian` penis` semen with her own host wombs for the sexual reproduction of her own brains` powers for liberation, which is the future story of how the west was won.

 Often described as a `virgin land`, America was the place that the European settlers arriving subsequent to Christopher Columbus` discovery of the continent for his sponsor, Queen Isabella of Spain, in 1492, saw as a new Eden, but the absence of women from the world`s stage suggests the human race`s host womb was invaded by a parasite that stole her penis and made it into a gun to kill her with. God tells Eve her `seed` will have `perpetual enmity` with the `serpent`s seed` because of male braining in which all humanity has men`s semen, although Jesus` birth uncontaminated by male semen is Redemption for womankind, who is the host womb of the human race with her own penis` semen awaiting Resurrection. The Edenic land of America was lost, rather than won, because it was Oedipal. Oedipus` tragedy was that he wasn`t able to see that the incest taboo was constructed to keep women from knowing that sexual reproduction with women like their mothers was possible for their daughters, and that it covers up men`s `original` sin of killing and culling `woman`s seed` born after Eden as the `futanarian` human race to establish womb slavery in death and war, as God warned Eve and Adam would occur, but which Jesus` redemptive teaching, `love your neighbor as you love yourself,` (Matt: 22. 39) attempted to ameliorate, as women can see themselves in the mirror.

 Rio Bravo is the story of what men have done since Eden, which is steal the woman`s penis and turn it into a gun to shoot John Wayne with because he`s too big to punch and the cowards want to be able to kill him without getting hurt. `Stumpy` is Oedipus because he`s told not to bother Chance and Feather by Dude, that is, he`s `stumped` in the sense that he can`t answer the `riddle`, while he`s `lame` because he represents men`s excuse for guns, which is that the man defending the woman has to be hit if the woman is to be killed and the cowards are afraid he`ll hit back. Oedipus` name means `swollen foot`, because blind men can`t walk alone; as Oedipus` fate indicates. His daughter, Antigone, guides his steps as the `third foot` of the `evening` of mankind, which is the genuine solution to the Sphinx`s `riddle`. A man walks alone in the evening with a rifle, because he`s killed the woman`s penis and so she can`t walk beside him even if she`d wanted to. `Stumpy` is Hollywood Babylon`s `devil` in the movie, Rio Bravo, because men`s penis is just a stump of what it would have been if they hadn`t killed and culled `woman`s seed` for womb slavery to the gun and death. The woman, Feathers, doesn`t have even the stump of an idea about her own penis` semen, because Hollywood banned women from raising her `foot` from the floor in bedroom scenes as long ago as the `Hays code` of 1930. Feathers, the saloon gal of Rio Bravo, corresponds to Oedipus` daughter, Antigone, of Greek antiquity, because her role is to lead the blind. The blind Led Zeppelin of How The West Was Won are the `blind leading the blind` (Matt: 15. 13-14) to  hell: because that`s what gods do.


1 Disk 1; L.A. Drone (John Paul Jones, Jimmy Page) 0:14, Immigrant Song (Page, Robert Plant) 3:42   , Heartbreaker (John Bonham, Jones, Page, Plant) 7:25  , Black Dog (Page, Plant, Jones) 5:41  , Over the Hills and Far Away (Page, Plant) 5:08  , Since I've Been Loving You (Page, Plant, Jones) 8:02  , Stairway to Heaven (Page, Plant) 9:38  Going to California (Page, Plant) 5:37  , That's the Way (Page, Plant) 5:54  , Bron-Y-Aur Stomp (Page, Plant, Jones) 4:55  , Disk 2; Dazed and Confused (Jake Holmes, Page) 25:25  , Walter's Walk (Page, Plant), The Crunge (Bonham, Jones, Page, Plant), What is and What Should Never Be (Page, Plant) 4:41  , Dancing Days (Page, Plant) 3:42  , Moby Dick (Bonham, Jones, Page) 19:20  , Disk 3; Whole Lotta Love (Bonham, Willie Dixon, Jones, Page, Plant) 23:08  , Boogie Chillun (John Lee Hooker) 3:10, Let's Have a Party (Jessie Mae Robinson) 1:56, Hello Mary Lou (Gene Pitney) 2:08, Going Down Slow (St. Louis Jimmy Oden) 8:29, Rock and Roll (Page, Plant, Jones, Bonham) 3:56  , The Ocean (Page, Plant, Jones, Bonham) 4:21  , Bring It on Home (Willie Dixon, Page, Plant), 9:30  , Bring It on Back (Bonham, Jones, Page, Plant).
2 Wayne, John as John T. Chance in Rio Bravo, Warner Bros., March 15, 1959.
3 Jones, John Paul, Jimmy Page and Robert Plant Led Zeppelin `No Quarter`, Houses Of The Holy, Atlantic Records, 1973.
4 Page, Plant Led Zeppelin `Walter`s Walk`, Coda, Swan Song, 1982.
5 Apollodorus, Library Apollud, 3. 5. 8.
6 Jones, Page, Plant Led Zeppelin `In The Evening` In Through The Out Door, Swan Song Records, 15 August, 1979.