Penetrating
Wit
Although
penetration is perceived as the sine qua
non of the human sexual relationship, Jesus` birth from his mother, the
Virgin Mary, without male semen, is more than a solution to the spreading of
the HIV/AIDS virus. The human immuno-deficiency disease (HIV), and acquired
immuno-deficiency syndrome (AIDS), is spread through men`s mixing of blood,
shit and semen in each others` anuses in mockery and rejection of women`s host
wombs for the sexual reproduction of human brainpower. In fact the HIV/AIDS
virus kills the brain after there`s a progressive systemic organ collapse. In
the Bible, Jesus` disciple, John,
prophesied that God would send a `blood plague` (Rev: 11. 6) to convert men from their sinful nature: `Men cursed
the God of heaven for their pain and their sores, but refused to repent of what
they had done.` (Rev: 16. 11) Jesus`
teaching was: `Love your neighbor as you love yourself.` (Mk: 12. 31) Unfortunately, homosexuality in pederasty benefited
from the exhortation. Institutionalized host womb enslavement for homosexuality
in pederasty for war was the basis of the Greek `model` for Western democracy,
while the capital city of the East`s Persian Empire, Babylon (c. 4000 B.C.), is described in the Old Testament of the Bible, that is, the Torah and Talmud,
which is the history and law of the Jewish `chosen people`, as having been
originally `a woman`, because Babylon represents host womb slavery for parasitism:
`Mystery, Babylon the great, mother of harlots and of the abominations of the
Earth.` (Rev: 17. 5) In parasitology,
the parasite that emerges from the host womb to devour the host is described as
`parasitoid`: `The dragon was wroth with the woman and went to make war on the
remnant of her seed.` (Rev: 12. 17)
In the Old Testament of the Bible the serpent is depicted as the
angel, Satan, transformed by God and placed in the paradise of heaven on Earth
that was Eden where Eve, the first woman, and Adam, the first man, accepted the
`fruit of the tree of the knowledge of good and evil`, that is, death, from the
serpent, Satan, who said: `You shall be as gods.` (Gen: 3. 5) The dragon, grown since its days in Eden, represents
what Eve and Adam exchanged for power, that is, immortality for death in war.
Ephemerals don`t live long enough to develop permanent technology through
brainpower to escape from parasitoid devouring, which is depicted in the Bible as the dragon of war.
Homosexuality in pederasty and its `biological
weapon`, HIV/AIDS, is a symptom of the parasitoid, which keeps women in fearful
faithfulness to her slaver. God told Eve her `seed` would have `enmity` with
the `serpent`s seed`: `You shall crush the head of the serpent with your foot,
but he will bruise your heel.` (Gen:
3. 15) The head of the serpent is Satanism in parasitism for war against the
sexual reproduction of human brainpower, which seeks to prevent humanity from
leaving the Earth to colonize the planets amongst the stars of heaven above,
and that`s how the heel of Eve`s `seed` is bruised. Because human futanarian
women can sexually reproduce with the species of women from their own `seed`,
Jesus` birth from his mother, the Virgin Mary, in the New Testament of the Bible
that contains his teaching as a Jewish rabbi, is depicted in Christian
iconography as her `foot` crushing the head of the serpent, which is what God
told Eve her `seed` would do. When Jesus was taken to the hill of Calvary, and
nailed to a cross of wood, by representatives of the Roman Empire then
occupying Jewish Palestine, he died but experienced Resurrection and Ascension
to heaven in prefiguration of that of `woman`s seed`. Consequently, HIV/AIDS,
the `incurable killer disease` of the late 20th century, is the
parasitoid devourer`s biological weapon against `woman`s seed`, and although it
isn`t `politically correct`, according to the Satanists` propaganda, homosexuality
in pederasty for war through institutionalized host womb enslavement of the
futanarian human species of `woman`s seed` is sterile and the enemy of freedom
and democracy. Because women can sexually reproduce with each other as a
futanarian race, whereas men can`t, women are denied the democratic majority
through sexual repression of their species.
According to scientists life could have
originated on Earth through a space borne virus, which suggests that the
biblical narrative of Eve and the serpent is of how a viral form untold
millennia ago inveigled itself into the host womb of the human futanarian
species of `woman`s seed` to steal her penis and replicate itself to become her
race`s alien parasitoid devourer, and what humanity now thinks of as men and
women represent the outcome of the struggle between the indigenous futanarian
human race and the alien, which is slowly extinguishing the `remnant`. In
simpler terms, Adam was a futanarian woman, who sexually fertilized herself
with her own penis in order to produce Eve, while the serpent represents the
alien. Because penetration is the essence of the virus` nature, men`s cultural
manifestations are all about penetration, rather than defence of the woman. Or,
in other words, bullets are always stronger than shields, because penetration
is deemed to be the objective from the male psyche`s point of view, whereas
from the human futanarian species` perspective, shields are the objective. In
simpler terms, human futanarian `woman`s seed` would likely produce a shielded
civilization, culture and art, because humans don`t want to be devoured by the
alien parasitoid, whereas the alien wants to ensure penetration of the human
futanarian species` womb can continue to occur and so weakens her. Conventional
warfare borrows its terminology from courtship, for example, `engagement in
battle`, and `conventional marriage` are conceived as aspects of the `wooing`
process. In war the thickness of the armor is determined by the penetrative
bore of the artillery, that is, the armor has to be thin enough for the
nuptials, because war is a metaphor for homosexuality in pederasty, which is an
aspect of the parasitoid`s activity as a sterilizer of humanity. Consequently,
war isn`t an activity of the human race but a concerted plot by the parasitoid
alien devourer to ensure human extinction. That the thickness of the armor
should allow penetration is a symptom of the disease, which is loosely
definable as the desire of the alien parasitoid devourer to entertain itself by
manufacturing the human futanarian species of `woman`s seed` as a `snuff`.
During the period of the Empire of Rome,
amphitheaters were built for the people to watch killing as entertainment.
Consequently, Jesus` era was characterized by the alien parasitoid devourer
manufacturing men and women as asingle male brained creature wearing each
others` clothes in `TV` transvestism for its entertainment. Although the `TV`
machine wasn`t invented until 1926 by John Logie Baird, that`s what it was for.
In Hollywood, Los Angeles, on the west coast of the United States of America,
the movie industry began with director D. W. Griffith`s Old California (1910), which resulted in the building of movie
theaters across the Earth for the spread of propaganda against `woman`s seed` ,
and is the reason for the industry`s being labelled `Babylon`, because the
`Hays code` of Will Hays, President of the Motion Picture Producers and
Distributors of America, in 1930 effectively introduced a measure that ensured
the repression of `woman`s seed` into almost extinction: : `... women, in love
scenes, at all times have `at least one foot on the floor` (in other words, no
love scenes in bed).`1 The foot on the floor was of course a euphemism for the
human futanarian species of `woman`s seed` which Satanism sought to keep as an
ephemeral host in order to make of the race its `snuff` lest it run and escape
from its alien parasitoid devouring through the sexual reproduction of its own
brains` powers for liberation from Earth`s `death camp`. The symbol of Rome`s
power was the fasces, which were a bundle of wood and an axe in the centre.
During the 1930s, when the `Hays code` was established, the German National
Socialist (Nazi) Party elected in 1933 began to build concentration camps
topped with barbed wire in which 20, 000, 000 Jews were exterminated and
incinerated. The Party borrowed its symbol, the fasces, from the Italian dictator, Benito Mussolini, elected in
Rome in 1922. For the Romans the fasces represented the constructing of a hide
from chopped wood with an axe behind which a planner would work to devise a new
building on site; for example, an amphitheater. Consequently, the `death camp`
of the Germans was a theater for the entertainment of the alien parasitoid
devourer at home, whereas the war of 1939-45 was its theater away from home.
American movie theater was largely
characterized by the figure of the female sex symbol; for example, Marilyn
Monroe, who died in 1962 and was found naked. Marilyn was the star of such
movies as Gentlemen Prefer Blondes (1953)
featuring a scene in which she sang the song `Diamonds Are A Girl`s Best
Friend` and the male dancers shot themselves in the head and collapsed on the
stage floor: `The French are glad to die for love. They delight in fighting
duels. But I prefer a man who lives and gives expensive jewels.`2 Bullets are
an aspect of men`s brain killing parasitism, that is, to kill the spirit that
would produce the brainpower of the human futanarian species of `woman`s seed`,
men would have to be spirits. Elton John`s song about the death of Marilyn
Monroe reflected upon the `snuff` theme: `Your candle burned out long before
your legend ever did.`3 The putting out of a candle flame is called `snuffing`,
which is where the illegal movie genre of `snuff` loosely originates. Although
Marilyn was a `sex symbol`, she was a penisless woman, according to the nude Playboy magazine photographs in issue #1,
December 1943. Consequently, she represented the brainlessness of the human
futanarian species of `woman`s seed` in thrall to men`s parasitism which, based
on penetration, is euphemistically celebrated by her male dancers shooting
themselves in the head during her stage performance of `Diamonds Are A Girl`s
Best Friend`, because `snuff` is what the Hollywood, Bablyon, entertainment
media Empire fundamentally is, and the penislessness and brainlessness of the
human futanarian species of `woman`s seed` is necessary to ensure the
continuation of the `snuff film` genre as the basic staple fodder of the alien
parasitoid devourer.
Upon Jesus` death, the Roman centurion,
Longinus, cut open his side with a spear, saying: `Surely, this was the son of
God.` (Matt: 27. 54) According to apocryphal
Roman tradition, the Emperor, Julius Casear, was born from what modern medical
practitioners subsequently called `caesarian section`, that is, the cutting
open of the womb to afford the child egress during a too painful labor for the
mother. All subsequent Emperors were named `caesar`, and were gods, like Julius
Caesar. Consequently, for the Romans Jesus was a god, because he was the
`Second Adam`, after Adam in Eden, from whose side Eve was depicted emerging. As
Jesus had said that a Holy Spirit would teach after him, Longinus was birthing
the `Second Eve` by `caesarian section` as a goddess. In Judaism, the `spirit
of God` is female, the Shekinah, and in Islam she`s `tranquility`, that is, the
Holy Spirit of the `Second Eve`, who is the teacher after Jesus, is the `spirit
of God`, who Satanism wants to kill, so men of Hollywood, Babylon, in Marilyn
Monroe`s `Diamonds Are A Girl`s Best Friend`, are depicted shooting themselves
in the head with pistols to be born in the spiritual realm and continue their
pogrom against `woman`s seed` there, because heaven on Earth is where she`s
hidden, and Satanists don`t want her to escape from Earth so that she can live
in heaven above. From a Hollywood, Babylon, perspective, it`s their secret
`snuff film`, which the public know as `virtual reality` (VR), that is, `fear`,
because it`s how they rule.
2 Robin, Leo, and Jule Styne, `Diamonds
Are a Girl's Best Friend`, Gentlemen
Prefer Blondes, Broadway, 1949.
3 2 John, Elton (music), and Bernie
Taupin (lyrics), `Candle In The Wind`, Goodbye
Yellow Brick Road, MCA, 1973.
4 Churchwell, Sarah, The Many Lives of Marilyn Monroe, Granta Books, 2004, p. 217.
