Frances Hodgson Burnett and the Cigarette Carton

Frances Hodgson Burnett and the Cigarette Carton

The ban on singing K-Pop songs about demons, initiated by the Lilliput Church of England Infant School, Dorset, England, because of the popularity of the Manga anime Netflix movie about South Korean pop music, in the shape of the animated girl-group, Huntr/x, KPop Demon Hunters (2025), raised several issues. The song, ‘Golden’, focal point for the debate, and second taken from the soundtrack album, after ‘Takedown’, metaphorical language for anyone that someone feels is ‘up’, and doesn’t feel that they should be, has the lyric:

‘Cause we are hunters,
voices strong,
and I know I believe.
We’re going up, up, up,
it’s our moment.’1

 To be fair to the producer, Ian Eisendrath, the fictional conceit is laudable, as the ‘demon hunters’ protect the Earth, ‘… When they do that, the Honmoon … [a] power that watches over us … symbolized as a big circular moon … turn[s] gold.’ 2 Children’s fiction is notoriously a magnet for pedophiles, who’re essentially those that believe in ignorance. Often supported by the Christian church’s understanding that innocence should be protected, based on its perception that the power of the teaching of the Jewish rabbi, Jesus ‘Christ’, meaning ‘Messiah’, upon which Christianity has its basis, depended on a child’s eye view of the universe, ‘Love your neighbor as you love yourself.’ (Matt: 12. 31) However, Jesus wasn’t a child.
 Jesus’ teaching subsumed the history of the Jews, and their law, based on the commandments, given to Moses by God, according to the Torah and Talmud, known as the Old Testament of the Christian Bible (Ex: 20. 1-26), and superseded by Jesus’ New Testament, which is based on the idea of developed knowledge, as necessary for the implementation of solutions to problems, associated with the evil’s promoting of ignorance as their platform.
 What K-Pop does is present its performers as flowers on a vampire’s grave, and Manga anime, which as an art form originated in Japan, is an animated vision of the Earth, as a graveyard, where the people are flowers, and the demons are vampires. Because flesh and blood is necessary to the vampire, weevils are ‘given flesh’, as the animator’s art has it, with these being the flowers on the graves, picked by the demons for their consumption; as meat or blood.
 Unable to define the grave-dwellers as ‘cannibals’, because the flowers are weevils, the slaving of people by the evil, as flowers tending their graves, is a secret of the gardener, which the pedophile worshiper of ignorance, masquerading as an advocate of the pure, innocent, vision of Jesus, is. That the words ‘god’, ‘guard’ and ‘gardener’ are similar isn’t coincidental. The objective for the evil is that the children won’t escape from their slavery. Whereas the Christian church’s education system teaches children that they’re people, they’re food, which is a Satanical misuse of knowledge.
 One of the more famous books, written for children, was Frances Hodgson Burnett’s The Secret Garden (1911), which essentially is a pedophile’s delight, as it presents the innocents’ unknowing habitation of a cigarette carton. Raised to be ‘smoked’ as ‘snuff’, that is, killed as entertainment, for the pleasure of the evil vampire, depicted in fiction as immortal, because it has slaves, represented as flowers, to tend its grave, with the best ‘jugs’:

‘And still she cried, and still the world pursues,
“Jug Jug” to dirty ears.’3

 The appeal by US’ poet T. S. Eliot, in his poem, The Waste Land (1922), was for clean ears, as the myth alluded to is that of Philomela, in the Roman poet Ovid’s Metamorphoses (8 C.E.), raped by King Tereus,4 who cut out her tongue, as he didn’t want her to speak, or people to hear her, and transformed into a nightingale by the gods; a euphemism in England for a prostitute. Because she’s a flower on a vampire’s grave; a creature known for drinking blood from the jugular vein at the neck of beautiful women, whose breasts are described as ‘jugs’. Though of blood, not as common parlance would have it; milk. However, in order to have clean ears, the child would have to receive a Christian education that wasn’t designed by pedophiles to keep the population in ignorance of their evil role as cigarette cartoners.
 What the pharmacies produced are the jugs of the flowers, as the drugs of the immortal vampire, which are the produce of the farmer sees, as the Vatican city is to the Pope in Rome as his see, and as Jerusalem was the see to the Roman Emperor, Tiberius Augustus (14-37 C.E.), when Jesus was executed for denying that the woman’s perfume, spikenard, with which she was anointing him, was ‘too expensive’, despite his disciple, Judas’ spy canard, ‘Leave her alone.’ (Mk: 14. 6) Although Jesus was crucified, ostensibly because he wouldn’t accept Judas’ prohibition, the army of Rome made him ‘king of the Jews’, upon his death, and before his Resurrection and Ascension to heaven, because his seat wasn’t Judas’.
 According to Jewish midrash, that is, biblical exegesis, Eve and Adam, the first man created by God, was a hermaphrodite, ‘I will put enmity between you and the woman, and between your seed and her seed.’ (Gen: 3. 15) That Eve has ‘seed’ is the key, ‘So God created mankind in his own image, in the image of God he created them; male and female he created them.’ (Gen: 1. 27) For the slaver, Satan and Judas, in this Bible story, women are the bred of heaven, that is, food, and Jesus is the shepherd of their flocks, who’re livestock; propertied, and with money, to be killed, drunk, and eaten, by the ‘serpent’s seed’, which is Satanism: the enemy. That women and children aren’t taught that they’re food is how Christianity helps Satan, as it’d alarm the sheep. However, the great lovers of children, the pedophiles, have always been kept calm, and happy; in the fostering of their illusion.
 That skulls is a homonym for schools is no accident either. As Christians teach, and are taught, that women don’t breed with each other, as they don’t have penis of their own, which is a teaching enforced in the United States of America, for example, where it’s called ‘gender assignment surgery’ (GAS), humans are extinct, so schools are merely their skulls, where the children of the skulls are taught they’re slaves, rather than food.
 What Christianity doesn’t teach is that women’s seed is what the planets about the stars are for, where the Satanists kill and  consume them, as food, and for their property, as well as position, which is what demons were known for: possession.
 Without a sensible teaching about demons, Christianity is an apologia for Satanism, which is why Jesus shared food with his disciples, at what was known as ‘the Last Supper’, before his nailing to the cross of wood, where he died, on the hill of Calvary, outside the city of Jerusalem, calling the ‘bread and wine’ his ‘body and blood’; as he wasn’t a vampire.
 The name of the school in Dorset, Lilliput, is obviously a reference to the country of ‘the little people’,5 in the fictional history of the narrator, Gulliver’s Travels (1726), by Jonathan Swift, about how humans are kept in bondage. Although he was putting out a fire, Lemuel Gulliver’s sentenced to blinding for urinating, which is a metaphor for demons, who don’t want to be discovered. They want the children of the skulls, known as anima-figures by the developmental psychologist, Carl Gustav Jung (1875-1961), as they come from the depths of memory and imagination, awoken by head-fucking, to enslave and devour as ‘souls’, in Christian parlance. A Satanical circle in hell that pedophiles want to maintain, as the grave ghouls don’t want the children to gnaw so much.


1 Eun-jae, Kim (Ejae), Ido (YUHAN, ZHUN - Joongkyu Kwak, NHD - Nam Hee-dong), Mark Sonnenblick,  24 (Jeonghoon Seo), and Teddy Park, ‘Golden’, Huntrix (Ejae, as Rumi, Audrey Nuna [Audrey Chu], as Mira, and Rei Ami [Sarah Yee-un Lee], as Zoey, KPop Demon Hunters, Republic, 2025.
2 Eisendrath, Ian ‘Golden’, https://www.azlyrics.com/lyrics/kpopdemonhunterscast/golden.html .
3 Eliot, T.S. The Wasteland, 1922, l.102-3.
4 Ovid, Metamorphoses, Bk VI, 8 C.E.
5 Swift, Jonathan, Gulliver’s Travels, Part I: A Voyage to Lilliput, 4 May 1699 - 13 April 1702, Benjamin Motte, 1726.