The Rock Your Whore Up Pig Chair Show
The latest publicity machine manufactured scandal emerging
from Hollywood, Babylon, is nudity - of course. The stars of the film industry
in Los Angeles, California, USA, don`t want to be photographed nude and the
pictures disseminated over the internet or the news media, because their `face
is their fortune`, which has always been the issue for `tinsel town` where the
distinction between `A` list actors and actresses and `B` list movie stars was
the basis for a star system that sought to prevent those on the `B` list for
movie stardom from making `A` list movies because `B` list stars were Hollywood
porn. Traci Lords was a `B` list actress, who made pornographic movies from the
age of 15, and later movies such as Princess
Of Mars (2012), a science fiction tale by Edgar Rice Burroughs developed
for the cinema screen on several occasions since it appeared in book form in
1912.
Traci Lord`s face in
combination with her body brought her success in the filmworld, but years of
having recorded sex with men left an indelible impression on movie-going
audiences that remains difficult to transcend for any actress who knows the
truth about Hollywood, Babylon. In 1930 the `Hays code` was established to
prevent women from being seen nude in the movies, and the `one foot on the
floor` rule for bedroom scenes before the code was abolished in 1967 made it
impossible for women`s sexuality to be described on celluloid before films with
the telling title, Barefoot In The Park,
featuring intimate bedroom scenes of Robert Redford and Jane Fonda as a newly
wed couple in an apartment overlooking New York`s Central Park. The term `barefoot`
from the film`s title takes a backward glance at the Hollywood `Hays code` and
its prohibiting of women raising their foot from the floor in the bedroom as a
symbol of their sexual repression.
The term `foot` is
biblical, because God tells Eve in the Bible
she will `… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) The story of the serpent is
closely related to the development of the ethos that constructed the movie
industry around the `one foot on the floor` rule out of the `Hays code` in
Hollywood, Babylon, at the beginning of the modern era of filmmaking. Although
Eve and Adam are depicted accepting the `fruit of the tree of the knowledge of
good and evil` from the serpent in God`s garden of Eden so causing their expulsion
from the paradise of Earth for rejecting the `fruit of the tree of life`, which
was immortality, in favour of death, the meaning of the story is slavery in
parasitism. After Eden Eve was told by God she`d experience labor pain while
Adam was told he must labor to provide. Eve`s labor pain was ended with the
Advent of Jesus born from his mother, the Virgin Mary, uncontaminated by male
semen, because the race of Eve is threefold.
Although men are
perceived as the fertilizers of the wombs of women, women were born after Eden
with their own penis` semen and host wombs as `futanarian` women, who
correspond to the `foot` God tells Eve will `crush the head of the serpent` (Gen: 3. 15) and the `foot` that
Hollywood, Babylon, doesn`t want raised from the floor of the bedroom to the
stars. However, if women`s `futanarian` foot doesn`t make it from the film
editors` cutting room floors, women won`t sexually reproduce their own brains`
powers to develop the science and technology needed to lift their race to the
planets of God`s heaven independently of their womb enslavers, who`re the men
that have killed and culled her humans species since Eve and her `seed` left
Eden. Although Eve`s labor bore new fruit after Eden in the form of the `Second
Adam`, Jesus, born uncontaminated by male semen from his mother, the `Second
Eve, the Virgin Mary, men haven`t labored enough to comprehend Redemption which
demands that women`s own sexual reproduction between themselves must occur so
that enslaving of the human race through male braining will cease and the
`foot` won`t be `food` for the devouring parasite in its wars against humanity.
The main objection to
men`s being viewed as the Earth`s cancer was their role as sole fertilizer of
women, but socio-historical events such as the siege of Troy documented by the
Greek poet, Homer, in which the flower of Greek society`s institutionalized
homosexuality in pederasty, and the enslavement of women`s host wombs to spread
the contagion of war and conquest of the cities of women, are an indication
that fertilization of women in parasitism and death is what men were for.
That`s why Eve and Adam were expelled by God from Eden as they accepted womb
enslavement for Eve`s new `seed` of `futanarian` women with their own penis`
semen and host wombs born after God`s expelling the original pair from paradise,
because slavery in homosexuality and pederasty`s institutionalized enslaving of
women`s host wombs for warfare was death for the human race of woman`s `seed`:
`Men cursed the God of heaven for their pains and their
sores but refused to repent of what they had done.` (Rev: 16. 11)
At Troy the Greeks
constructed a huge hollow wooden horse inside which they hid and waited for the
Trojans to take the `gift` for the patron goddess of the city, Pallas Athene,
whose symbol was the horse, into the city of Troy where they emerged to enslave
the host wombs of the women for homosexuality in pederasty and spread their
contagion of war further, `Beware Greeks bearing gifts.`1 By the late 20th
century homosexuality in pederasty had produced the `biological warfare` of
HIV/AIDS` biblical `blood plague` spread by men engaging in sterile anal penile
masturbations mixing blood, shit and semen together. The HIV/AIDS` `killer
disease` was incurable and rose from the base of the spine to kill the brains
of its victims, while the virus itself was homosexually behavioural insofar as
it pretended to be like the white cells of the human body`s defensive system in
order to kill, and so it was adopted as a model by the 21st
century`s successors to the Greeks, the `geeks`, who designed `bad machine code` known as
`Trojans` to fool computers into accepting the virus of the machine age and so
killed those brains also. Consequently, the socio-history of mankind is a brain
killing disease, because it doesn`t want women`s brains to sexually reproduce
through their own penis` semen and host wombs natural sexual desire for her own
body:
`Mystery, Babylon the great, mother of harlots and of the
abominations of the Earth.` (Rev: 17.
5)
The mystery is how
the woman allowed her own brains` powers to be enslaved by a parasite calling
itself a man, while women are the true human race because all of it has a womb
and all of it is a woman who has her own penis` semen as the `futanarian` woman
denied by Hollywood, Babylon, screen time to educate herself at least since
1930 when the `foot on the floor` ruling associated with the prohibitive `Hays
code` was implemented to prevent her penis from being seen in the bedroom in
Hollywood moviedom before the mocking title of 1967`s Barefoot In The Park reaffirmed her outlawed nakedness within a
milieu fabricated to accommodate only the woman`s parasite rather than herself
with her own penis` semen and host womb as her own preferred heterosexual
partner.
Because men`s
parasitism is homosexuality that uses the host womb of woman to replicate
itself as her enslaver in warfare and pederasty, Troy and Babylon are instances
of how `a woman`, which is what Babylon is described as in the Bible, became enslaved as men`s whore.
The city of Troy was associated with the goddess, Pallas Athene, which suggests
`woman`s seed` was the basis of Trojan socio-history. The Greeks arrived at
Troy in ships after Menelaus wife, Helen, was abducted from Greece by Paris,
son of king Priam of Troy, and Menelaus` brother, Agamemnon, king of Sparta,
sent Greek soldiery to return her. Although Helen is described as a woman of
great beauty, Homer doesn`t indicate in his Iliad
(760-710 B.C.) she`s `futanarian` with her own penis` semen and host womb, but
her value to Menelaus suggests her as the Greek counterpart to Pallas Athene,
that is, a woman of `breeding` insofar as she could engineer the sexual
replication of women`s own brainpowers through their own `seed` as an ancient
power of matriarchy enthroned within her city:
`I have set eyes on the wall of lofty Babylon on which is a
road for chariots, and the statue of Zeus by the Alpheus, and the hanging
gardens, and the colossus of the Sun, and the huge labour of the high pyramids,
and the vast tomb of Mausolus; but when I saw the house of Artemis that mounted
to the clouds, those other marvels lost their brilliancy, and I said, `Lo,
apart from Olympus, the Sun never looked on aught so grand`.` 2
Antipater of Sidon`s
enumeration of the seven wonders of the ancient world describes the house of
Artemis, the Greek goddess of artifice, who is comparable to many other
goddesses, especially the Egyptian mother goddess, Hathor, who is depicted with
the horns of a bull because she represents the woman with her own penis` semen.
Artemis` statues are noteworthy for the phalloi or penis that seem to be hung
about her body but they`re symbolic of the mother of a city who fathers her
daughters, which is the secret of the ancients lost to modernity because men
don`t want women to rise from their lowly evolved status as breeding slaves in
parasitism and so the `red dragon` of the Bible
waiting in vain to devour Jesus Christ in his `Second Coming` to the Earth from
the womb of `a woman`, as Babylon was `a woman`, is a type of male devourer of
`woman`s seed`, that is, a testes and brain eater. Although the symbolism of
the ancients is often thought grotesque, the imagery associated with Diana,
that is, testes strung about her body along with phalloi, symbolizes her
strength and power as a brain developer and producer for her own species of
woman, but also the unmanning of women by men, which prevents women from having
their own brains` powers through sexual reproduction with each other as a
`futanarian` race from penis` semen and host wombs that aren`t contaminated by
the `serpent`s seed` of men.
Jesus` `Second
Coming` follows upon his death by torture after being nailed upon a wooden
cross by agents of the Roman Empire in Palestine, following the `Last Supper`
at which his offer of `bread and wine` to his disciples, as symbols of his
`body and blood`, was a metaphor for the host, that is, the human race of those
born uncontaminated by male semen from `woman`s seed` and woman`s host womb.
Jesus` mother, the Virgin Mary, prefigures the Resurrection of the human
species of `futanarian` woman with her own penis` semen and host womb
uncontaminated, as Jesus` semen was, while the betrayal of Jesus by the
disciple, Judas Iscariot, for `thirty pieces of silver`, to the Romans who
`crucified` the Messiah upon the cross, represented the betrayal of the human
species` host womb. Jesus` Resurrection and Ascension to heaven after his death
symbolized the future Resurrection of the human race of `woman`s seed` through
`futanarian` women with their own penis` semen and host wombs, while
Christianity, founded after Jesus, who was called `Christ`, or `Messiah`, with
its wine and bread in the church service known as transubstantiation, that is,
transformation of the body and blood of the churchgoer through the
intermediation of the officiator, represents the desire of the soul trapped
within the individual for release through the Resurrection offered by
acceptance of `woman`s seed` symbolized by the figure of the Virgin Mary as the
intercessor between unredeemed humankind and God.
In Egyptian mythology
the `Ka` is the spirit and the soul is the `Ba`, while the temple of Abraham in
Mecca, Saudi Arabia, to which the Moslems, who believe in the Koran (610-30 C.E.) dictated by the
angels to the Prophet Mohamed, according to the tradition of the religion of
Islam, make a pilgrimage, is the `Ka` Ba, because God promised to Abraham in
the Bible of the Jews, that is, the Old Testament, his `seed` would be as
numberless as the grains of sand in the deserts and the stars in the heavens,
where `Ka` and `Ba` represent the spirit and soul of `futanarian` woman with
her own penis` semen and host womb trapped within the body of the temple of
Abraham, which is the `body of the church` in Christianity. Although Christians
and Jews believe Moslems are separate from God, Abraham is the father of
Judaism and Islam through his sons, Isaac and Ishmael, which is why the temple
of Abraham is in Mecca, Saudi Arabia, as the holy of holies for Moslems,
because all women are the `seed` of Abraham. In Islam each marriage is
permitted four wives because it`s a vehicle for `futanarian` sexual
reproduction between women. Consequently, the Ka` Ba is a metaphor for what the
ancient Egyptians described as the conjoining of the soul and body after
Resurrection as the `Akh` or `magical personality`, which is woman with her own
penis` semen and host womb in heaven without contamination by male semen. For
the Egyptians that was `magic`, and the story of their supreme deity Ra,
incarnated as the god, Osiris, who is dismembered by his evil brother Set,
before the mother goddess, Isis, gives Osiris a new penis and a new name,
Horus, after remembering him, is the story of Jesus` semen uncontaminated by
men as he was born from his mother, the Virgin Mary, as `woman`s seed`, which
is `magic` again and represents the truth of `futanarian` humanity prevented
from sexually reproducing her own brains` powers for technological development
to escape from Set, who represents all those men of the `serpent` seed` who
don`t want humans to be free of their yoke in womb slavery and ephemerality.
Although men present
starships as science fiction, a cure for HIV/AIDS, the incurable `killer
disease` of the late 20th century, was also depicted as `science
fiction` at the outset of the 21st century, because advanced medical
science produced by the brains of humans to prolong life and rejuvenate would
interfere with the pogrom of the `serpent`s seed` against the human `seed` of
woman who needs to sexually reproduce her own brains as a `futanarian` race in
order to restore her memory of the evil one and leave Earth for the planets and
stars of God`s heaven before the `seed` of the serpent that men have become
extinguishes her. The absence of a cure for HIV/AIDS is a fiction constructed
by men who want humanity to be extinct, because a cure would represent
technological progress and that would mean independent intellectual advancement
for the human race outside of the purview of its alien exterminators, while the
aliens want to oversee the woman`s extinction.
It would be foolish
to suppose that men aren`t women`s alien and parasite. Hollywood, Babylon,
doesn`t want anyone to see a woman`s penis, and movies like The Rocky Horror Picture Show (1975) depict
transsexuality as an abomination created through surgical means by doctors of
the type associated with Dr Frankenstein in Mary Wollstonecraft Shelley`s early
19th century seminal science fiction tale, Frankenstein (1818) which, dealing with the construction of a human
man through the putting together of dead body parts and revivifying, is closer
to the human truth, because `futanarian` humanity has generally been `doctored`
in the United States of America as a matter of governmental policy to reduce
the possibility of `woman`s seed` from emerging by surgically deciding for the
newborn whether or not they`ll be either male or female. Although
transsexuality is a `Frankenstein`s monster`, `futanarian` women with their own
penis` semen and host wombs are nature`s `seed`, while Hollywood, Babylon, with
its `foot on the floor` rule of the `Hays code` (1930-67) was following the
dictates of the anti-Christ insofar as God told Eve her `seed` would:
`… crush the head of the serpent with her foot as she
leaves.` (Gen: 3. 15)
If cinema audiences
never saw a woman`s penis, she could be exterminated by men of the `serpent`s
seed` and her `foot` would never rise from the floor of the bedroom in
Hollywood, Babylon, or anywhere else, that is, her `futanarian` brains` powers
wouldn`t lift her to the planets and stars of God`s heaven in starships of her
own devising to live a life free of illness and disease in immortality and
youthfulness forever because medical advancements in science had conquered
sickness and death. By maintaining HIV/AIDS as an `incurable killer` disease
and diverting resources into false religious wars between the `seed` of
Abraham, men of the `serpent`s seed` seek to imprison the human race upon the
Earth and kill her. Science fiction movies depicting terrifying aliens from the
stars are men`s self-portrait designed to keep women in fear. HIV/AIDS is men`s
terror weapon in the `biological warfare` they`re waging against her. Christian
monogamy is a slave ring in which women are taught to remain faithful to their
owner, while the meaning of Jesus` precept as a teacher id ignored by
Christianity:
`Love your neighbor as you love yourself`. (Mk: 12. 31)
In the Greek myth
recorded by Sophocles in Oedipus Rex
(c. 429 B.C.) the theme is incest, because men don`t want
women to know that their daughters have been killed and culled since Edenic
times if they were woman`s `futanarian` penis` semen with her own host wombs to
bear her own children outside of male parasitism and womb slavery in male
braining. Effectively Sophocles` story of Oedipus, a man who marries his
mother, Jocasta, is designed to depict how men stand between daughters and
their own species. Oedipus` blinds himself when he discovers he`s broken his
culture`s taboo and is guided thereafter by his daughter Antigone. The meaning
is that Antigone can`t see because she doesn`t have her own penis` semen to
recognize that she should abandon Oedipus and look for a woman to sexually
reproduce with, because Oedipus is but the figure of a man preying upon a
woman`s love. When he discovers he`ll be the centre of opprobrium and the
cynosure of all eyes because of incest, Oedipus blinds himself because the
society of men has told him to through its moral code, although that exists to
prevent the woman`s daughter from having sex with her next door neighbor, which
is why Jesus mildly rebukes the woman allegedly caught in adultery:
`Go now and leave your life of sin.` (John: 8. 12)
Obviously a difficult
task if women are men`s parasite ridden womb slaves in male braining. Women are
taught that their bodies in the mirror aren`t for each other, which is false.
Those women who`re born with a penis of their own and who aren`t surgically
altered by the United States` preference for The Rocky Horror Picture Show of transsexuality and abomination,
know that women are what they should want to see in the mirror, because women
are the human race with its own penis` semen and host womb divorced from alien
thinking in enslavement and parasitism. Jesus isn`t censorious because women
are caught in male braining and its eaten her penis. The male predator,
symbolized by the `red dragon` of Revelation
attempting to prevent the Resurrection of `woman`s seed` by devouring Jesus,
its Messianic symbol, represents male brained humanity saying:
`Kill me!`3
Because that`s what
male brains say to their victims in parasitism with the victims` own brains.
Although captain Dallas of the space vessel, Nostromo, in the movie, Alien (1979), screams he wants to be
killed, as an alien parasite is taking control of his mind, and he perceives
death as an escape, the alien represents female intelligence, which men don`t
want. Hollywood, Babylon, film director and producer, Steven Spielberg,
depicted in E.T. The Extraterrestrial
(1982) a life form not of Earth trying to; `Phone home!` The scene reverses the
actual picture in which the woman is trying to leave home for the planets and
stars of heaven, while in Alien
extraterrestrial intelligence is represented as a threat to woman`s leaving the
Earth. The men of the `serpent`s seed` are in fact the alien seeking to prevent
her from leaving. For men, intelligence is the enemy and so women are the alien
while men terrify her in the movies with aliens resembling HIV/AIDS in Virus (1999), for example, because men
are women`s alien virus that wants her to be brainlessly quiescent during its
extinguishment of her. Consequently, it`s programmed the race of women to kill
itself through male braining. As the human species loses more of its capacity
to sexually reproduce its own brains` powers through `futanarian` women`s semen
and host wombs, for example, the pogrom of the `serpent`s seed` will reduce
humanity to the level of its supposed simian ancestry:
`Everton is the dominant species. I am Everton.`4
Captain Everton in Virus enunciates the basic problem of
the male ego for `woman`s seed`. Everton`s words are essentially those of the
voice of Satan emanating from Hollywood, Babylon, which wants men to continue
predatorially male braining `woman`s seed` through her own host wombs without
her own penis` semen so that it and the rest of the `serpent`s seed` can
continue to kill each other and be filmed doing so. Called the `ape of God`, Satan
was the angel, cast down from heaven to Earth, because he didn`t want mankind
to be raised higher than the angels. God gave Satan the form of the serpent of
Eden crawling on its belly, because Satan wanted humankind to be reduced to the
level of the apes by having them `ape` each other. In The Origin Of Species (1859), Charles Darwin posited men descended
evolutionarily from apes, which disagreed with the Bible that described the creation of an original pair, Eve and
Adam, by God. If Satan, as the serpent in Eden, wanted to degenerate humankind,
he couldn`t do better than have men imitate. Because women aren`t educated in
their own penis` semen and host wombs for the sexual reproduction of themselves
as the human species, children are only imitating humans: ape men has arrived.
In Virus Captain Everton is seeking to rid
a starship of an alien that takes control of the human brain to kill other
humans, which is what Satanism is. A further danger in Virus is the `killer robot`, Goliath, who tells Everton, `You are a
virus.` Machines save women`s labor, and so represent a threat to men`s
enslaving of her. Consequently, Everton is `David` to the machine`s `Goliath`,
but the biblical imagery from the story of the boy, David, facing a bigger man
fully armored and killing him with a stone from a sling isn`t romantic: it`s
just a picture of what the virus does:
`As the Philistine moved closer to attack
him, David ran quickly toward the battle line to meet him. Reaching into his
bag and taking out a stone, he slung it and struck the Philistine on the
forehead. The stone sank into his forehead, and he fell facedown on the ground.`
(1 Sam: 17. 48-9)
The fully armored biblical
Goliath is, in terms of the future, a man wearing a robot`s clothes, while the
robot is prototypically a woman`s labor saving friend, but armored men want to
continue with their theme of virality. Consequently, the robot in Virus is depicted as `Goliath` and
Everton as the boy, David, whereas it`s time for the human to grow up from
preoccupations with physical size and strength, and it`s time for men`s
animality to go away and leave the woman alone to recover from men`s
depredations in terms of their enslavement of her host womb to produce the
civilizations, cultures and art they periodically decimate to prevent her human
species from raising its foot from the floor of the Earth through a
`futanarian` human sexual reproduction between women with their own penis`
semen and host womb to create a species` brain`s intelligence that places
emphasis upon life rather than the struggle to avoid men`s viral enslaving of
it.
As a non-educational
package, Virus is a Satanist`s
picture of a cosmos in which women are alien intelligence. No one should care
about Everton and the virus because it`s identical as a device to reduce humans
to the level of ape men, who shouldn`t ape what has gone before, while the dangerous
robot theme compounds the sin because it`s propaganda against the saving of
women through technology. What she needs to labor save and so save her own
species through technological development and medical science is depicted as a
dangerous machine, because the movie moguls of Hollywood, Babylon, want to keep
humans enthralled in killing each other.
Although
developmental psychologists such as Carl Gustav Jung (1875-1961) have perceived
instinct as humankind`s shadow from
which archetypal imagery emerges into consciousness during dream sleep or
unconscious reverie as the impelling aspects of the human imagination either
characterologically or symbolically, animal instinct is what men represent and
so men are the shadow of the death of
`woman`s seed`:
`Even though I walk through the valley of the shadow of
death, I fear no evil, for you are with me; your rod and your staff, they
comfort me.` (Ps: 23. 4)
The 23rd
Psalm is about God, not men, that is, it`s for `woman`s seed`, while Jesus`
`Last Supper` is prefigured, `You prepare a table before me in the presence of
my enemies. You anoint my head with oil; my cup overflows. Surely your goodness
and love will follow me all the days of my life, and I will dwell in the house
of the Lord forever.` (Ps: 23. 5-6)
Jesus was betrayed in the midst of his disciples by Judas, because Jesus was
`woman`s seed` and the future host of humans in heaven as the symbol of the
fruit of woman`s womb in Redemption and Resurrection after the `serpent`s seed`
had planned the death of her `futanarian` species of woman`s own sexual
reproductive capacity through her own penis` semen and host womb for the
production of her own brains` powers for technological liberation and escape
from men`s male braining her for slave labor and death in its wars of
self-killing. The confusion in the Bible
devolves from the differences between the name Jesus, and the identifier `Lord`
as meaning God or Jesus. `Lord` has to be interpereted as `God` if the Bible is to be interpreted correctly, but
if Jesus is addressed as `Lord` the reader must understand that `God` is
identified as being present:
`And you will see the son of man sitting at the right hand
of God almighty and coming on the clouds of heaven.` (Mk: 14. 62)
The passage
explicitly distinguishes between God and Jesus, who is the `son of man`,
because his mother, the Virgin Mary, is man from whom he was born
uncontaminated by male semen in prefiguration of `futanarian` women with their
own penis` semen and host wombs for the sexual reproduction of women`s own
brains` powers, that is, the Redemption and Resurrection of the human species
by the side of God. Just as Eve was from the side of Adam created by God from
Adam`s rib and Jesus` Holy Spirit was from his side as the `Second Adam`, when
pierced by the spear of Longinus after his death at the crucifixion, `Surely,
this was the son of God.` (Matt: 27.
54) Jesus` teaching was that there`d be a Holy Spirit to teach after him.
Because Eve was from Adam`s side, the Holy Spirit corresponds to the `Second
Eve`, while the `son of man` at the side of God is `woman`s seed`, that is,
`futanarian` woman with her own penis` semen and host womb for the sexual
reproduction of the human species taught by the collective spirit of Eve as the
`Second Eve`, who is Woman. Although `son of man` is the term applied to Jesus,
Christ is `woman`s seed` and so the `son of man` is the daughter of Eve, with
her own penis` semen and host womb, which men of the `serpent`s seed` fear.
Consequently, she`s depicted as aliens invading the Earth from the cutting room
floor of the science fiction film editors of Hollywood, Babylon, who don`t want
the `futanarian` woman to be seen as anything other than a surgically generated
transsexual abomination transposed into alien invasion scenarios designed to
thwart Jesus` `seed` if she ever arrives from heaven after killing and culling
her to the point of extinction upon the Earth:
`Its tail swept a third of the
stars out of the sky and flung them to the earth. The dragon stood in front of
the woman who was about to give birth, so that it might devour her child the
moment he was born.` (Rev: 12. 4)
The `red dragon` is thrown from heaven to the
Earth where it wages war upon the `seed` of the woman, while he who will `rule
the nations with an iron scepter` is with God and the rest of the `seed` of
woman in heaven, that is, the planets and stars, which men of the `serpent`s
seed` were presenting as the source of potential alien invasions even before
`woman` seed` began to be abominated as `alien` by the `Hays code` of
Hollywood, Babylon, whereby woman`s penis was prevented from being seen by
cinema audiences in order to maintain male braining and warfare as the theme of
science fiction movies, such as the film version of H.G. Wells` 1898 novel, War Of The Worlds (1953), in which
aliens invade the Earth and die of a virus, whereas women were in fact
imprisoned upon the Earth at the beginning of a 21st century
threatened with extinction by men`s virality more than figuratively represented
by the spread of homosexuality and its alien HIV/AIDS` virus, which is the
collective shadow that developmental
psychologist, Carl Jung, viewed as the cause of the German National Socialist
(Nazi) Party`s impetus for the pogroms mounted against the `chosen people` of
the Jews during the 1930s and the Second World War (1939-45) to liberate Europe
from Nazism.
In Judaism a Jew has to be born from a Jewish
woman, which means Jews are women and so the `chosen people` are women, that
is, `woman`s seed` of `futanaria` was Nazi Germany`s target when the death
camps were constructed to prevent women developing brainpower through human
sexual reproduction between women with their own penis` semen and host wombs.
Although Jung saw the archetypes of the collective unconscious of the human
race as developmental, the soul or anima
of men and the spirit or animus of
women was contaminated by the collective shadow,
and so their archetypal appearance in dreams, art and the imagination was
distorted. In Egyptian terms, the anima
corresponded to the `Ba`, or female desire of the soul for herself, which was
represented by the `Ka`, or animus
spirit of the woman herself, that is, the `futanarian` aspect of the sexual
desire of the woman for her own self was trapped inside the man as her `Ba` or anima/soul, while her `Ka` or animus/spirit was targeted by men of the
`serpent`s seed` as their prey in male braining and species` war. Consequently,
Nazism was symptomatic of a socio-historical pattern in which men are more than
metaphorically wolves telling the sheep where to go. The Nazis burnt the
corpses of millions of Jews in ovens at death camps in Poland`s Dachau and
Germany`s Belsen and elsewhere, because men consume humans. The attempted
extermination of the Jews by the Nazis was symptomatic of the desire by the
`serpent`s seed` of men to remove the potential of the human race to develop
brainpower through its own penis` semen and host wombs and so escape from the
eaters of its bodies so that it wouldn`t have the brains to remember and mount
a recovery from the genocidal pogroms perpetrated against it by men`s
`serpent`s seed`. The irony is that men are parasites upon a host womb rather
than cannibals or the analogy would be clearer. However, the truth is that
women aren`t cannibals, because they aren`t parasites.
In male braining the sheep, that is, the
women, are that aspect of the male brain, which the male brain commands to die,
and that`s the meaning of Jesus` purported suicide at the crucifixion when the Bible specifically indicates that Christ
could have avoided that fate. Coercion by the collective shadow of the male brains surrounding Jesus and the disciples, who
weren`t uncontaminated by male semen, explains Jesus` apparently suicidal
decision to go to Jerusalem where he was crucified outside the city walls on
the hill of Calvary by the Romans after his betrayal by Judas at the `Last
Supper` at which he was the host to that parasite. In Christian iconography
Jesus is the `lamb` and the `marriage of the lamb` with his `bride`, the flock
of the congregation of the church, that is, the women, is a central aspect of
the symbolism surrounding Jesus` Ascension to heaven after his `Second Coming`
and the Resurrection of `woman`s seed` when God`s punishment for the evil is
eternal unendurable pain, because the wicked espouse slavery in parasitism and
death in ephemerality for the `sheep` of the human species of `futanarian`
woman with her own penis` semen and host wombs.
Jung observed that the animus of a woman appears in dreams, art and the imagination as a coterie
of male admirers, which might be true of how it appears but, contaminated by
the collective shadow, the woman`s animus represents her `Ka`, or that
sexually desirous male aspect of herself that wants her `Ba` body.
Consequently, her animus is
contaminated by the collective male shadow,
which doesn`t want her to sexually reproduce with her `Self`, but wants to kill
her; as the German Nazi pogroms against the Jewish `chosen people` of `woman`s
seed` indicate. For men women aren`t the `foot` of God`s `chosen people`, which
will `crush the serpent` (Gen: 3.
15), but `food` and they`ll remove her brains to make a meal. Jung
thought that instinct was developmental but the shadow of death upon the human race is men and it`s an animal
prodding the human species on to slaughter at battles like Gettysburg during
the anti-slavery campaign against the Southern United States in the American
Civil War (1861-5), or World War I`s (1914-18) Somme during Europe`s first
campaign to defeat German virality.
There`s a huge gulf between women`s instincts
and men`s, which was proven in the Gulf war (1990-91) to evict the occupying
army of Iraq`s dictator Saddam Hussein from Kuwait and the subsequent Gulf war
(2003-11) to depose Saddam Hussein after he offered bases in Iraq to Al Qaeda,
`the base`, when that Afghan terrorist group had crashed hijacked airliners
into the Twin Towers of New York`s World Trade Centre on September 11, 2001.
Saddam Hussein was hung on December 30, 2006, in Baghdad, while the leader of
Al Qaeda, Saudi Arabia`s Osama Ben Laden, was killed by US Navy Seal Team Six
on May 2, 2011, to effectively conclude the war against Saddam Hussein`s Iraq.
The eagle on the `Great Seal` of the President of the United States, George W.
Bush, during the second Gulf war, is biblical as a defender of `woman`s seed`,
and the hymen of the seal of the species is represented in the concept of the
Navy Seals supposed protection of the burkha clad women of the desert who never
reveal themselves to men publically save for their eyes and which men are
required to avert theirs from in accordance with Islamic strictures forbidding
them to look upon humans:
`The woman was given the two
wings of a great eagle, so that she might fly to the place prepared for her in
the wilderness, where she would be taken care of for a time, times and half a
time, out of the serpent's reach.` (Rev:
12. 14)
The woman `clothed with the sun and with the
moon at her feet` gave birth to `he who will rule the nations with an iron
scepter` and is Jesus who was taken up into heaven before his `Second Coming`.
If the eagle is the emblem of the Presidents of the United States, she`s the
woman of the desert in the Moslem marriages that are permitted four wives so
that `futanarian` sexual reproduction between women with their own penis` semen
and host wombs` hymens can occur to ensure the Resurrection of `woman`s seed`
upon the Earth. Consequently, the symbol of the eagle and the Navy Seal
represents the protection to the human race in Islam afforded by the United
States of America and others if the aim was to defend Moslem women. Because the
symbol of Al Qaeda and the subsequent Islamic caliphate of Syria and Iraq was
the moon, the woman with the moon at her feet would be the statue of Liberty in
New York harbor as she was `clothed with the sun` subsequent to the United
States` defeat of the flags of the red suns of Japan, which had unannouncedly
attacked the US Pacific fleet at Pearl harbor on 7 December, 1941, when atomic
bombs were dropped on August 6 and 9 on the Japanese cities of Hiroshima and
Nagasaki to force Japan to surrender on 15 August, 1945. In the Bible the `pearl of great price` is
heaven and the moon is a symbol of the first step on the path to the planets
and the stars, which can only be attained to if the human brains of woman`s
`seed` can be sexually reproduced by her own species. Pearl harbor and the moon
reflected in the waters beneath the statue of Liberty in New York harbor after
September 11, 2001, represent symbolic victories over the `serpent`s seed` of men
endeavouring to prevent woman`s `futanarian` foot from reaching the planets and
stars of God`s heaven:
`One small step for a man, one
giant leap for mankind.`5
Neil Armstrong`s words, as the first man to
set foot on the moon as commander of the crew of the Apollo 11 North American
Space Administration`s (NASA) lunar module delivered by space rocket from Cape
Canaveral, Florida, at a high cost in money and lives, didn`t represent the `foot`
of God`s human race of Eve`s `futanarian` daughters with their own penis` semen
and host wombs for the sexual reproduction of the species` brainpower to lift
her race from the floor of the Earth`s bedroom to the stars of God`s `city of
the angels`. Men`s problem is wanting to appear taller. Consequently, everyone
must be a head shorter, which is what the stories of Shah Jehan and Jesus
depict. In the 8th century Arabian collection of folktales, 1001 Nights, Jehan accuses his wife of
unfaithfulness with his brother and beheads her before Scheherezade begins
telling the tales of 1001 Nights after
he begins wedding a new wife each day and beheading her each evening. Scheherezade
saves the women by engaging Jehan with her story telling and marries him. Jesus
is Christianity`s Scheherezade because he engages women long enough for them to
realize the truth, which is that he`s born uncontaminated by male semen, as
women who have their own penis` semen for the sexual reproduction of their own
brains` powers, but men have beheaded them through a male braining that
excludes women`s own `futanarian` fertilizing `seed` that would make them a
head taller rather than a head short.
Scheherezade`s story of 9/11 is `rough trade`,
that is, the homosexual brutality and violence associated with men in pederasty
and war since the ancient Greeks institutionalized the enslavement of women`s
host wombs to spread homosexuality`s contagion to nearby city states. Al Qaeda,
`the base`, attacked New York`s World Trade Centre as an analogy for the
spreading globally of `rough trade`, which in socio-economic terms is men`s
hegemonic preference for the Military Industrial Complex (MIC) that produces a
better financial picture for all by means of government spending on munitions
in the United States of America, for example. The new Islamic caliphate, ISIS,
in Syria and Iraq, was named for the Egyptian goddess of Resurrection, Isis,
who remembered the penis of Osiris and gave him hers before renaming him Horus,
`the sky god`, who would dwell in the house of Hathor, the hornéd woman,
symbolizing the mother, who is the fatherer through her own penis` semen and
host womb. Jesus` Scheherezade story is of his mother, the Virgin Mary, who
births him as `woman`s seed` uncontaminated by male semen, which suggests that
the Islamic caliphate of ISIS in Syria and Iraq is a `paper tiger` constructed
by men of the `serpent`s seed` as an excuse to attack `woman`s seed` in a war
designed to reestablish homosexual pederasty that Jesus` teaching of men
uncontaminated by male braining`s conditioning was meant to avert.
The creation of ISIS and the attack upon it is
`black magic` based on the magical theory of correspondence, that is, if ISIS
is Syria and Iraq then it magically follows that the `futanarian` Moslem
population beneath her burkha in the Middle East as elsewhere is the Egyptian
goddess of Resurrection, Isis, being exterminated under the guise of United
Nations (UN) and North Atlantic Treaty Organization (NATO) inspired `peace
keeping exercises` drawing upon the military power of the Western alliance of
the United States and Europe. During the UN and NATO `monitored` break-up of
the former Yugoslavia, when ethnic divisions between Christians and Moslems
resulted in the creation of new independent states in that region, `rape camps`
were set up during the war in Bosnia (1992-95) and elsewhere by Western backed Christian
militias. Moslem women had their children male brained for another generation
and so the Christians prevented `woman`s seed` from sexually reproducing within
the traditional four wived marriages of Islam that permits of sex between women
with their own penis` semen and host wombs. Consequently, the Moslem women of
Islam correspond to Isis, the mother-fatherer, and the caliphate ISIS was set
up as an excuse to pogrom `woman`s seed` in Satanism, which is the male brain
telling her to die and making war upon her Earth as a means of achieving its
parasitical and enslaving objective of death to the human race that won`t
accept it as the butcher of its animal life.
The `black magic` theory of correspondence was
used at the World Trade Centre attack to reestablish global `rough trade` in
homosexual brutality and violence, which is what `rough trade` means. On April 15,
2013, the black magicians` theory of correspondences was applied once more when
the footrace at the Boston Marathon was disrupted by Moslems from the rebel
state of Chechnya in the Russian Federation, because fundamentalist Islam
doesn`t want the `futanarian` race of women to run against them in a democratic
vote based on women`s sexual reproduction resulting in men`s being outnumbered
by more than the 80% women in Moslem marriages that the sex slave system of
Arabia espouses for the `futanarian` human population of `woman`s seed` with
her own penis` semen and host wombs for the creation of her own brains` powers
to escape male braining`s will to kill her race.
The science fiction scenario is Logan`s Run (1967), because the 9/11
planes were hijacked by Al Qaeda at Boston`s Logan airport. William F. Nolan`s
novel was made into the Hollywood, Babylon, movie Logan`s Run (1976) and a fourteen episode `TV` series for the
United States` CBS channel, Logan`s Run
(1977), in which the premise is of `runners` pursued by `sandmen` because they
refuse to accept the socio-economic conditions of a culture that requires them
to die in ephemerality after the age of 30 . The media productions of Logan`s Run are reminiscent of the false
medical science of the 21st century that prefers death to curing
HIV/AIDS` `killer disease` and repenting from its surgical division of the
human race of `futanarian` women with their own penis` semen and host wombs
into men and women, because it simplifies the pogrom of the `serpent`s seed` of
Satan to male brain the human species into its own self-killer. The Al Qaeda
hijacked planes at Boston, Logan airport, and the subsequent terrorist bombing
of the Boston Marathon by separatist Moslem extremists from Russia`s rebel
state of Chechnya were designed to provoke war in homosexual pederasty and
prevent the human `futanarian` race of women from running her own socio-economy
independently of men by enslaving her in the male braining of her self-killing
in the `perpetual enmity` of the `serpent` of Eden God warned Eve it would have
for her `seed` and which has materialized in male brained warfare against her throughout
the Earth.
Although television was perceived as amongst
the greatest inventions of the 20th century when Scot, John Logie
Baird, transmitted pictures in 1926, the term `transvestite` denotes those
who`re transsexual through surgical procedures reminiscent of Dr Frankenstein
in Mary Wollstonecraft Shelley`s Frankenstein
(1818) and `TV` is the term used for transsexuals, for example, Dr Frank N.
Furter, in The Rocky Horror Picture Show (1975),
made by Hollywood, Babylon, as propaganda promoting `futanarian` women with
their own penis` semen and host wombs as a repellent abomination. Frank`s
creature is Rocky Horror who he marries in Satanic mockery of genuine
`futanarian` heterosexual reproduction between humans, that is, women with
their own penis` semen and host wombs.
Television is `TV` in transvestite terms,
because male braining is men and women wearing each others` clothes as the same
brain, that is, the `serpent`s seed` of men in Satanism have produced humanity
as a `TV` making news reports about its wars upon itself as The Rocky Horror Picture Show moves on
to further horrors based on men`s rejection of the human soul and spirit of
woman`s sexual desire for herself. Masquerading as psychology, The Rocky Horror Picture Show, depicts
Tim Curry as Dr Frank N. Furter wearing women`s lingerie, while women are in
reality discouraged by their conditioning from viewing themselves as sexually
desirable in the mirror. Frank N. Furter`s marriage to Peter Hinwood`s Rocky
Horror mocks those supposedly `lesbian` feelings women have that are natural to
the true human species of woman with her own penis` semen and host womb.
Made schizophrenic by men who`ve made them
believe in male semen as the sole fertilizing possibility of women`s human
race, Woman in male braining has been taught to hate her own `futanarian`
species of woman`s seed`s sexual overtures towards herself by films like The Rocky Horror Picture Show, which
depicts the abomination of a man in women`s clothes, Tim Curry, making sexual
overtures to his own male creature, Peter Hinwood, in a bizarre but common form
of reverse racism designed to discourage the daughters of Eve from looking for
a woman`s penis beneath the lingerie of those transsexual guys who have some of
the equipment real women used to, but of course the disguised aren`t real women
and are only there to encourage the mistaken `lesbian` schoolgirl in her first
faltering steps to understanding her own humanity, before men started to tell
her their horror stories of gender surgery and how she shouldn`t look for her
exterminated natural sex partner`s penis in the mirror of the dreams of
`futanarian` woman with her own penis` semen for the Resurrection of womankind
before her Ascension to heaven.
The latest nudes from Hollywood, Babylon, is
that stars don`t want to have their photographs taken while they`re naked for
the public to ogle without permission, but the hidden agenda is the movie
studio prohibition against women`s penis being seen. If the `foot` God told Eve
was to `crush the serpent` appeared in Los Angeles` moviedom as the
`futanarian` penis of a major female star, the film industry would be hard
pressed to prevent `woman`s seed` from raising herself from the cutting room
floor of the numberless editing sessions she hadn`t even been a part of. During
the period of the United States` hegemony in making movies for eventual `TV`
screening, the surgically created transsexual population was made to vet its
instinct, as an animal scientifically sundered from its human side by a killer
transvestite bothered by the possibility of women being a head taller. Psychopathologically,
the profile is of a shrunken cowardly parasite wanting to see filmed repeats of
its previous exploits on a smaller `TV` screen, where it can watch news reports
of the continuing pogrom of the `serpent`s seed` against `woman`s seed` without
feeling threatened by her size on the `big screen` of movie theatres filled
with audiences uncritical of their own role as a surgically male brained transsexual
killing its own species` self for Satan.
1 Virgil The Aeneid,
Bk II, 19 B.C.
2 Antipater of Sidon, Greek Anthology, IX, 58.
3 Skerrit, Tom as Dallas in Alien, 20th Century Fox, 1979.
4 Sutherland, Donald as Captain Everton in Virus, Universal Pictures, 1999.
5 Armstrong, Neil UTC: 2. 56, July 21, 1969.
