Asinine 11: Saddam`s answer to Apollo`s Adam
Hor-em-Akht is the name of the Sphinx in the mythology of
the ancient religion of the Egyptians, and it`s riddle is, `What goes on four
legs in the morning, two in the afternoon, and three in the evening?`1 The
answer is man, but the questioner is more important: woman. As the Sphinx she
`goes on all fours`. The riddle of 9/11 is hers, because it`s about BDSM and
who wears the dog collar.
In Christianity the dog collar is worn by the
pastor, because he represents the burying of the bones and faith in Jesus`
Ascension to heaven. In Egyptian mythology Osiris is dismembered by his evil
brother Set, the ‘top dog’, and his parts are scattered throughout the Earth by
other `dogs`. His wife Isis recollects the `pieces` and the reassembled parts,
haw, are resurrected as Horus, ‘the sky god’, who takes the form of a hawk.
Cynthia Payne (1932-), as a well-known English BDSM
madame, ran a haw house. She trained women to find ha (male parts), which is
the role of a whore, who wants to have ha, but doesn`t want the reincarnated
with karma to remember they`ve lived before, for example, as they’d want
restoration. Although the principle of karma derives from the ancient
Hindu religion of the subcontinent of India, relating to the chakra
ladder of memory that the reincarnated needs must reactivate through
meditation, the concept of raising the level of human consciousness from the
base of the spine, that is, the Muladhara chakra, to the seventh, and
highest Sahasrara chakra, at the crown of the head, constitutes a
similar gathering of parts. In the priestess role, as Isis who recollects and
remembers, BDSM women collar their dogs to look for buried bones, that is, the
parts, ha, of those who’ve lived before. BDSM uses dungeons to further research
into the clients’ past for the haw to reassemble.
Pastors are trained dogs insofar as they are
supportive of the Holy Spirit, that is, the Paraclete`s role, as teacher`s
assistant. The congregation accept the teaching of Redemption and so God is
amongst them. This is equivalent to the collecting of the pieces of Osiris and
his remembering by Isis, that is, the Holy Spirit represents the gathering
together of the wisdom of God, which is what the haw is, and that’s why the
role of a madame in a whorehouse is archetypal. She has whores and they attract
male parts, which when collected are haw, that is, property. Without a
controlling spirit what’s pursued is merely physical pleasure, which is what
whores are generally understood to be for.
The ‘mother of abominations` is the `whore of the
apocalypse` in Revelation, as there`s a difference between the
spirit, which needs control, and the body that needs release in physical
pleasure. A woman who, like Isis, collects the parts of the haw, is a
rememberer in the spiritual path. But a woman who only experiences a penis and doesn`t
want to remember the owner is a whore, as she has to have the part (ha),
whether she wants it or not. This is an `abomination`, which is why the
archetype in Revelation is described as ‘Babylon’, as although
the haw or sum of the parts is great, if the woman doesn`t see the value in the
propertied, Jesus` Redemption through the teaching of the Paraclete isn’t present;
or, in terms of the Egyptian myth, Isis doesn`t collect the parts scattered by
the dogs (evil men and base whores) and Osiris isn`t remembered.
Evil men and base whores are archetypal. The Sphinx
has the breasts of a woman and the body of a lion, and the infant man she
describes is on all fours, like a dog, being trained to walk upright. As an
archetype, the Sphinx has psychological meaning attached to her. She is
instinct and protection, but all fours women represents sex `doggy style`,
which is marriage (Bondage), obedience (Dominance), and humility (Sado-Masochism),
as the dog collar in BDSM worn by those trained to fetch.
The controlling spirit is evil, as it`s sadism. In
Egyptian mythology dogs scatter Osiris` parts, whereas Isis collects them. The
resurrected Horus, that is, the sky god, is depicted living in the house of
Hathor, the Egyptian mother goddess, forever, as the plural of the ha parts is
hau, which suggests that the women are hermaphrodites in the haw house of the
remembered. The Sphinx represents the dangers of BDSM and homosexuality, which
is all fours sex. In other words, sadism and homosexuality`s sodomy are the
dangers that the Sphinx warns of: if attempts are made to train women for the
haw house. Women, like Isis, collects and remember without prompting, as it’s their
hau.
The `dogs of war`, that is, asinine 11, were Al
Qaeda from Afghanistan; the traditional place of ‘the old man of the mountain’,
Hassan-i-Sabbah, who was `master of the assassins`, as Osama Ben Laden was on September
11, 2001. Al Qaeda represent that which doesn`t want to be recollected or
remembered, and they don`t want others to be. Logically, they perform
assassinations, as ass-as-Sin`s, that is, representing sadism and
homosexuality`s sodomy. As the ‘evil one’, Set, making `asses` out of dogs that
could be trained in know hau, top dogs want fools, as they desire sterility,
and to inflict pain upon those who are developed: asinine 11.
The symbol of the English army`s death or glory
boys (DOGs) is the skull and crossbones, which suggests the pirates` unconcern
with recollecting and remembering, that is, they want to know where the bones
of Jesus are; not to resurrect him: but to find treasure in God’s hau. This is
another reason why priests wear the dog collar. As Osiris’ evil brother Set is
the dog who cuts him into pieces, and then places him in a chest, from which he
can`t escape, it’s a coffin. The Christian priest is trained by the Paraclete
to accept the teaching of Jesus and Redemption, that is, like a policeman, he
collars the dogs, as he isn`t Set`s. Working for resurrection, he isn`t a
treasure hunting pirate:
`That corpse you planted last year in your garden,
Has it begun to sprout? Will it bloom this year?
Or has the sudden frost disturbed its bed?
Oh keep the Dog far hence, that's friend to men,
Or with his nails he'll dig it up again!’ (l. 71-5)
The first part of T.S. Eliot`s The
Wasteland (1922) is `The Burial of the Dead` and although priests who
wear the dog collar aren’t war dogs, like the English lancers, they bury propertied
bones, who’re the ha of the hau that’s for the resurrected and the immortal. In
Oscar Wilde`s The Importance of Being Earnest (1895) `Bunburying` is
named for the character, Bunbury, who looks for people and places he`s seen
before, as he’s a dog trained to find a hau from the ha.
For the aborigines in Australia, `Dreamtime` was
the name they gave to traveling to a place they`d killed an animal before, and
kill that very same animal again. This is bone burying and going back to worry
at it some more, which is why rebirth per se and karma aren’t
evil. They’re the ha of the hau. The UK’s DOGs are trained to worry the walking
dead, that is, those reincarnated by karma, for the ha to their hau,
while priests find themselves similarly engaged in ‘Bunburying’, as local dogs
seek the ha for the hau. Eliot’s last lines in ‘The Burial of the Dead’ refer
to the priest as a traitor:
`You! hypocrite lecteur! - mon
semblable, - mon frere!`2
Bunburyers look to follow the parts of the ha to
the hau in the past, and are prepared to torture the living to get them, which
is why the brother of Eliot`s poem mocks the idea of being liked by himself.
The dog-headed god, Set, is the evil brother of Osiris, who doesn`t want him to
be recollected and remembered by his wife, Isis. He therefore represents the
idea that, in a world of `Bunburying`, it’s their own bones that the dogs are
worrying. As Jesus on the cross said:
`Forgive them Lord for they know not what they do.` (Luke:
23. 24)
The Paraclete is
given by God; the Holy Spirit cut, as it were, from the side of Jesus by
Longinus` spear, as the Romans tormented his flesh: prefigured by Eve`s
emerging from Adam`s side in Eden. In Christianity the Paraclete is its
teaching assistant, after Jesus’ Resurrection and Ascension to heaven. Those
who accept her and Jesus` teaching have Redemption. The Holy Spirit guides God`s
human parts, that is, ha, and then the Paraclete is the spiritual guide to
God’s hau.
The play games’
system of the evil are what virally plagued the aims of computing in the 21st century;
resulting in the ass-as-Sin`s of 9/11. Plague aims to kill the brain, which is
what play ‘gay’ gamers were for; buggering. Feigning benignity, plague aims were labeled `Trojan
[horse] viruses` by computer users beset by ‘bad machine code’ (BMC), tailored
to infect their machines. With their hijacking intentions disguised as civil, they
prefigured airAIDS. When the Al Qaeda terrorists, led by Osama Ben Laden,
operating under the auspices of the notoriously misogynist Taliban regime of
Afghanistan, hijacked civil airliners on 9/11, 2001, to crash into the Twin
Towers of the World Trade Centre on the Lower West side of New York city’s
Manhattan island, it was symbolically an attack on the US’ central processing
unit (CPU) by a gay plaguer hacking into the US` defense system.
Those twin pillars
of freedom represented `equality and fraternity`; associated with Revolution
and a gift from France in 1886, the statue of Liberty’s welcoming presence at New
York harbor:
`A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
`Keep ancient lands, your storied pomp!` cries she
With silent lips. `Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!`3
The essence of the poem `The New Colossus` (1883) by Emma
Lazarus is the US as a refuge from plague, and while 9/11 wasn`t play, it was
games, as in beasts being flown to Christians to promote the plague aims of the
ass-as-Sin`s. The Trojan horse of the unannounced aim of homosexuality; to kill
the brain of civilization. Science fiction writer, Frank Herbert, in Dune (1965)
wrote, `fear is the mind killer`, which is what terror is for. The `Big Apple`
of New York’s brain was, to Al Qaeda, Saddam’s, that is, the ruler of Iraq’s, and
sacrificed to him, whose offer of bases to the terrorists resulted in the US’
army invading Iraq in March 2003 to depose their President Hussein, who wasn’t.
It was the angel, Satan, turned into a serpent by
the creator, God, for rejecting God’s plan that the human host be greater than
the angelic that gave ‘the fruit of the tree of the knowledge of good and evil’
(Gen: 2. 9), which it was death to taste, to Eve, who gave some to Adam,
‘You shall be as gods.’ (Gen: 3. 5) God had told them to ‘eat only of
the fruit of the tree of life’, which was immortality, and expelled them from
the paradise of Eden, with the promise that Eve’s ‘seed’ would nevertheless
prevail, ‘You shall crush the head of the serpent with your foot, but he will
bruise your heel.’ (Gen: 3. 15) As Jesus was born uncontaminated by male
semen from his mother, the Virgin Mary, the premise is that women’s seed, that
is, the futanarian species of women with penis’ semen of their own, is what God
favors. The serpent has eternal `enmity` with women. The attack on the big
brain of New York was to prevent women’s seed from bearing fut, that is,
Redemption through wisdom. The terrorists of 9/11 were the ass-as-Sin`s of the
future; the brain queered by the viral worm.
The Koran (610-30
C.E.) of the Moslem believers, dictated to the Prophet Mohamed, according to
Islamic tradition, by the angels of God, describes the `lamp of Islam’ as `the
light of God`, which is not antithetical to the light of `liberty, equality and
fraternity`.
Their folk tradition is best illustrated in the 8th
century collection of tales, A Thousand Nights and One Night, in which Scheherezade
saves the women of the kingdom of Shah Jehan when he experiences a type of evil
possessive spirit causing him to murder his wife for a faithlessness that she
does not possess. Scheherezade, as a greater haw, saves the women of the hau by
telling stories to Shah Jehan, so that he keeps her, and doesn`t behead a new
wife each dawn; as had become his practice towards the ha.
In the Egyptian
myth Osiris` penis is lost in the dismembering by Set. However, Isis fashions
one anew after collecting the pieces of his body, that is, in remembering him,
they’re reunited, as Adam and Eve were a single hermaphroditic creature in God,
according to Jewish Mishnah, before she was separated by God’s creating her from
his side.
Greater wisdom is
the teacher of Redemption after Jesus` death. The Paraclete, cut from Jesus`
side (Matt: 27. 54), by the spear of Longinus, pierced upon the cross of
his crucifixion. Jesus’ disciple, Judas, finding Jesus with a woman, notified
the Jewish religious police, the Pharisees, who gave him over to the Romans,
then occupying Jewish Palestine in the name of the Emperor, Tiberius Caesar
Augustus (14-37 C.E.), who took him to the hill of Calvary outside the city of
Jerusalem, where he was nailed to a cross of wood and died there, but
experienced Resurrection and Ascension to heaven in prefiguration of that of
women’s seed, ‘Leave her alone.’ (Mk: 14. 6)
Called the ‘Second
Adam’ Jesus’ side was thought to contain the ‘Second Eve’ as the ‘Holy Spirit’,
which was the reason for Longinus’ spear being known as the ‘Spear of Destiny’,
as the teaching of the Paraclete would bring women’s seed to fruition, which is
the reason for the spear being associated with what the US perceives as its ‘Manifest
Destiny’, which is illustrated by the ‘American Dream’ of destiny fulfilled,
through its collected stories, inspired by Jesus` Paraclete; the Scheherezade
of the West: saving women`s seed.
Their assassins were taught by Islam’s leaders they’d
have paradise afterwards, as `martyrs`, because it’s how Moslem power
originally spread. According to the Koran paradise has houris,
which are `guides, teachers, comforters and helpmeets`; as the Paraclete is in
Christianity. However, as houris are associated with what is pleasing, the
concept of pleasure isn’t morally sufficient; ‘If it pleases you.’ Taught that
heaven is good, Christians are similarly vague; as idiomatically ‘One man’s
meat is another man’s poison.’4
Saddam Hussein,
whose name meant `crusher` and `small handsome man`, was preferred by the
bullies of homosexual pederasty, and 9/11`s terrorists were of that bullying
set, whose poisons weren’t meet. Although the ancient capital of Iraq was
Babylon (c. 4000 B.C.), the district of Hollywood, city of Los Angeles,
movie capital of the US, West coast state of California, is also known as
‘Babylon’, because of Jesus’ disciple John’s apocalyptic vision of the future,
‘Mystery, Babylon the great, mother of harlots and of the abominations of the
Earth.’ (Rev: 17. 5) As the US celebrated historical figures, like
Napolean and Hitler, known for their atrocities in warfare, Saddam was but another
‘small handsome man’ meet for their movie theaters.
On 9/11 the US’ Central Intelligence Agency (CIA)
and the National Security Administration (NSA) were criticized for failing to
warn US’ Homeland Defense of the danger presented by hijackers; murdering on
someone else`s plane. The goddess Isis` data collection pieced together; as the
Big Apple was all of a piece before 9/11, 2001, while the determination by
Islamic extremists on an Independent State of Iraq and Syria (ISIS), before Saddam’s
December 30th, 2006, execution by hanging at the Iraqi army’s Camp
Justice, Khadimiya neighborhood, northeast of the capital city, Baghdad, represented
the realization that there were pieces. Isis` species is women’s seed, so the
goddess Isis` pieces collection is a metaphor for how to eliminate the evil of
human host womb slavery in pederasty for slave wars. In terms of 9/11, the
plane of Redemption was suicidally destroyed, so homosexuals could have houris,
as they please them.
Although the dragon of Revelation is
red, it’s Satan`s claws, that is, a devouring maw; Baghdad, as it were, rather than
Santa’s sack. The woman giving birth to, `he who shall rule the Earth with an
iron scepter` (Rev: 12. 1-18) is antithetical to Babylon, as the haw
distinct from the maw, representing the Egyptian `Akh`, as `magical
personality`, for example, ‘the Shekinah’ (Ex: 40. 35) of the Old
Testament of the Bible, which is the Torah and Talmud, that is, the
law and history of the Jews, as the ‘feminine spirit of God’, dwelling within
the tabernacle, where the law of Moses was kept in the Ark of the Covenant,
during the Jews journey from where they’d been slaves in Egypt of Pharaoh
Thutmose III to Palestine, was a haw, appeared as a pillar of fire by night and
a column of smoke by day, guiding the Jews to her hau in the land promised by
God.
In Egyptian
mythology the Ka (spirit) and Ba (personality) unite to produce the Akh, which
is the magical personality who recollects and remembers, and so the shrine of
Abraham, patriarch of Judaism and Islam, is the Ka’ Ba of Mecca in Saudi
Arabia, dedicated by Hajer, ‘the Egyptian woman’, mother of Ishmael, founder of
Islam through his descendant Mohamed, while his older brother, Isaac founded
Judaism. Whereas Sara was the wife of Abraham and mother of Isaac, Hajer was an
unmarried concubine of Abraham’s, which afforded Judeo-Christianity the
opportunity to declare Islam illegitimate. That the Koran affords four
wives to Moslem marriages is viewed as a retroactive attempt to legitimize
Ishamel’s birth, whereas it’s a vehicle for the sexual reproduction of women’s
seed within the family.
In American culture Britney Spears has destiny’s
mantle; appearing on Mars, for example, in the promotional video for her
pop song, ‘Oops! … I Did It Again’ (1999), she’s the Mars Ba, whose role
is to collect herself, that is, find her Ka, as the magical personality’s Akht.
The actual US` Mars lander was called `Phoenix`, which is `Bennu` in Egyptian;
soul:
`... You think I'm in love.
That I'm sent from above...
I'm not that innocent.
You see my problem is this:
I'm dreaming away;
Wishing that heroes, they truly exist.
I cry watching the days.
Can't you see I'm a fool
In so many ways?`5
The lyrics are those of a soul searcher. In the
video a spaceman visits, and Britney hangs him trby a hook in his backpack,
suspending him over herself in a white bikini dress by a chain. Filming her
with a camera attached to his space helmet, he’s the `hanged man`; `traitor` of
the Tarot deck of cards, which is believed a portable version of the Torah,
depicting the journey of the soul. As she’s a woman, he has her part, that is,
although she’s a Ba soul, he represents her Ka spirit, which is betrayed, as
there isn’t a future for her as women’s seed. She’s Isis, and he’s in training
to fetch, in mythic Egyptian terms, as a dog, ha for her hau:
`The Fool settles beneath a tree, intent on finding his
spiritual self. There he stays ... People pass by ... animals, clouds, the
wind, the rain, the stars, sun and moon. ... he climbs the tree and dangles
from a branch upside down like a child.
...
It seems to him that his perspective of the world
has completely changed, as if his inverted position has allowed him to dangle
between the mundane world and the spiritual world, able to see both.
...
Timeless ... [though] this moment of clarity seems ...
[he] will have to act on what he's learned. For now, however, he just hangs,
weightless as if underwater, observing, absorbing, seeing.`6
If ‘Oops! … I Did It Again’ is science
fiction, it`s cryogenics: `I cry watching the days.` It`s a part of the
American Dream of traveling light years through space in suspended animation,
that is, cold sleep, with dreams of her Ba soul (Bennu) and the spirit (Ka) and
magical personality (Akht) asleep, although there’s the ha parts of the haw in
everything dreamt.
Isis sexually
enables and Osiris remembers through desire, while the pieces of Isis’ haw are
his memories of women’s seed. Although she fashions his penis anew, it’s hers,
as the species of women he’s known and will know. At the beginning
of ‘Oops! … I Did It Again’ Britney’s astronaut picks up a `divine
fragment` with her image upon it:
`Whoah there horsey!`
It`s Horus’ see:
`Britney, before you go, there's something I want you to
have.`
`Oh, it's beautiful! But wait a minute, isn't this... ?`
`Yeah, yes, it is.`
`But I thought the old lady dropped it into the ocean in
the end.`
`Well, baby, I went down and got it for ya.`
`Haw, you shouldn't have.`
The last line begins with haw, as she’s collecting
parts. In ’If U Seek Amy’ (2008), the refrain is, `Ha ha he he ho ho hum.` As
she sings in ‘Oops! … I Did It Again, `... to lose all my senses ... is so
typically me ..,` she’s training her astronaut in the data collection that’ll
make her a functioning Akht with a magical personality.
In Hinduism the transforming of karma into
knowledge of the hau requires `mental and intellectual fulfilment` in
accordance with Dharma, translating as ‘responsibility’, while the
astronaut is Artha, translating as `worldly status`, and the spaceman in
his suit is an Arthurian knight fulfilling a quest. He returns, walking
backwards in the video, rewound, trained to repeat his gift, as a ha part of
her hau. However, as a man he represents the war god, Mars, and Sutekh; an
alternative name for Set in Egyptian signifying suit technology. Consequently,
his value to women’s seed is ambivalent, as men are the futanarian race of
women’s host womb parasite. Britney’s Isis to her Heru; an alternative Egyptian
name for Horus. She wants the hero trained dog-like to help her collect
herself, rather than Sutekh; the god of war’s devastations.
Perceval, the Grail knight of Arthurian legend, `pierced
the veil`, that is, the astronaut who brings a ha to the haw of the hau is a
`Spears [of the] veil` knight. He has the gift to see Spears manifesting the
destiny of women’s seed on Mars. In ‘Piece of Me’ Britney sings, `I`m Miss
American Dream since I was seventeen [seventy-six].` The dream of a haw
collecting the ha of her hau. In ’If U Seek Amy’ Spears message is: `Aim me.`
The guidance of the feminine spirit of God, that is, the Shekinah, who is conceived
as the Holy Spirit of the New Testament of the Christian Bible,
based on the teaching of Jesus ‘Christ’, ‘the chosen’, is required by Spears,
rather than plague aims, which aren’t destined for women’s seed.
Britney’s soul searching is that of a Ba, which
plural is Bau, that is, the bow of her ship, ‘All aboard!’ However, women’s
seed is Kau, that is, the plural of Ka, which is the reason for the mother
goddess, Hathor, in Egyptian mythology, being depicted as a cow, although
symbolically women’s seed are a female bull, represented in the ancient
religion of the Phoenicians as Baalat; female counterpart to Baal: the male
bull god. As recorded in an English nursery rhyme, ‘the cow jumps over the
moon’,7 as women’s seed is for the colonization of the planets amongst the
stars of heaven. ‘Oops! … I Did It Again’ is that. The Egyptian myth is that
the sky god, Horus, can live in the house of Hathor, although women’s seed
could live alone, which is the ambivalent aspect of women’s relations with men,
who’re sterile parasites if slaving women’s host Ba wombs in homosexual
pederasty for wars against women’s Ka seed to further enslave a futanarian
species without which men couldn’t reproduce.
Earth is a women’s prison. The Holy Spirit, or
Paraclete, for women’s seed corresponds to what intelligence organizations
describe as `circus`, and popstars such as Egypt’s Nancy Ajram, and Christina
Aguilera and Britney Spears in the US have circus as a theme of their
Akht. Although US’ intelligence didn’t get their act together to prevent
9/11, God`s intelligent system is the Paraclete`s, which seeks to return
women’s seed to heaven, ‘The dragon stood before the woman to devour her child
the moment it was born.’ (Rev: 12. 4) Although the child is thought to
be the ‘Second Coming’ of Jesus to the Earth, the evil want women to remain
enslaved as the producer of homosexuality’s ass-as-Sin’s: asinine 11.
The Sphinx is women`s warning. Don’t castrate
women’s seed, or the futanarian race of women will have to breed with animals,
and men were her apes. If a man walks on three legs in the evening, that is,
towards the end of his life, it’s with a stick, that is, a cane. As the killer
of women’s seed, he’s Cain; the first murderer, according to the Bible,
that is, as God’s ‘foot’, futanarians are the third leg of the human race of
women, whereas men, who rely on guns, are perdition, as God`s Revelation is
they’ll be extinct without women. To the dragon, a euphemism for Satan,
God’s foot is food, which is the butcher’s plan, as the interpretation of
Britney Spears’ song, ‘If U Seek Amy’, that is, f*u*c*k me implies, Amy is
saddamy, as Saddam, offering bases to Al Qaeda, operating under the auspices of
the misogynistic Taliban regime of Afghanistan, deposed by the invading US’
army by December 31st, 2001, after 9/11, was the ass-as-Sin’s
sadistic producer of burka meat.
Anti-terrorism is protection for the eyes of those who
want to see. However, women have no value for homosexuals; other than a sound
bored. Preferring the masturbatory pleasure of anal sex, they`re the `seed` of
Onan, killed by God for refusing to impregnate his dead brother’s wife, Tamar,
and ‘spilling his semen’ instead. For homosexuals, women correspond to cannibal
meat, as a product of slave warfare, whereas as human civilization comes from
the womb of women’s seed, cannibalism is a travesty of Jesus’ body and blood`,
offered by him as `bread and wine`, at what is called ‘the Last Supper’ before
his crucifixion, as the representative seed of women, born uncontaminated by
male semen from his mother, the Virgin Mary, depicted in Christian iconography
as crushing the head of the serpent with her foot, appealing for men’s
acceptance of women’s futanarian race, which slavery wants to see going
quicker. However, the foot race goes slowly, if it can afford to, for example,
teleportation in the US’ science fiction television series, Star Trek
(1965-69), affords instantaneous travel between the starship Enterprise and
planets, whereas women’s seed is meat condemned as unviable by its castrator
for slowness, because wombs are susceptible to temporarily debilitating
pregnancy.
The Sphinx`s name, Hor-Em-Akht, means `Horus on the
Horizon`, as she’s symbolically pregnant with the sky god. Although it’s men`s
whore `em act, Britney, white bikini-dressed, looking up at the spaceman’s
camera eye, as he hangs, suspended there by her red jump suited twin, means
women’s seed are for the stars. Men have to accept women’s form as theirs; or
they won’t be born there. Beside the camera eye are the tines of their giant’s
fork.
In BDSM it`s about slave and master, but marriage
in which men accept that women’s seed are the species is Godly. However, men’s
psychopathic profiling is subjugation, which is why, according to Jewish
Mishnah, the first woman created by God was Lilith, who refused to be
subjugated, which is the basis for men’s misogyny. 9/11 was a `Trojan horse’. A
harbinger of war against women’s seed, which is what all wars to horse
are. While BDSM is understandable, that is, without sadism, it’s marriage;
obedience and humility (submissiveness). However, as bondage, dominance, and
sado-masochism (BDSM), it’s men’s promotion of women’s enslavement, which is
homosexual, while the `beasts` of Revelation, as sodomy and sadism,
are the ass-as-Sin`s breeding ground: asinine 11.
While there
could`ve been the morning of humanity in the dawn of a new era, instead there’s
the mourning of it. The spelling of American humor and standard English
humour has a certain poignant relevance, as it’s the humour of the evil to have
mourning rather than morning. 9/11`s pronouncedly sick joke was that mourning’s
humour: asinine 11. The ghoul doesn`t have a sense of humor: it`s a sadist. As
a play on British and American accents, 9/11`s design was to program
humanity out of existence by explicating that the morning star, that is, Venus,
was the mourning star, as Lucifer; the name of the angel, Satan, turned into a
serpent by God for rejecting God’s plan that the human host be greater than the
angelic, while devastating people’s good humor with their nihilism. 9/11 may
have been a 21st century German play on words, that is, nein
11, or a denial of Apollo 11’s moon landing by nihil (Neil) Armstrong, as the
Bedouin, for example, to bedevil their Manifest Destiny, teach that Americans
never went to the moon.
9/11 resembled the
movie, Mars Attacks (1996), in which `malien` invaders are depicted as
intelligent men; laughable and psychopathic. It inaugurated the sad era of the
21st century by means of a sleeping psychological complex.
Benign, for example, Ben 10, as an action toy for boys, based on
the animated character debuting on Cartoon Network in And Then There Were 10
on December 27th, 2005, is perceivably psychopathic, as Osama ‘Ben’
Laden, that is, if 9/11 is conceived as a pause at 10, Apollo 9 had tested the
lunar module, prior to the lunar landing of Apollo 11, and Apollo 10
reconnoitered the 876 km (544 mi) in diameter mare, or basalt plain, The
Sea of Tranquility, designated as Apollo 11’s landing site, that is, to a
schizophrenic pedophile enamored of Ben 10, who can turn himself into
aliens to fight aliens, 9/11 was the day for jamming the US’ space program. In
terms of the terrorists of pederasty, aiming at a Ba assault, their toy boy was
‘Ben’ Laden, figured as a Ben 10 alien provoking US’ gay mares,
who’d perhaps previously cratered the moon with attacks on women’s base there,
to divert financial support away from space travel off Earth and prevent a
future Mars mission that would be another tentative step for the foot of the
Kau of women’s seed looking to escape Earth’s gravity.
In ’If U Seek Amy’ Britney Spears
sings of sad Amy and `Sodom and Gomorrah`, which were the `cities of
the plains` (Gen: 16, 19) destroyed by God, according to the Bible,
for homosexual pederasty and vendetta, which is mafia comorra. Although
Britney wants happiness for sad Amy, rather than the `city of the planes`,
which was Saddam and camorra, the enmity the woman, Eve, was told by God
in Eden she`d have for the serpent`s seed, before hers left Earth in Revelation for
an eternal life without sodomy and sadism, was that 9/11 lot’s saddamy:
`I just want to go to the party she gon` go.`8
Britney`s first person character in this video
wants a change of scene, that is, as she’s unhappy with the party she has, and
although homosexuality’s pederasty are boy sons, that is, the poisons of
saddamy and camorra, disguised as sexual playfulness in BDSM, and
encouraging slavery, they make women schizophrenic if they want the pleasures
associated with the houris of paradise. Futa women are subject
almost to the point of invisibility, as is depicted in Mars Attacks,
where actress Sarah Jessica Parker is given a dog’s head for a girlie magazine
appearance, whereas it’d be more educational for an audience to learn about
Isis’ renewal of her penis than suggest the dog-headed god, TV Set, is better
remembered. Hollywood, ‘Babylon’, makes the form of women laughable to men,
who’re the Earth`s real aliens.
The Big Apple is the apple of the eye of America
and, if read aright Britney Spears` ‘Piece Of Me’ (2007), makes her a
piece of it. Anatomically, the epiglottis, or Adam’s apple, protects the walls
of the larynx, or voice box, that is, although New York`s eve of
destruction was Saddam, and a further hijacked civil airliner crashed through a
wall of the Pentagon Defense Department building, city of Arlington, Virginia
state, the voice of the Big Apple wasn’t silent.
Iraq (US’
pronunciation eye-raq) was the rack of the evil’s desire for the women’s seed
of Eve and her daughters. In US’ slang a woman`s rack are her breasts, and so
any auditor of Britney`s ‘Oops! … I Did It Again’ might be forgiven
for hearing, `Oops! …. Hide. Hid it again.` As women’s species are castrated by
men to prevent their seed from having the stars, Mars Attacks has
earlier malien antecedents, for example, in It Came From Outer Space (1953),
the aliens have assumed the form of Earth men to devour women’s seed. Reemerged
on 9/11, ‘it’ was Western women`s cue to hide themselves, as the Moslem women
of Islam had already been ‘hidden’ inside their one-piece coveralls, so no one
knew which burkas had been eaten. Although the US’, and servicemen of
other nations of the Alliance against Saddam, left the Gulf inside their
own black bags, as war dead, the actual issue being fought over was misogyny’s
campaign to prevent women`s penis from emerging to bridge the gulf between Ba
and Ka, symbolized by the Ka’ Ba in the city of Mecca, Saudi Arabia, as the
evil want the human species to die in black bags, so women’s seed were in
burger bags before MacDonald’s. The Mars bar of chocolate has a red, white and
black wrapper, and in ‘Oops! … I Did It Again’ Britney appears in white blouse
and matching black boots and mini skirt to receive that gift from her spaceman;
mar slander:
`But I thought the old lady dropped it into the ocean in
the end.`
Although the reference is to the blue diamond,
`heart of the ocean`, which Rose drops as a memorial at the site of its
salvaging in the 1997 movie, Titanic, of the ship’s sinking, after
hitting an iceberg on its maiden voyage from Southampton, England, to New York,
on April 15th, 2012, symbolically the jewel is women’s seed, lost in
the `ocean of the unconscious`, as described by depth psychologists, before its
reemergence in the late 20th century as an internet pornography
curiosity. In her red one-piece Mars’ coverall, Britney`s Ba is depicted
somersaulting through the air to stand in her black and white wrappings, like
an Egyptian mummy. Hajer, for example, a wrapped burka before the Ka’ Ba,
relates Britney’s Ba to Ka and ‘Ib`, that is, soul, spirit, and heart,
symbolized by Britney`s black, white and red costume changes. Black
for Ba, as the soul represents what is transformed of the Earth, which the
ancient Egyptians called Al Khem; the black earth of the prima
materia of the transforming art of their alchemy.
In the developmental depth psychology of Carl
Gustav Jung (1875-1961) alchemy is perceived as an ancient study of
transformation through symbolism in which the aim is rather psychic than
physical change, although the plethora of hermaphroditic imagery indicates that
the alchemists were at least unconsciously striving to recall women’s seed.
Alchemy`s symbolism is ostensibly devoted to the production of the lapis
philosophorum, or `stone of the wise`, symbolized as the hermaphrodite,
which is necessary if women with a penis are to be accepted as the human
species. Britney`s identical twins, in ‘Oops! … I Did It Again’, and her
mid-air transformation from red to black and white, denote women’s seed,
hidden as the self-reproducing hermaphrodite.
In Egyptian mythology, Horus, as the sky god, corresponds
to the world’s modern air forces, while Set represents satellite TV. Together
they’re a complexio oppositorum, described in Revelation as a
beast with two heads, `The second beast was given power to give breath to the
image of the first beast, so that the image could speak and cause all who
refused to worship the image to be killed.` (Rev: 13. 15) 9/11 was
television Set `live on CNN`, while the hawks of US’ air power prepared to
guide their satellite bombs to entomb Iraqi regiments in their underground
bunkers. For the Moslem women already in the tomb wrappings of their
futanarian race, Britney`s Mars bar represented the Akht of the magical
personality of the women with a penis and/or a vagina, who doesn`t want her
rack to be eyed for torture; incurring further enmity for the serpent`s seed.
In Egyptian mythology, Ra, corresponding to the
Judeo-Christian God, incarnate as Osiris, is a more ancient version of Jesus.
Cut into pieces by dog-headed Set, Osiris isn’t to be remembered, as Isis might
then remember women’s seed, which is the role of the Holy Spirit in
Christianity (Matt: 26. 64), although worship of the Asherah pole, as a
symbol of the feminine spirit of God, the Shekinah, suggests that she has a
similar role for Judaism. 9/11 was TV Set remembering ‘sate’, that is,
satellite defense systems sate television audiences’ thirst for the blood of
women’s seed, making the gulf between men and the human species ever wider,
‘The dragon was wroth with the woman and went to wage war on the remnant of her
seed.’ (Rev: 12. 17) Those who serve the evil are the dogs of the
ass-as-Sin`s of 9/11, defined by God in Eden as the serpent`s seed, in
accordance with their attack on the Big Apple of New York. They want sterility
in a pederasty that prefers the poisoned apple of the human brain’s rottenness
to women, who have to live with a monster she`s taught is her own species
but is a parasite upon her host womb, which wants a gun to walk with and kill
her as an enemy.
On the cover for the CD single, ‘Piece Of
Me’, Britney appears crucified on a cross of wood. It`s the idea that
women, like Jesus, were crucified for understanding their role. She spares in
Redemption, gathering the pieces of herself, while aware that it’s the tragedy
of her lost seed that it’s a man`s part to desire hers, and those who do are
her hau, that is, the sum of the parts, ‘Let he that has wisdom have
understanding, the number of a man is the number of the beast and his number is
six hundred three score and six.’ (Rev: 13. 8) If men and women are two
thirds, that is, 66.6 %, the missing third is the futanarian race of women’s
seed, whose exponential powers of reproduction devolve from their possessing
all of the host wombs as the species, which is why the beast doesn’t want them.
Desired as a piece of ass only encourages the ass-as-Sin`s:
`They still gon` put pictures of my derriere in the
magazine.
You want a piece of me. You want a piece of me.`9
Britney’s a piece
of the true cross, which protected Jesus’ ass when he had his back to it. The
evil ass-as-Sin`s of 9/11 represents those asses who prefer evil, asinine 11,
that is, women as a piece of ass. The infamous British spy in World War II for
the Germans was Lord Haw-Haw, which is a comment on pieces (ha) in the role of
intelligence gathering. It’s God’s hau in the absence of stupidity, while
teaching about the ha is the role of the Holy Spirit, while learning the haw of
women’s seed is for the persevering student. Perceval is the Grail knight in
the legends of the legendary British king, Arthur, as detailed in the 12th-13th
century Welsh Mabinogion, and Le Morte d’Arthur (1485) by Sir
Thomas Mallory, for example, who can `pierce the veil` of ignorance to perceive
truth. Intelligence can pierce the veil for women in the same way as Longinus`
spear Jesus` side; piecing together the Paraclete’s knowledge of women’s seed.
Spears’ Perceval, as she pierces women’s veil. In the video single for the
song, ‘… Baby One More Time’ (1999), Britney sings of death, which
traditionally is the veil that`s pierced:
`My loneliness
Is killing me (and I).`10
In the rastafari
religion of Jamaica, `I and I` is the spirit and the personality, that is, the
Holy Spirit or Paraclete, and the soul, which in ‘Stronger’ (2000) Britney
sings of triumphing over the desire for death that the composers and lyricists
had bound her to declare in ‘… Baby One More Time’, as `I and I` want to live:
`Stronger than yesterday.
Now it’s nothing but my way.
My loneliness ain’t killing me no more.
I, I am stronger.`11
Osiris` myth is of women’s collecting pieces and
recollecting memorially, whereas it’s their parts they should be remembering in
slavery. Oedipus` fulfilling of the Sphinx`s riddle, as a blind man walking
with a cane, is moral insofar as Oedipus blinds himself for incest, although as
with Jesus’ perception that the woman allegedly caught in adultery can’t be an
adulteress, as she’s a member of a species preyed upon by a parasite, the taboo
against incest was designed to prevent women’s seed from remaining faithful to
their own race, as the family of women denied their access to their own mode of
sexual reproduction between each other, ‘Let he who is without sin cast the
first stone.’ (John: 8. 7) Although Oedipus’ marriage to his mother,
Jocasta, is serendipitous, discovering he’s broken the taboo causes him to put
out his eyes, although it’s actually due to men’s perverse desire that women
remain blind to their own seed.
As Cain was the
jealous murderer of his more able brother, Abel, and so of a pair of eyes not
his own, as the penis is of women’s race, it’s theirs that men seek to blind
with their taboos against adultery and incest. For Jocasta, Oedipus is a part
of herself, so she’s undaunted by the breaking of the incest taboo when it’s
revealed. In fact men wouldn`t want Christianity, as then women`s seed would
see themselves as the human race, rather than the maliens imprisoning women in
slavery. Men don`t want it to be known they`ve murdered women as a futanarian
species with its own penis and self-reproductive valence. Although women remember
men, it`s because that’s an aspect of men’s parasitism. The wars of
homosexual pederasty are against women and her host womb in the form of
HIV/AIDS` `biological warfare`, for example, the `blood plague` of Revelation
(Rev: 11. 6) and God’s reason for destroying Sodom and Gomorrah.
As ass sin 9/11
was a deliberate attempt by the asinine jokers of the serpent’s seed of
homosexual pederasty to spoil the Big Apple of women`s memory, and attack
Apollo 11`s Adam, that is, the `first man on the moon`, Neil Armstrong, who on
July 21st, 1969, said, `One small step for a man. One giant
leap for mankind.` Al Qaeda were terrorist dogs, who wanted Armstrong,
Neil the `lamb (who is) strong` to kneel. For Al Qaeda, whose flag is a yellow
moon, the Apollo program was a target. Representing enmity towards women’s
seed, leaving for the stars alone, the ass-as-Sin`s, as the evil fruit of the
tree of knowledge, were Cain`s, who offered fruit to God and jealously murdered
his more able brother, Abel, whose cooked viands were more pleasing to God, signifying
the intellectual development required to get the race going upward, rather than
backwards.
The Sphinx`s riddle is, though humanity crawls as a
baby, the ass-as-Sin`s are for apes forever, which is why dogs carry the pieces
of Osiris to the four corners of the Earth, as they represent terrorists and
homosexuality, who prefer sterility and bones. In Islam, though, the four
wives, permitted by the Koran, themselves correspond to the four
corners, collecting the pieces, as the goddess, Isis, taught, so to remember.
An archetypal symbolism of fourness, according to the developmental
psychologist, Carl Jung, present in Jesus` crucifixion upon the fourfold cross,
together with an unspoken injunction to remember women’s seed.
In Jung’s developmentalist approach there are four
functions of consciousness, that is, `Thinking`, `Sensation`, `Intuition` and
`Feeling`, which represent full functionality when operational. The four wives
in Islam prefigure the self-producing Virgin Mary at the center of the Moslem
marriage, that is, women’s seed. Functioning as North, East, South
and West for the goddess Isis` ha, that is, the parts of their completeness
make of them a haw, while the term ‘whore’ derives from homosexual pederasty`s
belief in the boy sons of war, that is, the poisons of the serpent’s seed,
which women perforce are made to produce, although the vehicle for the
self-actualization of women in psycho-social terms is the hau of the parts of
the ha, men whore women for their wars against women’s seed.
Babylon is ‘mystery’, as she`s the haw of Isis,
whereas men want her to be their whore. There are many ha in Britney
Spears` ‘Piece Of Me’, in which she appears copied, although she`s a haw
not a whore, which is a corruption of the serpent’s seed. The gift of
the astronaut in ‘Oops! … I Did It Again’, as the blue diamond
pendant, is the collective female unconscious of the human species of which in
the movie, Titanic, actress Kate Winslet is the representative star in
the role of Rose. The jewel is a ha, or piece of haw. In effect, Britney’s
spaceman `s a `fetching dog` and when he fetches she remembers. Death and
rebirth means the Earth is damned to TV Set repeats, and people are reborn to
fetch as slaves, that is, reproduce from the depths of their unconscious
memory, what they’re made by slavers to struggle to remember of what has been
before. It`s not about what the good can produce, who are killed, but that
they’re reincarnated to produce the same again, which is why men’s semen is
evil.
When Britney`s spaceman takes off his space helmet,
he’s the dog-headed god, Set, uncollared, that is, Sutekh; another of the names
of Set. Her astronaut’s `suit-tech`, that is, suit technology, which makes him
a ‘suspect device’, so Britney puts on him a dog`s chain, while he hangs
suspended, as women’s seed doesn’t want to be weakened by slavery:
`Have you heard it`s in the stars?
Next July we collide with Mars.`12
In ‘Oops! … I Did
It Again’ Britney represents the weakness of women in collision with the Roman
war god, Mars. However, as it’s written in the Bible: `Blessed are
the meek, for they shall inherit the Earth.` (Matt: 5.5) The women of
Islam in their black burkas, which they wear perforce to conceal themselves
publicly from the eyes of the infidel looking to unwrap a burger and sink their
teeth into it, are hidden, in accordance with biblical prophecy:
`The woman was given the two wings of a great eagle, so
that she might fly to the place prepared for her in the desert, where she would
be taken care of for a time, times and half a time, out of the serpent's
reach.` (Rev: 12. 14)
Weak, colliding with Mars, is the complexio
oppositorum of Britney `lamb` strong in her desert in ‘Oops! … I
Did It Again’, and Neil Armstrong, who as a malien corresponds to the
`beast` of Revelation (13.11) that, ‘looks like a lamb and
spake like a dragon’ (Rev: 13. 11-12) from inside Eagle, the
lunar module, announced to NASA’s mission control, `The eagle has landed.`13
Britney descends in a giant`s ring to honor the memory of Apollo 11, and
celebrate the `marriage of the lamb`, Jesus’ `bride, the church`, which
in Revelation is described as consequential to the birth Jesus
in his ‘Second Coming’ as the `New Redeemer`, designated as the protector of
the hidden woman of the Earth until she is ready to leave for the new heaven
promised to Eve’s seed by God. Either the future is to be one of spears
hurled in warfare, that is, ICBMs launched by a beast strongarming
the Earth, or of space rockets launched by a strong arm to colonize the stars.
In ‘Oops! … I Did It Again’ the spaceman
brings Britney ha, so she`ll be a haw. He`s damned, if he`s the serpent`s seed,
who want a whore to pimp. While Redemption is certain for women`s seed, the
evil receive perdition, as they’re men who’re the beasts of their
whores. Whereas ‘Oops! … I Did It Again’ presents the future as a
cargo cult, that is, the slaved reincarnated struggle to remember how to
rebuild, ‘Piece Of Me’, from the Blackout album, identifies the
problem as memory loss resulting from species` degeneration, deriving from
civilizational collapse due to war. Although the blind want to see, cargo cults
want to blind people, so they’ll work futilely for sight, as God tells Adam and
Eve:
`By the sweat of your brow you will eat your food until
you return to the ground, since from it you were taken; for dust you are and to
dust you will return.` (Gen: 3.19)
It`s a description of men’s enslaving of the human
species of women’s seed as a cargo cult. Without the knowledge to build
starships, or even mobile phones, the Earth is a cargo cult in which the
reincarnated endeavor to construct what they can imagine, through image
impulses in dreams, that is, what Jung called the archetypes of the collective
unconscious, or remember from their ancestral memory, of what they’d had
before. Low technology is the device employed by homosexual pederasty, war, and
the enslavement of women’s seed, with their own penis, and the desire to see
what they’d made of it. Blindness isn`t a metaphor to women, although they’re
taught to believe it’s their nature. As a species, women are enslaved by the
maliens, who periodically devour her more advanced civilizations and cultures
in war. As the devourers of homosexual pederasty maintain women’s seed as their
cargo cult, women are `blacked out`, blinded by their malien murderers, while
striving to piece together their hau.
The sum of the parts of her ha might be the dream
of a haw to see, but homosexual pederasty wants a whore for their boy sons of
war, that is, their poisons that manifest as the biological warfare of HIV/AIDs
against the species of women, as the futanarian human species; the host womb of
their parasitism inveigled into bearing disease transmitters. A piece is both a
whore and a gun in US’ vernacular, denoting the blinding of the collective
consciousness to the status of women as condemned meat.
In ‘Oops! … I Did It Again’ Britney`s
spaceman represents those victims who’d had heart for the mission, but are
doomed by the enslaving vampire of the serpent`s seed and its full grown
devouring draco, represented by the `red dragon` (Rev: 13.
4) of homosexual pederasty and war in Revelation; waiting to eat
another child. The Earth’s vision of itself is of thwarting the return of women
to the stars by denying their productive capacity and taking it for themselves,
while maintaining women as their prisoners.
Britney`s Circus (2008) album
contains ‘Womanizer’ in which she has the role of four different
characters in accordance with the four wives of Islam social model. The circus
is a euphemism for spying and what`s spied upon is the cargo cult, because the
enslavers don`t want the enslaved to know. Consequently, the concept of the
four wives of Islam with a futanarian woman with her own penis at the center of
the marital arrangement is a fragment of racial memory that the serpent`s seed
of homosexual pederasty and war wouldn`t want to be remembered, as it would
threaten the malien hegemony over the cargo cult of women, that is, the
futanarian human species, and its products of art, civilization and culture,
periodically destroyed by the maliens to maintain women’s ignorance in slavery
of their unremembered penis’ seed and unique species’ developmental valence.
In psychological terms, the existence of women’s penis
and its suppression by maliens is proof that the penis is the instrument
of human developmental functionality, and incidentally explains preoccupations
with pornography, as the malien taboo against the human penis being seen, is
the desire that women’s seed remain unknown. The overseers of the cargo cult
don`t want the woman`s penis to be visible; lest women see their own slavery.
Britney`s astronaut training in ‘Oops! … I Did It Again’ is penis`
resurrection, presented as circus training for an animal. In global terms,
spying on development is what spy rings do. However, cargo cults that develop
to the point at which freedom is achieved, and `Liberty` is more than a
metaphor for hope, represent the desired for escape from malien imprisonment,
which those who are employed in spy rings might seek to prevent.
The global surveillance, imposed after US’
President George W. Bush Jnr`s declaration of the `War On Terror` (2003-),
after 9/11 and its subsequent events, made it impossible for anything to emerge
from the ruins of New York`s World Trade Centre except more rough trade in
warfare and the gay boy sons of the war god of Mars’ poisons`, that is,
HIV/AIDS, as spy rings are designed by homosexual pederasty to prevent the
development of women’s seed reaching the point at which the human species can
emerge to live amongst the stars in heaven. Consequently, the imposing of a
global spy ring was the covert aim of the devouring red dragon of homosexual
pederasty:
`And the eyes of them both were opened, and they knew
that they were naked; and they sewed fig leaves together, and
made themselves aprons.` (Gen: 3.7)
Masons also wear aprons as a sign of the builder.
Adam and Eve perceive themselves watched. After God expels them from Eden,
because they`ve accepted knowledge of evil from the serpent, they`re `in
development`, as the Los Angeles` Hollywood press might say, of art,
civilization and culture. However, the serpent and its seed are told they`ll
have perpetual enmity with women`s seed, as they represent the spies who
enslave and devour through their cargo cult. 9/11`s terrorist attack on the
World Trade Centre of New York`s Big Apple was the sign of the builders
whose work is destroyed, as it represents development on the part of women`s
seed or hau, that is, women were becoming haw, rather than a whore for the
serpent`s seed of homosexual pederasty and rough trade in gay boy sons, who’re
the poisons of species’ warfare.
9/11 was an attack on the Great Architect, God, by
the masons of the serpent`s seed, who don`t want women`s seed to develop, and
the seed of the Big Apple grown from the tree of knowledge into the wisdom of
the free internet that, without global surveillance placed upon it and its
users, could have been a tool for the liberation of women as the human species.
Although circus refers to entertainment, it derives its name from the Roman
circuses where men fought as gladiators for homosexual pederasty deriving from
an earlier Greek civilization, which originally spread the gay contagion
by enslaving women as host wombs to further war. As the term ‘circus’, as
applied to spying, is the furthering of gay war aims by espionage and
subterfuge, 9/11 was ‘the circus’, aiming to reestablish the enslavement of
women as wombs for its poison horde. In the title track, ‘Circus’, from
the album Blackout, Britney Spears` training for the intelligent
gathering of the church of her projected men of God continues:
`There`s only two types of people in the world.
The ones that entertain and the ones that observe.
...
All eyes on me in the centre of the ring, just like a
circus.`13
As their focus, Britney`s the one who`s watched,
filmed, and photographed everywhere, so she’s collected and remembered, which
is what intelligence gathering is: the knowledge that God wants her people.
She’s Isis to herself as Osiris, who will be Horus, the sky god, when her ha
are collected and remembered, but not all her men`s parts are wanted, as the
satellite guided bombs on TV Set illustrate. As Britney’s a schizophrenic,
in ’If U Seek Amy’, forgetting to take care of herself, and `lose all her
senses ... [which is] ... so typically me`, as the lyric goes in ‘Oops! …
I Did It Again’, is the obvious danger for women. Proclaiming herself the
anti-Christ, Britney shaved her head and lost custody of her children and
fortune in March 2007, when the legions of the paparazzi of
homosexual pederasty and camera shots caught her neglecting to pick up her
child Sean`s cap, while running for a car outside New York`s Ritz Carlton hotel
by Central Park, and reported it to the appropriate authorities.
If Britney had been a part of a fourfold Moslem
futanarian marriage, with a woman with a penis at its center, denoting the
repressed developmental archetype of the `Self` of a woman, that is, her four
functions of differentiated consciousness, necessary, in developmental terms,
to actualize her magical personality, that is, Akht, she wouldn`t be
schizophrenic, but would receive support from the Islamic marriage. However,
declaring herself `bisexual` alerted the serpent`s seed of homosexual pederasty
and war broke out against her independent woman’s nature, which resulted in
Judge Reva Goetz at the Stanley Mosk Courthouse, on February 1, 2008,
misogynistically redistributing her wealth to her father, Jim, and erstwhile
manager, Jason Trawick, on the strength of his saying he might marry her
eventually.
While she recollected herself through her surrogate
personality, `Amy`, those who played a part (ha) in her career weren’t
supportive and the haw was, `ha ha he he ho ho hum`, fragmented through the
parts she had to perform as a media persona, which is women`s
traditionally vulnerable mask, as it’s meant to appear an inscrutable riddle
that isn`t penetrated. In Jungian psychology a woman`s animus spirit
is, similarly, a cynosure for all male eyes forming a circus around her, as a
ring for whom she’s illusive in the assembling of ha to make of her life a hau.
The title of the
album containing ‘Piece of Me’, Blackout, suggests Britney`s
problem was equivalent to the dog Set`s dismembering of Osiris, that is, the
parts (ha) she played, or played with, others didn`t want her to remember.
If the songs of Blackout are fragments of a memory of
what had been before, which the dismemberers have made her forget, she needs
must record it again, as the slavers of cargo cults bend women to their will in
an ad nauseum repetition of same again, without the
possibility of Salvation.
Although
wartime blackouts are power cuts to conceal lights visible from the air,
if enemy night bombings are anticipated, it`s also a term for the media`s voice
being silenced by government, for example. As New York`s Big Apple may be
construed as Adam`s, that is, Saddam`s on 9/11, there the seed of Eve,
preparing to announce the Advent of the `New Redeemer`, were symbolically
silenced, as the Al Qaeda terrorists crashed their hijacked planes into the
Twin Towers, symbol of the paired speakers of women’s seed, as the Ka’ Ba
(cube) in Mecca, speaks more silently of the Ba of the women’s Ka.
Nein 11 is
construable. A daylight, Nazi-style, blitzkrieg, that is, ‘lightning
war’, typical of Germany and its allies, Japan, Italy, and Iraq in their World
War Two (1939-45) attempt to impose slavery on the world. Cowards inside Trojan
horses aren`t knights on horseback rescuing Helen, `the most beautiful woman in
the world`, as she was famed, when the Greeks besieged Troy to restore her,
wife of Menelaus, abducted by the Trojan, Prince Paris, and recaptured by the
artifice of concealing soldiery inside a wooden horse; a metaphor for rapine
and plague. The terrorists were other asses, adopting an air of civil
craftiness, aimed at blacking out art to perpetrate disaster. As slaves of the
cargo cult construct what has been before, so the reconstructions are devoured
to ensure slavery. For those who experience déjà vu the poster
on the wall of the Twin Towers, before 2001, was a reminder that 9/11 had
occurred. The World Trade Centre would then be perceivable as 666, that is, 999
reversed, rather than a `police reconstruction`, with the repeating of the
building for the cargo cult as the goal. Only in the US is the number of the
police 911; a mnemonic for 9/11, that is, to remind the establishment they
aren’t slaves of the cargo cult. That no one called a warning illustrated the
cargo cult’s power to repeat what had gone before.
War dogs don`t want people to remember, or communicate,
to recollect. They want repetition to be top dogs and produce sad damned
people. Those damned by the cargo cult can`t see their enemy; even in daylight.
However, making Britney Spears reproduce Blackout, they can
watch 9/11 again. All that the 21st century had to hope for
afterwards was repetition, as cargo cult slaves doomed to make the mistakes of
the past; its beauty spots despoiled by malien visitors.
The American, and other military, have the
expression, `buying the farm’, which is used of war heroes who have lost their
lives. Either it’s England’s social critic and novelist George Orwell’s ‘animal
farm’,14 or it’s the pharmacy for the rich, keeping the spirit body in heaven
on a drip feed linked to the deceased’s bank account. The 9/11
terrorists correspond to the sad damned of the cargo cult; replaying
their roles: doomed by their inability to act otherwise. While terrorists
warrant perdition, heroes have the farm. 9/11 was sad, damned tapes,
pre-programed by the ass-as-Sin’s, that is, the HIV/AIDS` virus program of the
devouring red dragon of homosexual pederasty and warmongering. Contracted from
apes by homosexuals mixing blood, shit and semen in their anus, as a mutant
variant of simian immune deficiency (SIV), the human immune deficiency virus
(HIV), resulting in acquired immune deficiency syndrome (AIDS), was
homosexuality’s damned ape machinery; designed to repeat their karma.
9/11 occurred as a repeat performance for the entertainment of slavers who
wanted to bugger their boys again.
The riddle of a woman`s persona is
how she recollects her parts (ha), while presenting a mask that accepts others
as individuals, although they’re parts (haw) of herself, that is, in religious
terms, as God is their divine fragments, women are Sphinx-like. In the
symbology of her lion`s body, the Sphinx, with eagle’s wings, and a woman’s
face and breasts, represents the product of men’s homosexuality, that is,
castrated, without men, but perforce reproducing.
Oedipus’ answer to the Sphinx’s riddle was gun, as
that’s how men allow women to move. A third limb that, fully developed, aids in
hunting women to extinguish the human species. Homosexual pederasty is
sterility and death, and it`s why the ass-as-Sin’s want each other; to
reproduce the cargo cult’s enslaving of women’s seed and its tormented attempts
to escape its killer.
The evil wouldn`t
want Britney Spears to dwell on Mars, as it’s the war god of the Romans, whose
`beasts` of Revelation were Saddam Hussein and Osama Ben
Laden`s Al Qaeda, trying to make asses of the US, in accordance with Mars’
principle of homosexual pederasty and war. Britney`s symbolic presence on the
red planet represents the thwarting of evil for women of the Roman goddess,
Venus Aphrodite. As the love goddess there, Britney’s a figure of the
self-reproducing Virgin Mary; the prefiguration of futanarian hermaphroditism.
Like Jesus, the `perfect man`, hermaphrodite is born without a contaminant from
male semen, that is, she isn’t a simian homosexual, but rather defined in Genesis
as the seed of women awaiting a new heaven and Earth devoid of the serpent`s
seed.
In ‘Piece Of
Me’ Britney sings of herself as the American Dream, and so
corresponds to the spear’s Destiny, that is, she’s destiny maid; manifest as a
symbol of `Liberty`. The Paraclete, or Holy Spirit, born from the side of
Christ, when it was pierced by the spear of the Roman centurion Longinus, are
the pieces, which can only be through acceptance of Jesus` teaching of the Holy
Spirit; `Second Eve` from the rib of the `Second Adam`. Progress for women’s
seed, which Saddam Hussein and Al Qaeda’s 9/11 terrorists sought to spoil.
9/11 actually connotes paranoid schizophrenia, as
it`s either/or else. Although the `New Redeemer` of the 21st century
should be the protector with the scepter of the hidden women’s seed on Earth,
according to the evil they won’t be leaving for Mars again.
Apart from death or glory boys, known as dogs of
war, whose symbol is the skull and crossbones, like pirates` `Jolly Roger`,
British special forces are called `funnies`, although Asinine 11 demonstrated
skull boys` humor`s problematic. While Britney on Mars includes a pun on
British and Neil Armstrong, that is, the special relationship between the US
and UK, in Brit-Neil Armstrong, awareness of women’s seed by the man of God in
the dog collar would make it difficult for him to explain to the victims of 9/11
terror that Al Qaeda`s dogs are not of a breed dissimilar.
Concerned with Resurrection and Salvation, the man
of God is concerned with putting together the ha, as parts of the haw, which
are the pieces dismembered by the dogs of Set in Egyptian mythology. Observing
television Set`s on 9/11, anyone could perceive that Set`s mythological
opponent, the sky god Horus, armed with satellite guided bombs, and even more
advanced technology, prefigured mutually assured destruction (MAD). Pastors
should be grateful that US’ special forces` emblems are nondescript blank
colored shields unemblazoned with sick skull boy humor to make their job of
Resurrection and Salvation more difficult.
For those with an evil humor, Brit-Neil contains
the idea of strongarming the UK to its knees, whereas Britney `lamb` strong
denotes the US as Jesus’ `lamb` of God, prepared to be strong, and who comes
in Revelation with the sword to defeat the evil serpent`s
seed, before God gives woman`s seed a new heaven and Earth. The red dragon of
homosexual pederasty and war`s counterpart are whores, forced to produce the
gay boy sons of the serpent`s seed that war upon women’s seed, as the poisons
of HIV/AIDS` biological warfare deployed against the host wombs of women’s
seed.
Britney`s tribute
to America`s `small step`, Neil Armstrong, is as a `small woman`,
descending in a giant ring in ‘Oops! … I Did It Again’, while her
composite vision of Britain and the US, as Brit-Neil Armstrong, is in
contradistinction to Saddam Hussein. The Iraqi dictator`s name meant `crusher`
and `small, handsome man`, in the clichéd manner of Hollywood`s
`Babylon`, where oppressors, such as Genghis Khan and Napoleon, are
ritually glamorized on their TV set’s ‘small screen’.
As nein 11 parodies Apollo 11 the sad damned
joke is that the terrorists ensured that the hermaphroditism symbolized by the
`Britneil Armstrong` conflation would never get to Mars. Britney`s lyric
in ‘Oops! … I Did It Again’ is, to the auditor, ‘… hide. Did it
again!` As evil hides in men who’re effectively skull boys playing pirates,
the Bible promises the serpent`s seed eternal unendurable
pain, as a punishment from God for its
crimes of homosexual pederasty and warfare against women as the human
species. Encouraged by such programing as Ben 10, who
transforms into 20 aliens in order to fight evil aliens, genuine schoolboys
aren`t educated in the maliens’ perceived production of the boy sons of the
women of the Earth as poisons, while the Bible defines as
Redemption, through Jesus’ teaching of the Paraclete/Holy Spirit, knowledge of
women’s seed. As the `Second Eve` emerged from the rib of Jesus, the `Second
Adam`, evil was deemed malignant, rather than innate.
The US’ defense
system hacker`s coffin handle could have been Osama Ben Laden 10,
with 9/11 as a 50s movie scenario, and an alien invasion theme in which the
maliens, fighting on either side, aren`t benign. Although Ben 10 was a
character designed by the Man of Action group for children viewers of Cartoon
Network Studios, and owned by Warner Bros., as maliens refuse to grow, or let
their daughters be educated in women’s seed, the spin-off products made by
Bandai and Playmates Toys for the toy stores are disabled at design level.
In Revelation,`he who shall rule the Earth
with an iron scepter` has a mother who is hidden, while there`s `war in
heaven’. She gives birth to the `New Redeemer`, while the red dragon of Revelation waits
to devour. As Britney`s red suited figure in ‘Oops! I… Did It Again’ is the Mars bar, that is,
the Ba personality, which symbolically conjoined with the Ka of her twin, in
the white bikini dress of the video single, constitutes the magical personality
of the Akht, that is, she`s akhbar (great) in Arabic, Redemption is
represented by her `mission controller`, hopefully strong enough to protect
life on Earth before women’s seed leaves.
With their sidearms, men fulfil the Sphinx`s
riddle; the evil have three arms to go with the other armies. Men who prefer
the gun will walk alone with it, as they`ll have murdered the symbiote
parasitically coerced to walk beside them. Unless they accept Jesus`
teachings of Redemption through women’s seed, and the Holy Spirit/Paraclete as
teacher`s assistant, it`ll be their perdition.
Britney`s suspension of her astronaut, as the
`fool` or `hanged man` of the Tarot deck of cards, which is purportedly a
portable book of Judaic law, the Torah, figures him as `The Traitor`, that is,
he’s spying with the camera attached to his space helmet, while she`s Britney
`lamb strong`, that is, the `lamb of God`, with the `strong arm` of US`
Manifest Destiny behind its Spears. Having first touchdown, or TD on Mars, she
descends inside her giant`s superbowl ring to greet her spaceman guest. Underscoring
fears of rebirth and reincarnation, as a damned reproducer for a cargo cult of
what she`s produced before, ‘Oops! … I Did It Again’ is a cry for
help:
`You see, my problem is this
I`m dreaming away, wishing that heroes, they truly exist
I cry watching the days.
Can’t you see I`m a fool in so many ways.`
Britney`s singing in the third person and the
spaceman`s thoughts are in hers. In terms of the Tarot symbolism, Britney`s
astronaut’s the fool, as hanged man, who perceives that one man`s hero is
another man`s fool; or even `The Traitor`. Alternatively, Britney wants heroes,
but they`re egotistical, which is problematical for a woman who wants support,
rather than competition. Such spacemen are the tools of the cargo cult wanting
her return to Earth to repeat previously released material. If the hero’s a fool
and not `The Traitor`, he`s an action man innocent of cargo cultists,
corresponding to the dogs of war as well as men of inaction, who want Britney
to reproduce songs from memory, as a piece of her mind, which process isn’t
Salvation.
The dogs of war are homosexual pederasty`s plague
carriers; not US’ football heroes’ touchdowns, or the TDs of NASA`s space
program. In ‘Oops! … I Did It Again’ Britney Spears` one point is
made after the TD. At video`s end the NASA astronaut walks backwards,
that is, it`s a simulated rewind; the play can be made again, which is what
cargo cultists do. In terms of Egyptian mythology, Britney`s spaceman is a
dog, who fetches her ha; then she’ll have a haw. The video, which presupposes
play, fast forward, and rewind, represents what a working cargo cult does.
However, as `The Traitor` wants her to reproduce singles through reincarnation
and memory, Britney’s that cargo cult worker.
Britney`s astronaut`s role is to depict `The
Traitor`, who wants rebirth into the circle of birth and death; coerced into
reproducing what’s gone before. A hero is neither fool nor `The Traitor` but
educated into the knowledge that the Earth`s a cargo cult and wants Salvation.
The evil want to make a cargo cult of newborns, while women’s seed want men of
God, though not bone-burying wearers of a dog’s collar. Britney needs the
teaching of Jesus` Holy Spirit and Redemption to leave the Earth in accordance
with the promise in Revelation of a new heaven and Earth and
immortality; escaping from being a damned reproducer of what the damned
formerly reproduced.
From a psychological perspective, anal is analysis.
The ass-as-Sin’s of homosexual pederasty is murder, again recurring after
reincarnation, if the individual has been born before, to ensure repetition
again. It’s an idea containing the notion one can murder oneself for the ha
that one’s older self has, for example; then Ben 10 won’t ever make it
to 11.
‘Oops! … I Did It Again’ begins with the call
sign of the astronaut, `Mars Lander`, which as `Phoenix` in the NASA space
program’s May 25th, 2008, landing, signifies `Bennu` in Egyptian
mythology. The Phoenix is the fire bird of mythology, which arises renewed from
the ashes. In terms of television Set and the sky god Horus, what arises
from ash is what emerges from the conflict between the low technology of Saddam
Hussein`s Iraqi dictatorship and the higher technology of the air power of the
US, with its satellite guided missiles, etc., unleashing the dogs of war upon
the Earth, while Britney`s lyric encapsulates the story, lamentedly `… [sigh]
did it again`.
9/11 wasn`t benign 11, while Ben 10,
featuring a malien defeating aliens, is the planetary perspective of the
Earth, that is, television Set`s TV Gulf wars (1990-91; 2003-), with
Horus, the sky god of the US, are the evils of homosexual pederasty.
Consequently, the Egyptian Bennu is the renewal of evil, while television Set
and Horus are a malien mirror of each other’s slave systems. According to the
myth, Horus has the moon in one eye and the sun in the other. However, in the
mirror the right eye is the left, as the left is the right, which means the sun
and moon are in both. Although Isis is the sun goddess, the symbol of Al
Qaeda’s Independent State of Iraq and Syris, that is, ISIS, is the moon, while
in Revelation the `New Redeemer` is born from the `woman
clothed with the sun and with the moon at her feet`, as women’s seed are a
species with their own penis as futanarian, which is what they see in their
mirror, that is, they’re the sun and moon, whereas homosexual pederasty is
slavery through war, which isn’t God’s new heaven and Earth reserved for
women`s seed.
Ben 10 is the perception that, as it`s
the maliens` mirror, proverbially, `there`s nothing new under the sun`. (Ecc:
1. 9) Benign 11, as the stereotypical 50s malien invasion movie, affords
feminism the opportunity to define the terrorism of homosexuality as
`politically correct`, that is, the castrated race of women don’t have their
own seed, but are lesbian smoothed for host womb slavery by the maliens.
Ancient Greek society, based on the Trojan horse of enslavement by the virus of
homosexual pederasty, produced its boy sons to spread its contagion of war,
with lesbians as their aids in castrating women’s seed to prevent the host womb
of the human race escaping from the gay plague.
9/11’s terrorists,
feigning friendship towards the US, were a biblical sign of the ascendance of
the homosexual `blood plague` (Rev: 11. 6), that is, misogynist
vendettas, manifesting in the late 20th century as ‘ethnic
cleansing’, during the Bosnian (1992-5) and other wars of independence from the
Yugoslavian ‘superstate’ of the Balkans, where Christian Serb militia set up
rape camps for 70,000 Moslem women, for example, to ensure racial purity, or rather
host womb slavery to male semen, as homosexuality pursued biological warfare as
the human race’s devouring parasite. As the center of the maliens’ cargo cult,
enslaving women’s seed for the purposes of their devour ring, the Earth’s
television Set’s loss to Horus, the sky god of satellite bombing, was
willingly, and with gay abandon, despite American philosopher George
Santayana’s grave warning that:
`Those who cannot remember the past are condemned to
repeat it.`15
The evil murders adults to let the blood poisons of
homosexuality work in reincarnation to produce hope from ash and the
repetitiousness of slave warring. The `red dragon` of pederasty wants only
repeats from television Set and Horus, the sky god of satellite bombing, is its
future, until there’s war with Mars.
1 Apollodorus, Library of Apollod, 3. 5. 8.
2 Eliot, T. S. ‘The Wasteland’, I. The Burial of the
Dead, The Criterion, October 1922, l.76.
3 Lazarus, Emma ‘The New Colossus’ (1883) in David Lehman
(ed.) The Oxford Book of American Poetry, Oxford University
Press, p. 184.
4 ‘One man’s meat –‘ , https://www.phrases.org.uk/meanings/one-mans-meat-is-another-mans-poison.html
.
5 Martin, Max, and Rami Yacoub ‘Oops! … I Did It Again’, Britney Spears, Oops! … I
Did It Again, Jive, 2000.
6 Aeclectic Tarot, https://www.aeclectic.net/tarot/learn/meanings/hanged_man.shtml
.
7 Opie, I., and P. Opie ‘Hey Diddle Diddle’, Roud Folk
Song Index # 19478, The Oxford Dictionary of Nursery Rhymes, Oxford
University Press, 1977, p. 202.
8 Kotecha, Savan, Alexander Kronlund, Max Martin, and
Shellback, ‘If U Seek Amy’, Britney Spears, Circus, Jive, 2008.
9 Åhlund, Klas, Christian Karlsson, and Pontus Winnberg
‘Piece Of Me’, Britney Spears, Blackout, Jive, 2007.
10 Martin, Max, and Rami ‘… Baby One More Time’, Britney
Spears, … Baby One More Time, Jive, 1999.
11 Martin, Max, and Rami ‘Stronger’, Britney Spears, Oops!
… I Did It Again, Jive, 2000.
12 Porter, Cole `Well, Did You Evah!` from the
musical DuBarry Was A Lady, 1939
13 Armstrong, Neil, July 20th, 1969, UTC
20.17.
14 Orwell, George Animal Farm: A Fairy Story,
Secker and Warburg: London, 1945.
15 Santayana, George Reason In Common Sense, The
Life of Reason, Vol. 1, 1905, p. 284.
