Wood Dove
Jesus would’ve married Mary, the woman anointing him with perfume, if he’d been able to ask if she would? The ‘chosen’, ‘Christ’, was ass skewered to the false disciple, Judas; an aspect of the carpentry motif that subsumes much of the archetypal material found in the New Testament, because Jesus’ putative father, Joseph, was a carpenter, while Jesus rejected that trade for God when he went into the temple courts in Jerusalem, saying ‘I must be about my father’s business.’ (Luke: 2. 49) Throughout the Old Testament, that is, the Talmud and the Torah, which is the history and law of the Jews that, together with the New Testament of Jesus’ teaching, constitutes the Christian Bible, the wicked are described as ‘dead wood’ (Luke: 3. 9) for the fire of hell, that is faggots, a generic term for homosexuals, who in the late 20th century were responsible for the spread of the ‘incurable killer disease’, the human immune deficiency virus (HIV), originally discovered transmitted from homosexual monkey fuckers, as a variant of the simian immune deficiency virus (SIV), by DR Congo in 1983, and specifically warned about as the virus of hell in Jesus’ disciple John’s apocalyptic vision of the future, Revelation, ‘Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.’ (Rev: 16.11) What they’d done was prefer each other to the human, and their punishment is eternal unendurable pain, which is God’s perdition.
As the spirit of God is feminine, and she’s depicted as dwelling in the tent of the tabernacle (Ex: 40. 34) during the Jews’ exodus from slavery in Egypt during the reign of Thutmose III (1479-1425 B.C.), that is, ‘the Shekinah’, she corresponds to the Holy Spirit, often symbolized by a dove. Forced to carry a cross of wood to the hill of Calvary outside the city of Jerusalem, where he was nailed to it and died, Jesus was ass skewered dove. The false disciple Judas, finding Jesus alone with Mary, arguing that the perfume be sold, because he needed money, understood that she was preparing to be asked: 'You would?’ In short, the perfume was a euphemism for slavery, that is, Mary and Jesus wouldn’t be Judas’ slaves, so he betrayed the Jewish Messiah for ‘thirty pieces of silver’ to the religious police, the Pharisees, who gave Jesus over to agents of the Roman Empire, then occupying Palestine, for crucifixion as a ‘dissident’, who preached tactfully, ‘Love your neighbor as you love yourself.’ (Mk: 12. 31) Although Judas saw Jesus as a wood dove, that is, a reluctant homosexual, who might've, Jesus experienced Resurrection and Ascension to heaven after his death, so demonstrating that he was possessed of the Holy Spirit, the feminine spirit of God, the Shekinah, rather than possessed by the dead wood of the wickedness of his crucifiers in homosexuality and slavery.
Just why homosexuality is evil has many antecedents, for example,
in Revelation, ‘Mystery, Babylon the great, mother of harlots and
of the abominations of the Earth.’ (Rev: 17. 5) Babylon (c. 4000
B.C.) was the capital city of the Persian Empire, which is in modern Iraq,
while the Bible describes her as ‘a woman', because Empires
are built on womb slavery. In ancient Greece homosexuality was
institutionalized, so when the Greek ships arrived in Asia Minor to besiege the
city of Troy, according to the poet Homer in his Iliad (c.
760-10 B.C.), invasion was facilitated by means of the construction of a huge
wooden horse, left outside the walls of the city, containing soldiery, and when
the Trojans took the horse inside, the Greeks emerged to enslave the wombs of
the Trojan women to spread the contagion of homosexuality in pederasty for war
further.
In fact the term ‘Trojan horse’ was used by latter day Greeks, geeks, as
a term for ‘bad machine code’ (BMC), which they devised to infect computer
systems, a metaphor for the homosexual HIV/AIDS virus, which prevents the human
race from functioning. Moreover, as the futanarian human race of women’s seed
has penis’ semen of its own to sexually reproduce as women, men are its
enslaving virus, while airplanes dropping their bombs are an abomination for
which homosexuals dropping their bums is the metaphor, that is, they want each
other, they don’t want women. Men’s is a homosexual Empire for slavery and war,
manufactured as a transvestite ‘TV’. What passes for men and women, male
brained by their parasitical virus, after men’s adulteration of the human species
of futanarian women’s seed, is a single abominable TV creature, wearing each
other’s clothes; acting out its extinction in Satan’s snuff box: ‘You shall be
as gods.’ (Gen: 3. 5)
The mass media Empire of the United States of America, centered on the
Los Angeles' city district of Hollywood, west coast state of California, was
labeled ‘Babylon’, because of its repressing of women’s seed in the 1934 ‘Hays
code’, introduced by Will Hays, President of the Motion Picture Producers and
Distributors of America (MPPDA); for example, women, in love scenes, at all
times were required to have, ‘”at least one foot on the floor” (in other words,
no love scenes in bed)',2 a metaphor for men’s abominating the human species of
futa, that is women’s seed, who couldn’t get off the Earth's floor to colonize
space; if their race was raped, bombed, and enslaved.
Jesus was a diplomat working to save his people from enslavement, while
the wooden cross of the Empire of Rome can be construed as the archetype of the
sword, which has to be pulled out and up, as in the story of Arthur, who became
king of Britain, according to the 12th century Welsh book of
folktales, Mabinogion, by virtue of a sword, Excalibur, or as the
archetype of the airplane; used either to transport passengers, or drop the
bombs of Babylon's Empire. Called ‘Logos’, Jesus symbolized the two-edged sword
of technology, which the modern era, in adapting his teaching to emphasize the
importance of transforming instinct into spirit and intellect, that is, logic,
would experience as a ‘sword of Damocles’,1 the A-bomb in nations hanging over
their every thought and act.
After Jesus’ death, Christian tradition has it that the bowl Jesus ate
and drank from, at what came to be known as ‘the Last Supper' with his
disciples, was used by Joseph of Arimathea to catch the blood of Jesus, his
side pierced by the Roman guard, Longinus, as his body hung upon the cross,
‘Surely, this was the son of God?' (Matt: 27. 54) Joseph, taking the
bowl to Britain, it came to be sought as their Holy Grail by the knights of the
legendary British king, Arthur, because Jesus had said to the disciples at the
Last Supper, breaking bread before his death, ‘Take and eat; this is my body.’
(Matt: 26. 26) Of the wine, he said, ‘This is my blood.’ (Matt:
26. 29) Subsequently, Christian churchgoers partook of the Eucharist, that is,
bread and wine, symbolizing Jesus’ body and blood, given by the priest in the
form of a wafer and a sip from a chalice, because of Jesus’ bodily Resurrection
and Ascension to heaven. The meaning is that they expected to experience what
is known in the Christian church as transubstantiation, that is, a
transformation, whereby they became transfigured, until they had the body of
women’s seed, as Jesus and his mother, the Virgin Mary, had, so guaranteeing
their entry into heaven.
For Judas, the betrayer of Jesus, the bowl was a beggar’s, and the
disciples were bums, because he was a homosexual slaver. Christianity, later
developed as a religion for slaves and bums, was preyed on. The congregations
of slaves went to worship God for the strength to continue in their endeavors,
and were their slavers’ preying. If there was a marriage in the church, it was
a slave ring for homosexuals to prey on, as an aspect of their usual husbandry.
If there was any sign that the husbanded humans weren’t being preyed on, the
airplane crucifixes would bomb the remains of women’s seed; until the beggars
got their bowls out again as the bummed: ‘The dragon was wroth with the woman
and went to make war on the remnant of her seed.' (Rev: 12. 17)
Christianity became a Satanist religion; hijacked by homosexual slavers.
Although Islam was founded by a descendant of Abraham, whose wife Sara
first gave birth to Isaac, founder of Judaism, while her maid, Hajer, as Sara
was barren after the birth, bore Ishmael of the lineage of Mohamed, it doesn’t
represent freedom. The shrine of Abraham, the Ka’Ba in the city of Mecca, Saudi
Arabia, is the focus of annual pilgrimage, the Haj, named for Hajer, because
Ishmael’s illegitimacy was used as the reason for the Moslems legitimizing
their having four wives in polygamy, which although it affords the possibility
of women’s seed within marriage, the names for the garments worn by the women
to hide themselves publicly are more revealing. Young girls generally take the
abiyah, a black robe without a face mask, and married women wear the black
burka, so abiyah-burka is the progression from young flesh to McDonald’s, where
the prepared burgers are bought as a meal in seed buns. While women’s seed are
‘Ka’, according to Egyptian mythology, that is, the spirit of women, the
fertilized are ‘Ba’ souls, so the Ka’Ba and the Haj celebrate Egyptian slavery
and the McDonald’s burka box designed especially for the Middle East’s
consumption, while Hajer, ‘the Egyptian woman’ of the Bible,
remains the archetypal women's freedom fighter.
As the first airplanes, for example, the Wright Flyer,
built and flown 6 km south of Kitty Hawk, North Carolina, USA, by brothers
Orville and Wilbur Wright on December 17, 1903, were designed to carry
passengers, they were wood doves, that is they would’ve borne humanity in the
name of the Holy Spirit, before bombs, like those of the German Luftwaffe’s
World War I (1914-18) Jagdstaffel 11, for example, air ace
‘the Red Baron’ von Richtofen's ‘Flying Circus', commemorated by English
rockers, Led Zeppelin, on the cover of their 1970 album, Led Zeppelin II,
and in the lyrics to ‘The Lemon Song’, 'I'm gonna leave my children down on
this killing floor.'3 Whereas Jesus, born of his mother, the Virgin Mary,
prefigured the colonization of the universe by women, men represented what God
told Eve about her 'seed', ‘You shall crush the head of the serpent with your
foot, but he will bruise your heel.’ (Gen: 3. 15)
In Revelation, ‘three evil spirits’, ‘like frogs’, which
croak, come out of a ‘dragon’, a ‘beast’, and a ‘false prophet'. (Rev:
16. 13) As the frog is a reptile, it’s a type of Satan. Turned into a serpent
and placed in the paradise of Eden, Satan was an angel, who refused to accept
that the human host would be greater than the angelic. In order to understand,
it’s necessary to study the Koran (610-35 C.E.) of the Moslem
peoples of the nations of Islam, which describes alaqah, that is,
Satan as a ‘gamer’. In sura 23 (12-14), Al-Mu’minun, ‘The Believers’, man is
described as something akin to a tadpole, that is, a tad, with its seat at the
epiglottis, or ‘Adam’s apple', where communications are formed as language, ‘We
created man … an alaqah (leech …) … a mudghah (chewed
substance).’ The ‘tad’ is commonly translated in the west as ‘dad’, while the
serpent into which the tad grows at the Adam’s apple is known as draco,
that is, vampire, which drinks the blood of its victims at the throat,
according to East European legend, where the Hungarians, who restored the
bloodthirsty Vlad Dracul, ‘the impaler’ and historical model for Irish writer
Bram Stoker’s vampire novel, Dracula (1897), as ruler of
Wallachia in 1456, call themselves Magyar, ‘the chewed’, because they don’t
want to be possessed. However, as Transylvania contained many ethnic
Hungarians, during the period of the Austro-Hungarian Empire, before the
Trianon Treaty of June 4th, 1920, at Versailles, Paris, gave
independence to Transylvania and other countries, because Hungary had sided
with Germany, who lost World War I, so had territories taken away, and taran in
Romanian means ‘folk’, while the word for church in magyarul, that
is, the language of the Magyar, is gyülekezet, so for Hungarian
Transylvanians it's taran gyülekezet, the hypothesis is that
Dracula is a tarantula, which chews up that ape as its vampire.
Perhaps the most influential church in Hungary, after the collapse of the
Soviet Empire, that is, centralized control of those nations liberated from the
east by Russia towards the close of World War II (1939-45), which the Russians
refused to leave until the late 1980s, when the Russian Federation of mutual
benefit for member states was formed, and countries like Hungary regained
independence, was the Hít Gyülekezet, that is, the Faith church, which relied on an
evangelical stance towards the promoting of its charismatic, Pentecostal
message, that is, the inviting of the Holy Spirit, as Jesus did during Shavuoth,
a Jewish celebration of the giving of the Torah, or book of the law, to Moses
by God, and celebrated later in Christianity as the descent of the Holy
Spirit.
As
the spirit of God is feminine, the Shekinah, Jesus’ distillation of God’s law
was love. However, as women’s seed was repressed upon the Earth, a single male
brained creature was manufactured; a transvestite TV, wearing each other’s
clothes. Sundered, the human race was made to war against itself. Military
invasions and bombings from the air, which ought to have been seen as an attack
on the human species of women’s seed, were presented by the mass media as
normative, and churches, like the Hít, pronounced ‘heat’, were perceived as
warming up the TV in preparation for banging it in World War III, which is
what draco do. At the Hít, the congregation pray with arms
raised, as tarantulas do, bearing their fangs before falling on their prey.
Although abhorred primarily for AIDS, ass-fucking is how the tad, or
sperm of the demon, possesses the epiglottis, or Adam’s apple at the voice box,
or pharynx, to control the speech, mind, and thoughts of the human
host to its anal parasitism. In short, homosexuals possess humans as a lark,
that is, for a larker (alaqah), who is Satan, pretending to be the voice
of God, while they plot the human species’ ‘croaking’, a euphemism for
extinction; the pharynx an aspect of the TV's snuff box:
coercing (cursing) the possessed into war-making, acts of violence and other
evils.
Arabic, which was the language of the Prophet Mohamed, who wrote
the Koran, dictated by the angels of God, according to the
tradition of its speakers, that is, the Moslem believers amongst the nations of
Islam, has voiced and unvoiced fricative pharyngeal sounds unpronounced in
English, because they’re ‘for angels’. To comprehend, it’s necessary to know a
little physics. Sound produces wave forms, and it was proven in experiments
with electrons that particles move differently when unobserved by consciousness,
that is, wave forms collapse in ways dependent on consciousness,4 which was
posited by science as the basis for alternative universes. As Moslems speak
differently, their paradisal alternatives are different to western
Christianity, therefore, which means that Islam is a separate reality; even in
England, where the importance of differences in speech have long been
recognized. In lead singer Robert Plant’s lyrics to rock band Led Zeppelin’s
song, ‘Stairway to Heaven’ (1971), for example: 'Cause you know sometimes words
have two meanings.’5 Moreover, as the A-bomb indicates that Lucifer, ‘the most
beautiful of all the angels’, truly fell when he became Satan, the pharyngeal
prounciative faculty of Moslems is indicative of at least that iota of resistance
after the fall.
In Eden, Satan tempted Eve with 'the fruit of the tree of the knowledge
of good and evil', which it was death to taste, saying 'You shall be as gods.'
(Gen: 3. 5) The archetype of homosexuality, Satan was effectively
Babylon's snuff movie mogul. As women's species, who sexually reproduce from
their own penis' semen and host wombs, are futanarian, Jesus is woman's 'foot',
that is, as Plant's lyrics tacitly recognize, after the airship comes space
travel: 'Yes, there are two paths you can go by, but in the long run there's
still time to change the road you're on.' On the cover of the
retrospective, Early Days, The Best of Led
Zeppelin, Volume One (1968-71), featuring photos of a young
Led Zeppelin, that is, Plant, guitarist Jimmy Page, bassist John Paul Jones,
and drummer John Bonham, as with Richtofen's 'Flying circus' for Led Zeppelin
II, but with their heads superimposed this time on a crew shot of Apollo
14, is the logo of the science fiction research flagship of Canada in Montreal,
at Quebec's McGill University, Science Fiction Studies;
the moon with a face and a bullet in an eye.
The cover of Latter Days, The Best of Led Zeppelin, Volume Two (1973-79),
features older Led Zeppelin astronauts, and with the ringed planet of the
Earth's solar system in the background, suggesting the Saturn Award from the
Academy for Science Fiction, Fantasy, and Horror. As Plant's lyrics to the song
'Houses of the Holy' (1975) acknowledge, Satanism's bombs horrifically prevent
women's futa race from developing enough technologically to leave Earth and
seed the planets amongst the stars of the universe: 'From the door comes
Satan's daughter.'6 So the 'fallen' angel, Satan, is abominate, that is, A-bomb
in hate, because all other roads are blocked.
1 Dionysus II of Syracuse, Sicily, was a king of the 4th century
B.C., according to Tusculanae Disputationes by
Roman orator Cicero (106-43 B.C.), who offering to exchange places for a day
with his courtier, Damocles, left a sword suspended by a single horsehair above
the throne, so emphasizing the fear of having power violently wrested away, and
which is the ever-present attendant of every undisputed ruler.
2 Hays code, https://www.american-historama.org/1929-1945-depression-ww2-era/hays-code.htm#:~:text=The%20Hays%20Code%20required%20that,position%20if%20they%20were%20kissing.
3 Burnett, Chester (Howlin’ Wolf), John Bonham, John Paul Jones, Jimmy Page,
and Robert Plant ‘The Lemon Song’, Led Zeppelin, Led Zeppelin II,
Atlantic, 1970.
4 Stapp, H. ‘Quantum Theory and the Role of Mind in Nature' in Foundations of Physics,
31 (10), 2001, pp. 1465–1499.
5 Page, Jimmy, and Robert Plant ‘Stairway to Heaven’, Led Zeppelin, Led Zeppelin IV,
Atlantic, 1971.
6 Page, Jimmy, and Robert Plant ‘Houses of the Holy’, Led Zeppelin, Physical Graffiti,
Swan Song, 1975.
