The
Misogynist Slaver and the Lesbian
Although
lesbians are described as homosexuals, that is, ‘gay’, as men are defined as
homosexuals, there’s the obvious difference of the penis and the testicles,
which it’s important to mention, as the absence of the testicles is castration.
That’s the secret issue between lesbians and homosexuals, and is the reason
they’re both homosexual. It’s common in slavery to castrate, as the castrated
are made to channel all of their libidic energy into manual work, although
brain work isn’t generally required in slavery, because the slavers already
have what they need from intelligence, so the products of the imagination are
essentially superfluous aspects of what children do, that is, brain work is
what child slavery is for the evil, who practise futility. Consequently, the
aim of the child is to survive by being acceptable to the slaver, so children
unconsciously encourage paedophilia, as it affords a greater chance of their
brain work surviving.
Steven Spielberg, American film director of the United States, was highly praised for both his inventive imagination and provision of family entertainment. His was a brain that had learned to survive. In movies, like ET: The Extraterrestrial (1982), for example, an ugly reptiloid alien, child of a technologically superior race, empathically stranded on Earth for a young sympathetic audience, after a spacecraft accident, is the star, while in Hook (1991), a film version of J. M. Barrie’s children’s play, Peter Pan (1904), about a boy who never grew up, pulchritudinous actress, Julia Roberts, is the wingéd fairy, Tinker Bell, without incongruity being perceived by cinema (and later TV) audiences, although the imagery’s appeal to paedophilia challenges slavery’s perceptions that brain work and the imagination aren’t superfluous, but mean business through the cinema box office, and when movie goers have had enough, sales through television, which is more money.
Paedophilia is a survivalist’s business coverage. It’s how intelligence monitors its chances of surviving as an imaginative brain, although the pursuit of money often has to be sacrificed in order for the brain to live, which encourages the evil’s practising futility upon the developer, who’s presented as a character type, as acted by Danny Kaye in the movie, The Secret Life of Walter Mitty (1947), that is, ‘a dreamer’, whereas the intelligent individual simply doesn’t want to sacrifice his brain in favor of developing muscles there through being slaved for physical labor. That’s presented by the slaver as a refusal to work, whereas in societal terms that’s an excuse for destroying the brain of the intelligent threat to slavery, which is why it’s difficult to make really good films in the district of Hollywood, city of Los Angeles, mass media capital of the world, situated in the west coast state of California, USA, where homosexuality, described as being ‘rife’ there, is the basis of the film industry. However, although homosexuality is definable as men’s sterile orgasmic injection of semen from their penises into some submissive bums anus, for Hollywood it’s the practice of celebrating the male lead actor, which isn’t homosexuality, other than by proxy, that is, it’s a figment born in the mind of Walter Mitty type members in the audience, who want to make their predeliction real, and because the brain and the imagination aren’t important for the rich homosexual, whose valence is pecuniary and accumulative, the actor’s labor is perceived as being that of a dreamer, who should be homosexually physical, which is the death knell for the brain and the imagination of the individual who wants to produce and direct good movies.
Although that seems just real to most people aware of the nature of ‘rough trade’,1 and the compromises that humans have to make in order to live, homosexuality is rather more insidious than mere sexual valence, for example, humans have to be brainless to accept them. While pooh-poohed by intellectualism, the Judeo-Christian Bible does present the dichotomy posed by homosexuality, that is, immortality through brainpower for the creation of medicine and rejuvenation technologies, or dumb brutish prey for the snake and the draco, as John, the disciple of Jesus ‘Christ’, ‘the chosen’, foresaw in his apocalyptic vision of the future, Revelation, ‘The dragon stood before the woman, who was about to give birth, so that it might devour her child the moment it was born.’ (Rev: 12. 4) Hollywood has taught that war is good, as film representations of violence are ‘box office’, because dumb brutish prey is what the sterile homosexual rich want humans for.
That homosexuality is merely a sexual valence
ignores history, for example, the ancient Greeks institutionalized host womb
slavery of women in pederasty to war (499-449 B.C.) with the Persian Empire of
Darius, while the ‘biological weapon’, HIV/AIDS, discovered as having been
transmitted to humans from apes, as a mutant variant of the simian immune
deficiency virus (SIV), by homosexuals with infected semen, impaling each
other’s anuses with their penises, produced the human immune deficiency virus
(HIV), which resulted in the ‘incurable killer disease’, acquired immune
deficiency syndrome (AIDS), organ collapse, and brain death.
Prince Vlad III, ‘the impaler’, Dracul, similarly impaled his victims on stakes in 15th century Wallachia, now modern Romania, neighbor of the Ukraine, which his namesake, Vlad Putin, President of the Russian Federation, invaded with his Red Army and its TOS 1 and 2 heavy flamethrower system, ‘The dragon was wroth with the woman and went to make war on the remnant of her seed.’ (Rev: 12. 17) Weakened by the sharp faggots’ impaling, humanity was susceptible to the emergence of the severe acute respiratory syndrome (SARS) virus in the land of the legendary dragon, China, at a Wuhan city hospital, Hubei province, which went on to kill upwards of 6, 000, 000 people globally. With his TOS 1 and 2 fire-breathing dragon, Putin was the flatulence and brain damage represented by homosexual impaling. The missile launched a SARS-like flatulence; a vapor that fierily became a vacuum; inducing the victim, as the SARS virus of hell did, to expire.
Dracul was the model for Irish writer Bram Stoker’s novel, Dracula (1897), about a vampire, called in Central, East, and Southeast Europe, draco voivode, that is, ‘war dragon’, who in Stoker’s novel is immortal through drinking human blood from the jugular artery at the neck of its victim, after biting there with incisor teeth that are developed differently to humans in that they’re hollow to permit of the creature sucking the blood out of the victim as its drink. Although the narrative seems just another horror yarn, the movie genre has produced some revealing titles, for example, the satirical play by Charles Busch, Vampire Lesbians of Sodom (1984), ‘I’d talk about your cock, but I’ve got respect for the dead.’2 As both homosexuals and lesbians like it smooth, so castration is their valence.
Moreover, as God pointed out to the woman, Eve, in the paradise of Eden, after she’d succumbed to the temptation of the serpent, Satan, who’d been the angel turned into a snake by God for rejecting God’s plan that the human host would be greater than the angelic, ‘You shall crush the head of the serpent with your foot but he will bruise your heel.’ (Gen: 3. 15) Satan had tempted Eve to ‘eat of the tree of the knowledge of good and evil’, which it was death to taste, rather than ‘eat of the fruit of the tree of life’, which was immortality, saying ‘You shall be as gods.’ (Gen: 3. 5) Expelling Eve, and the first man created by God, Adam, from Eden, God told Eve her ‘seed’ would prevail. Consequently, Jesus was the ‘Second Adam’ born from his mother, the Virgin Mary, uncontaminated by male semen, as he was Mary’s ‘foot’, depicted in Christian iconography crushing the head of the serpent with her foot, because women are a futanarian hermaphroditic race with their own penis’s semen for the sexual fertilization of their own host wombs to produce the brainpower needed to confer immortality through medical science.
In fact Jesus was taken to the hill of Calvary outside the city of Jerusalem in Roman occupied Jewish Palestine, during the reign of the Emperor, Tiberius Caesar Augustus (14-37 C.E.), where he was nailed to a cross and died, but experienced Resurrection and Ascension to heaven in prefiguration of that of women’s seed, for teaching ‘Love your neighbor as you love yourself.’ (Mk: 12. 31) Although it’s quite clear, few religious people are aware that Jesus was killed for being with a woman, that is, as the child of his mother, he was woman’s seed, which the slavers didn’t want to breed. The disciple, Judas, was critical of the expensiveness of the perfume the woman was anointing Jesus with, suggesting that it be sold to raise money for the disciples, but Jesus admonished, ‘Leave her alone.’ (Mk: 14. 6) Effectively, Judas was the homosexual slaver and the woman was the perfume. It was Judas’ spy canard that the expensive perfume, spikenard, wasn’t being put to its full use, and he gave Jesus over to the Jewish religious police, the Pharisees, essentially accusing him of being heterosexual, which was the animal valence of a slave to homosexual society, viewing the human womb as their source of immortality, by producing themselves therefrom, like parasites, who thereafter spread their virus to ensure they had dumb brutish prey, which was what religion was for.
Although misogynists are depicted as hating
women, in fact they’re misanthropes, as the species of women have penis’ semen
of their own, that is, misogynists are penis haters, which makes them lesbians
as well as slavers, who want the human race castrated smoothly, so that it runs
well enough not to suspect that it’s being hunted down by an alien. In simple
terms, homosexuals and lesbians aren’t interested in humans at all; they
flatten humanity, which is what Vlad ‘flat’ Putin invaded the Ukraine for: the
bumming.
1 Brook, Tom ‘Is Hollywood Really Gay Friendly?’, The Reel World: Hollywood, BBC, Culture, October 21st, 2014, https://www.bbc.com/culture/article/20140409-is-hollywood-really-gay-friendly .
2 Busch, Charles Vampire Lesbians of Sodom, Premiere, Limbo Lounge, New York, 1984.
