The Puppet Jesus
The symbol of the Roman Empire was the fasces, a bundle of wood with an axe in the center. Although
sometimes described as `the rods and the axe` that definition compliments the
basic meaning of the emblem, which is that of the blind constructed from wood
chopped with an axe so that the planner could work undisturbedly on designing
the building for an encampment during the period of Rome`s expansion outward
across Europe and the Earth. Although the fasces
has been interpreted as meaning `bundle`, that is, a bundle of rods symbolizing
strength in unity, the emblem represents the separateness of the people from
the administration, for example, in dictatorship the fasces symbolizes independence from government. The fasces served as a fence, a windbreak, a
mattress, or a hammock, and a blind behind which Rome`s planners designed
encampments during expansion outward from Rome, that is, the fasces was a symbol independent of
gubernatorial authority, which the people comprised of individuals mightn`t
accept. In other words, the fasces
was a symbol of the authority conferred upon the administration by the people
because it was unchangingly simple insofar as it was serviceable and if the
Roman senators didn`t serve they weren`t representative of the fasces power which was the people as
individuals who conferred authority even upon dictators, who could be removed
by common consensus.
In optometry the rods
are the receptor cells of the eyes that are more sensitive to light, and the
cones are the receptor cells that are less sensitive, which means that the loss
of rods means blindness, although it`s commonly observed that rods are most
useful for night vision, and peripheral vision, because they`re receptors that
function with minimal light. In simple terms, cone cells represent a directable
perception, which means that for an individual to be directed by a coercer, for
example, it`s desirable for the rods to stop functioning. Consequently, the fasces bundle of rods with an axe in the
center represents the power of the people to judge, whereas the fasces, as adopted by the Italian
dictator, elected to power in Rome in 1922, Benito Mussolini, became the emblem
of fascism, which was the political movement that the German National Socialist
(Nazi) Party used after the election of 1933 to confer dictatorial authority on
its leader, Adolf Hitler, who built `concentration camps` for the Jews he
labeled `spies` and interned there during World War Two (1939-45), which was
waged by the fascist powers of Japan, Italy and Germany, to enslave the
nations. Because the people were blind to what was going on the fasces was an apt emblem of Nazism,
although the fasces itself remained a
neutral symbol of serviceable functionality for the individual, that is, as a
fence, mattress, windbreak, hammock, or blind, etc. Because the Jewish `chosen
people` of the Bible, which is the Old Testament of their history and law,
that is, the Talmud and Torah, were poisoned with gas before being stacked like
logs and incinerated in the `death camps` built by the Nazis at Dachau, Belsen,
and Auschwitz, etc., they were effectively beheaded and blinded, which is the
meaning of the `rods and the axe` emblem of the fasces for fascism, although not provably the meaning for ancient
Roman citizens.
During the Roman
occupation of Jewish Palestine, the figure of Jesus Christ was the `dissident`
perceived as inciting the populace against Rome`s Imperialism with his
teaching: `Love your neighbor as you love yourself.` (Mk: 12. 31) Born of his mother, the Virgin Mary, Jesus` uniqueness
was that he was uncontaminated by male semen and outside of the male braining
system. In Christian iconography, Jesus` mother, the Virgin Mary, is depicted
crushing the head of the serpent with her foot, because futanarian women have
semen of their own for the sexual reproduction of their species own brains`
powers, that is, the race of women`s. In the paradise of heaven on Earth that
was Eden the first woman, Eve, created by God, was tempted by the serpent,
Satan, who`d been the angel transformed by God into a serpent for rejecting God`s
plan that the human host should be greater than the angelic. Satan gave Eve the
`fruit of the tree of the knowledge of good and evil`, which it was death to
taste, saying to Eve and the first man, Adam: `You shall be as gods.` (Gen: 3. 5) Eve and Adam exchanged the
`fruit of the tree of life`, which was immortality, for the enslavement of the
generations of futurity in memoryless ephemerality. God, however, told Eve her
`seed` would be redeemed: `You shall crush the head of the serpent with your
foot, but he will bruise your heel.` (Gen:
3. 15) The human futanarian brainpower of women will escape to colonize the
planets amongst the stars of heaven above through technologies of their own
devising. Because Jesus` birth from his mother, the Virgin Mary, was
futanarian, that is, uncontaminated by male semen, he was taken to the hill of
Calvary and nailed to a cross of wood where he died, but he experienced
Resurrection and Ascension to heaven in prefiguration of that of `woman`s
seed`. As the emblem of the authority of Rome was the fasces, Nazi fascism was extended to the Jews after the death of
the first Jew, Jesus, born uncontaminated by male semen, in accordance with the
Jewish futanarian tradition that a Jew can only be born from a Jewish woman,
that is, Jews are `woman`s seed`, which is why the `chosen people` of the Bible were exterminated in Roman
fascism.
The concept of the
`puppet ruler` is familiar from history, for example, Fulgencio Batista of Cuba
governed after a coup through
`puppet` administrations from 1933 before capitulating to rebel forces on New
Year`s Day, 1959, when Fidel Castro became Cuban head of state. According to
the Bible Jesus would come a second
time to the Earth, and `will rule the nations with an iron rod`, which to the
fascists suggests that Jesus would be a `rod` strong enough to rule alone
without the support of other rods, whereas the fasces emblem is of a bundle of rods supportive of each other
signifying collective authority. Consequently, Jesus was killed by the Romans
as a ruler threatening to the Empire of the male brain, which resulted in the
Nazis exterminating the Jewish futanarian `chosen people` of `woman`s seed` as
a collective `bundle` of rods, that is, a rival fasces threatening Roman rule, while Jesus was a ruler destined to
rule without a puppeteer, so he was killed in order to make of him a `puppet`.
With nails in his hands and feet, he had holes for the strings which could be
passed through and attached to the cross of wood to be held in the hand of the
`giant`, that is, the Emperor of Rome, who`d hold the cross of wood above
Jesus, with his strings attached to its extensions, and make of him a `puppet
ruler`.
The absence of
`woman`s seed` from the church`s teaching after Jesus suggests that the Romans`
`puppetry` succeeded. Jesus` rule would be obviated if he was killed and so,
dead, he was brainless, but with strings he`d be a `puppet ruler` for the
Romans, which is why he had a label attached to the cross above his head
reading `king of the Jews`. God was expected to rule through the `puppet`,
Jesus, as caesar ruled through his gubernatorial agents throughout the male
brained Empire of Rome`s conquests, which is why the Romans in Jewish occupied
Palestine put holes in his hands and feet for the strings to be attached to the
wooden cross of the puppeteer, who would then raise up Christ in Resurrection,
before his Ascension to heaven above. Despite Jesus` subsequent Resurrection
and Ascension, in prefiguration of that of `woman`s seed`, the Romans had
conceived his crucifixion as a joke. If he ruled for God, he was a `puppet
ruler`, which was what they knew about. Consequently, the holes made in Jesus`
hands and feet, by nails attaching him to the cross of wood, were awaiting the
attachment of the strings, so that God`s `puppet ruler` could be `resurrected`
after death, because that was what the Romans expected from crucifixion. In
other words, giant hands holding the cross of wood above the crucified and
manipulating the strings attached to animate the dead corpse was what the
Romans expected, based on their understanding of gods.
In the United States
of America the fasces appears on the
seal of the tax court, and the emblem appears flanking the speaker in the House
of Representatives on Capitol Hill, Washington, D.C., and at the exit and entrance
to the Oval Office of the President of the United States in the official
residence, the Whitehouse, although the axe is removed in accordance with the
Roman tradition that it`s an intimidating symbol of execution, and so that
aspect needn`t be visible outside of the judiciary. Within the framework of
taxation, the axe represents the perception that the intelligent are humanity`s
escape from slavery to the parasite, Satan, that is, men`s host womb enslavement
of women`s host womb for homosexuality in pederasty and conquest through war,
which was institutionalized in ancient Greece; the `model of democracy`. The axe
is for the undemocratic racist beheading of the human futanarian race of
`woman`s seed` to prevent her from developing the intelligence to run and
escape from the headsmen in Satanism who count her brains in `enmity`, as God
warned Eve the `serpent`s seed` would do: `The dragon was wroth with the woman
and went to make war on the remnant of her seed.` (Gen: 3. 15) HIV/AIDS was the `incurable killer disease` of the late
20th century deployed by men as their `biological weapon` against
`woman`s seed` keeping her in fearful faithfulness to their ring slavery: `Men
cursed the God of heaven for their pains and their sores but refused to repent
of what they had done.` (Rev: 16. 11)
The human immuno-deficiency virus (HIV} spread by men`s mixing of blood, shit
and semen in each others` anuses in rejection of women, resulted in the
acquired immuno-deficiency sysndrome, which was the systemic collapse of the
organs of the body through infection and ultimately brain death, that is, the
objective for the fascist beheaders of the human species of futanarian `woman`s
seed` that sought escape from slavery through intelligent development of labor
saving devices, and immortality conferring medical science affording the permanent
operational maintenance of civilization, culture and art within societal
structures as a defense against the evil.
In parasitology, the
term `parasitoid` is given to the parasite that emerges from the host to kill
it, which is what men do unless redeemed from their evil sinful nature by
acceptance of Jesus` teaching through metanoia,
that is, brain transformation. Jesus` birth from his mother, the Virgin Mary,
was an illustration of Resurrection through rebirth from the human host womb
for futanarian `woman`s seed`, which isn`t men`s, followed by Ascension to heaven
above, that is, escape to the planets amongst the stars through liberated
women`s brainpower. Without brains of their own, the human race of futanarian
`woman`s seed` is voiceless, which is why Jesus is depicted in the Bible as having a commanding voice during
God`s judgement upon the evil and punishment of eternal unendurable pain, that
is, perdition, before a new heaven and Earth is given to humanity: `From his
mouth came a sharp sword to strike down the nations. He will rule them with an
iron rod. He will release the fierce wrath of God, the almighty, like juice
flowing from a winepress.` (Rev: 19. 15)
God`s anger is explainable as resulting from the species` beheading so that the
puppeteers can make it speak with their voice as ventriloquists do with their
dummies: `Then I saw three impure spirits that looked like frogs; they came out
of the mouth of the dragon, out of the mouth of the beast and out of the mouth
of the false prophet.` (Rev: 16. 13)
Frogs croak unintelligently, because the evil don`t want human intelligence to
escape from their slavery of the host womb of the species for war against
itself, which is the parasitoid`s entertainment. As the race`s killer, the frog
is a symbol of the puppeteer and the ventriloquist that speak for the
individual and the collective after the species is beheaded; by the simple
expedient of preventing her from sexually reproducing her own brains` powers. Amongst
the underworld, `croak` is a euphemism for murder, and death. Jesus` disciple,
John, in Revelation describes the `croaking`
of the species, that is, the rule of the puppeteer and ventriloquist through
the brainless and voiceless: `The second beast was given power to give breath
to the image of the first beast, so that the image could speak and cause all
who refused to worship the image to be killed.` (Rev: 13. 15) The Romans built huge amphitheaters for their
parasitoids to watch humans kill each other. Their creation of a single male
brained creature wearing each others` clothes in `TV` transvestism was a
forerunner of the home entertainment system of John Logie Baird`s `TV`
television invention in 1926: `Let he that has wisdom understand. The number of
a man is the number of the beast and his number is six hundred three score and
six.` (Rev: 13. 18) `666` is 66.6%
men and women and 33.3% human futanarian `woman`s seed` if the human species is
conceived in terms of equality. However, if women can reproduce and men can`t, women`s
capacity to sexually out produce men is denied the voting majority that is
their due. The beast of Revelation that
gives life to the other represents men and women as a viral life form transmitting
as a `TV`. As `beasts` they give life to the `TV` image, which presents war
against humanity for the entertainment of the alien parasitoid that, somehow,
millennia ago inveigled itself into the host womb of the human race to steal
her penis and replicate itself as her species` devourer.
The narrative of Eve,
the first woman, and Adam, the first man, depicts the relationship between
saurian evolution, which arose during the Mesozoic period of prehistoric Earth
history 248 m.a. before the appearance of hominids in the Jurassic period 220
m.a. According to the Bible God`s
angels remaining in heaven are winged, whereas the rebel angels who fell with
Satan, the serpent, who became a dragon of war against `woman`s seed`, are recognizably
reptiloid. In other words, the angels of heaven are intelligent winged
reptiloids that didn`t fall to the point at which they sought to enslave the
human host womb for parasitoid devouring. Scientists posit that a space borne
virus could have interfered with the development of life on Earth,1 which would
explain how it was that saurians fell, and how it was that the human spirit
began to turn away from women and ultimately produce the virus, HIV/AIDS, which
the Bible prophesies as a `blood
plague` (Rev: 11. 6) sent by God to
convert men from their evil sinful parasitoid nature. Jesus` role was as a
shepherd of a flock, which contrasts with the `death camp` guards of Nazism,
and is illustrated by the Romans` arrest and crucifixion of Jesus as a
`dissident` advocate of `woman`s seed` against male braining. Essentially
Jesus` role as a pastor is that of someone who is prepared to accept the sexual
reproduction of the human futanarian species of `woman`s seed`, whereas
unredeemed men want to behead her and keep her as a brainless host womb for its
parasitoid devouring to prevent her race from running.
In the Hollywood
district of the city of Los Angeles, on the USA`s west coast of California, the
movie capital of the Earth, the first `silent` film was made there in 1910 by
director, D. W. Griffith, Old California.
Although silent films were superseded by `talkies` in 1927, with the release of
Al Jolsen`s The Jazz Singer, the
President of the Motion Picture Producers and Distributors of America (MPPDA),
Will Hays, establishment of the `Hays code` of 1933 effectively forbade human
futanarian sexual reproduction of the brains` powers of `woman`s seed` in order
to maintain a `puppet theater`: `... women, in love scenes, at all times have
`at least one foot on the floor` (in other words, no love scenes in bed).`2 In
other words, futanarian humanity wouldn`t rise from the floor of the bedroom,
because the edutainment system wouldn`t promote its brains` production. The fasces flank the speaker in the House of
Representatives, which passes federal legislation ratifiable by the Senate, and
the President, because California has 53 of the 435 representatives, while
seven states, that is, Alaska, Delaware, Montana, North Dakota, South Dakota,
Vermont, and Wyoming, have only a single vote each, that is, Hollywood`s power
to make movies is based on fascist power. The institutionalized beheading of
the human race to promote `puppet rule`, and ventriloquizing of the masses
through propaganda promulgated by the parasitoid entertainment media`s
promotion of devouring war as a god to be worshipped by men against humans,
rather than the making of films featuring relationships that center upon the futanarian
sexual reproduction of the brains` powers of `woman`s seed`, is what Hollywood
is for. Without edutainment expressing human sexual relationships `woman`s
seed` will remain host womb enslaved in parasitism to her parasitoid devourers
who embrace the evil spirit of the virus.
In ancient Greece the
huge hollow wooden horse before the gates of Troy was the symbol of how men`s
virus entered the cities of `woman`s seed`. The symbol of the city of Troy, as
depicted in the Greek poet Homer`s Iliad
(760-10 B.C.), was the horse of the goddess, Pallas Athene, but the Trojans
took the hollow wooden horse into the city in rejection of the symbol of the tirelessness
of the female that bore them, and the Greeks emerged from within the hollow
insides of the horse to capture the city and enslave the host wombs of the
women for homosexuality in pederasty and the spread of its wars against women
further. By the late 20th century the successors to the ancient
Greeks were the `geeks` who programed the machine brains of computers that
helped brainless humanity with `bad machine code` virus called `Trojan horses`
to infect and kill them. Unable to transmit pictures of anything but men`s
parasitism upon the human futanarian species of women, the film industry of the
Earth, centered upon Hollywood, became known as `Babylon`, `a woman`, according
to the Bible, whose name appears as
that of the city, Babylon (c. 4000
B.C.), which was the capital city of the Persian Empire, where host womb
slavery in parasitism for war against `woman`s seed` was also practiced:
`Mystery, Babylon the great, mother of harlots and of the abominations of the
Earth.` (Rev: 17. 5) In movies men
are the virus upon the screen that has replaced humanity.
In Jonathan Swift`s
satire upon human nature, Gulliver`s
Travels (1726), the traveler, Lemuel Gulliver, encounters the people of the
country of Lilliput, who`re tiny in comparison, and tie Gulliver down with
strings; ostensibly for fear that he`ll break something. The Lilliputians are
the epitome of fascism, which wants to prevent humans from being free to use
their brainpower to escape from slavery. Consequently, the bound Gulliver is a type
of Jesus, with holes in his hands and feet to hang from the wooden cross by
strings and be manipulated by whatever god wants to coerce his movements as a `puppet
ruler`. Gulliver is made to work as a slave by the Lilliputians, because that`s
what fascists want; slave labor. He isn`t wanted for his brains` powers and his
capacity to sexually reproduce with the tiny women is as delimited as in his
encounter with the giants of the country of Brobdignagia; because fascism
doesn`t want brains: it wants slaves. Swift`s novel is a critique of fascism,
which was recognized by him as a tendency within all social frameworks to
restrain individual intelligence to prevent the human from escaping slavery. As
the people of the country of Brobdignagia are giants to Gulliver, so he`s a
giant to the people of Lilliput, which is why the Romans put holes in the hands
and feet of Jesus, with the nails they attached him to the wooden cross of the
puppeteer awaiting strings for the manipulative gods they worshipped. Their
perception was that Jesus was suffering from what the Greeks called hubris, that is, he thought he was the
son of a god, whereas the Romans were taught to think of their Emperors as
gods. Jesus` belief in God was the belief that he was stronger than the Roman
Empire, so the Romans prepared him for the gods` puppetry. Fascism is the
perception that the intelligent aren`t humble before the unintelligent, and so
the intelligent are humbled by the ignorant, for example, Cambodia`s Pol Pot killed
25% of the population of the country between 1976 and 1979 when he was
President, because he feared that a more intelligent ruler might be more
acceptable. With the intelligent of the nation dead, Pol Pot was accepted by
the ignorant, and if they hadn`t accepted him, he`d have killed more of the remaining
5 million. In short, fascism explains that it`s societal. Intelligent people
are a threat to the social fabric of society, and so must be killed in order
for the ignorant to feel more comfortably stupid, which is the prevailing ethos
of the Age of Man. Gulliver and Jesus` experience reveals that fascists don`t
want the human to escape from its slavery in fiction or death. Where the
strings can`t be seen, because they`re clearly attached, an intelligent person can
see that they`re the victims of the horror genre.
1 Wickramasinghe, Chandra, `Bacterial Morphologies
Supporting Cometary Panspermia: A Reappraisal`, International Journal of Astrobiology, 10 (1), pp. 25-30, 2011.
