Frances Hodgson Burnett and the Cigarette Carton
The ban on singing K-Pop songs about demons, initiated by the Lilliput Church of England Infant School, Poole, Dorset, because of the popularity of the Manga anime Netflix movie about South Korean pop music, in the shape of the animated girl-group, Huntr/x, KPop Demon Hunters (2025), raised several issues. Focal point for the debate, 'Golden', the second song, taken from the soundtrack album, after ‘Takedown’, by the actual girl-group, Twice, This Is For (2025), as metaphorical language for anyone that someone feels is ‘up’, and doesn’t feel that they should be, has the lyric:
‘Cause we are hunters,
voices strong,
and I know I believe.
We’re going up, up, up,
it’s our moment.’1
To be fair to the producer, Ian Eisendrath, the fictional conceit is laudable, as the ‘demon hunters’ protect the Earth, ‘… When they do that, the Honmoon … [a] power that watches over us … symbolized as a big circular moon … turn[s] gold.’ 2 Children’s fiction is notoriously a magnet for pedophiles, who’re essentially those that believe in ignorance. Often supported by the Christian church’s understanding that innocence should be defended, based on its perception that the power of the teaching of the Jewish rabbi, Jesus ‘Christ’, meaning ‘Messiah’, upon which Christianity has its basis, depended on a child’s eye view of the universe, ‘Love your neighbor as you love yourself.’ (Matt: 12. 31) However, Jesus wasn’t a child.
As protecting innocence is the equivalent of maintaining a pool of victims, loving one's neighbors doesn't preclude defending oneself as an adult. The division between those that prey, and those that pray, is that of the wolf and the sheep, where the predator keeps childlike innocence from knowing that the slaughter awaits, because slaughter is what it's defending.
Jesus’ teaching subsumed the history of the Jews, and their law, based on the commandments, given to Moses by God, according to the Torah and Talmud, known as the Old Testament of the Christian Bible (Ex: 20. 1-26). Jesus’ New Testament, superseding, derived its power from the idea of developed knowledge, as necessary for the implementation of solutions to problems, associated with the promoting of ignorance by the evil, as their plague games' platform.
Characterized, in the movie KPop Demon Hunters, by Jinu, leader of the all-demon antagonist group, Saja Boys, in conversation with Huntr/x's ashamedly half-demon, Rumi, as a type of false, paralyzing 'shame',4 fostered in the minds of the unwary by the demons' voice, Gwi-Ma, ignorance is presented as necessarily completing evil, while reasoned thought is Salvation.
K-Pop's performers are flowers on a vampire’s grave, and Manga anime, which as an art form originated in Japan, is an animated vision of the Earth, as a graveyard, where the people are flowers, and the demons are vampires. Because flesh and blood is necessary to the vampire, weevils are ‘given flesh’, as the animator’s art has it, with these being the flowers on the graves, picked by the demons for their consumption; as meat or blood.
Unable to define the grave-dwellers as ‘cannibals’, because the flowers are weevils, the slaving of people by the evil, as flowers tending their graves, is a secret of the gardener, which the pedophile worshiper of ignorance, masquerading as an advocate of the supposedly pure, innocent, vision of Jesus, is. That the words ‘god’, ‘guard’ and ‘gardener’ are similar isn’t coincidental. The objective for the evil is that the children won’t escape from their slavery. Whereas the Christian church’s education system teaches children that they’re people, they’re food, which is a Satanical misuse of knowledge.
One of the more famous books, written for children, was Frances Hodgson Burnett’s The Secret Garden (1911), about a lost key to a door, but which essentially is a pedophile’s delight, as it symbolically depicts how innocents unknowingly inhabit a cigarette carton. Raised to be ‘smoked’ as ‘snuff’, that is, killed as entertainment, for the pleasure of the evil vampire, depicted in fiction as immortal, because it has slaves, represented as flowers, to tend its grave, with the best ‘jugs’:
‘And still she cried, and still the world pursues,
“Jug Jug” to dirty ears.’5
The appeal by US’ poet T. S. Eliot, in his poem, The Waste Land (1922), was for clean ears, as the myth alluded to is that of Philomela, in the Roman poet Ovid’s Metamorphoses (8 C.E.), raped by Thrace’s king Tereus,6 who cut out her tongue, as he didn’t want her to speak about it, or people to hear her, and transformed into a nightingale by the gods; a euphemism in England for a prostitute.
A flower on a vampire’s grave; a creature known for drinking blood from the jugular vein at the neck of beautiful women, whose breasts are described as ‘jugs’. Though of blood, not as common parlance would have it; milk. In order to have clean ears, as according to legend those whose jugulars are bitten by a vampire, though made immortal thereby, become possessed, and have its memories, for example, Tereus’ memory of raping Philomela, and cutting out her tongue, lest she speak, appearing as a ‘dirty dream’, in the unconscious mind of the sleeping host of the parasite, signifying ‘dirty years’, any child of the vampire collective, the plague aimers, would have to receive a Christian education to restore Jesus' aims.
Although Christianity focuses on the ears, the developmental psychologist, Carl Gustav Jung (1875-1961), associated the ears with the undifferentiated 'Thinking' function, which became differentiated, as associated with the ego, in the center of the personality, as the individual became more conscious and aware. Therefore the aim of Jesus' teaching is not that the believer listen, but rather develop the capacity to think. Anathema to original thought are parroting, and learning by rote, which is the clouding of the mind that churches, and church authorities, are often demoniacally guilty of, on the understanding that their people should be slavishly obedient.
Flowers have the memory of being such, which means they're ephemera, and as the vampire's garden blooms, the human gene pool dilutes, resulting in less individual memory, and the flourishing of a plant-like collective. A degeneration equivalent to losing whole libraries of technical know-how. The mind of the human, become prey, accepts oneness with the collective zombie' a life-force dissipated. Listening, and being instructed; slaves with babies' memories.
Satanism is designed for pedophiles to keep the population in ignorance of their evil role, as cartoners for a cigarette, so that vampires, 'smoking', either as a euphemism for suicidal addiction to the parasite, as a cancer, or murder, plain and simple, can rise from the coffin of their host, upon their victim's death, denying the impulse of human nature towards the resurrection of the individual personality, with a spirit body, and as a living memory, knowing how to proceed, without deference to the evil, who just want an empty shell to inhabit.
If the door can’t be remembered, the key in the pocket is useless, which is what vampires do. The coffin’s a cigarette box, and they rise, as a shell, still smoking, after the devastating loss of another’s memory. As a collective, a vampire might know the door, and another might have pocketed the key, but it isn’t theirs; it’s a part of a life lost, subsumed to ruin and extinction. As Jesus said, ‘I am the door of the sheep.’ (John: 10. 7) For vampires, that means a ‘bloodbath’, which is their plague aims. Whereas Christians are taught to expect heaven, and one isn’t the other, as slaughtering the flock for money, property, and as food, is what evil is, the ‘golden Honmoon’ of KPop Demon Hunters is symbolic of the hunting, and killing of the vampire, as the key to happiness:
‘A demon with no feelings don't deserve to live,
it's so obvious.’7
What the pharmacies produced are the jugs of the flowers, as the drugs of the immortal vampire, which are the produce of the farmer sees, as the Vatican city is to the Pope in Rome as his see, and as Jerusalem was the see to the Roman Emperor, Tiberius Augustus (14-37 C.E.), when Jesus was executed for denying that the woman’s perfume, spikenard, with which she was anointing him, was ‘too expensive’, despite his disciple, Judas’ spy canard, ‘Leave her alone.’ (Mk: 14. 6) Although Jesus was crucified, ostensibly because he wouldn’t accept Judas’ prohibition, the army of Rome made him ‘king of the Jews’, upon his death, and before his Resurrection and Ascension to heaven, because his seat wasn’t Judas’.
Born of a virgin, Mary, Jesus was therefore woman's seed, and the name, Mary, repeated throughout his life-cycle, with Mary Magdalene, along with Jesus' mother, at the 'foot of the cross', during his crucifixion, and death, the woman anointing him, also Mary, further symbolically emphasized Judas' role as a seed of the serpent, Satan, rather than futanarian.
According to Jewish midrash, that is, biblical exegesis, Eve and Adam, the first man created by God, was a 'futa' hermaphrodite, ‘I will put enmity between you and the woman, and between your seed and her seed.’ (Gen: 3. 15) That Eve has ‘seed’ is the key, ‘So God created mankind in his own image, in the image of God he created them; male and female he created them.’ (Gen: 1. 27) For the slaver, Satan and Judas, in this Bible story, women are the bred of heaven, that is, food, and Jesus is the shepherd of their flocks, who’re livestock; propertied, and with money, to be killed, drunk, and eaten, by the ‘serpent’s seed’, which is Satanism: the enemy. That women and children aren’t taught that they’re food is how Christianity helps Satan, as it’d alarm the sheep. Consequently the purportedly great lovers of children, the pedophiles, have always been kept calm, and happy; in the fostering of their illusion that innocence is heaven.
That skulls is
a homonym for schools is no accident either. Christians teach, and are taught,
that women don’t breed with each other, as they don’t have penis of their own. A teaching enforced in the United States of America, because Satanists don't want humans. Called ‘gender assignment
surgery’, being sent to the theater of misogyny’s war upon women’s seed for GAS
is castration’s equivalent of Philomela’s tongue being cut off by the vampire
as dentist. So, having recourse only to becoming a prostitute, that is, in the
English vernacular, a nightingale, humans are extinct, as women can't breed, so the schools are full of the empty-headed brain of something else.
Though slaves, skull-children are taught that they have a future, although they’re food, which is the futility that those slaving them, as a meal in a box for worms, on ‘old MacDonald’s farm’, don’t want them to know; else they’ll revolt: ‘E-I-E-I-O.’8 Whereas social scientist George Orwell’s novel, Nineteen Eighty-Four (1949) was a scientific romance about English socialism’s (IngSoc’s) involvement in the war between Oceania, as ‘Airstrip One’, and Eurasia/Eastasia, that is, with euthanasia, as the ignorant pigs' solution to knowledge, Animal Farm (1944) was, ‘everywhere a grunt grunt’, after the fashion of Gemany’s Adolf Hitler’s National Socialism, during WWII (1939-45) against Nazism’s global slave ambitions, with Napoleon, as the pig dictating to the animals, in parody of the Reichsführer, what slavers do with food that is humans, as demonstrated by the ovens built by the Nazis to put the Jews in.
What Christianity doesn’t teach is that women’s seed is what the planets about the stars are for, where the Satanists kill and consume them, as food, and for their property, as well as position, which is what demons were known for: possession.
Without a sensible teaching about demons, Christianity is an apologia for Satanism, which is why Jesus shared food with his disciples, at what was known as ‘the Last Supper’, before his nailing to the cross of wood, where he died, on the hill of Calvary, outside the city of Jerusalem, calling the ‘bread and wine’ his ‘body and blood’; as he wasn’t a vampire.
The name of the
school in Dorset, Lilliput, is obviously a reference to the country of the
‘little’, in the fictional history of the narrator, Gulliver’s Travels
(1726), by Jonathan Swift, about how humans are kept in bondage. Although he
was putting out a fire in the apartments of the empress of Blefescu,9 an island
to the north east of Lilliput, Lemuel Gulliver’s sentenced to blinding for
urinating shamelessly, which is a metaphor for demons, who don’t want to be exposed, that is, their activities made transparent, in business terms, so they encourage feelings of perpetual confused guilt, based on pseudo-moral opinions about pre-pubescent girls wearing 'too short skirts', for example, punishable by blindness for those with the desire to see, etc.
They want the children of the skulls, known as anima-figures, if female, and animus-figures, if male, by Carl Jung, as they’re animations from the depths of memory and imagination, awoken little people, by fucking the heads of the unwary human type of the ordinary, Gulliver, though ‘giant’ from the littler perspective, so as to enslave these anime, as Manga emanations of the type of KPop Demon Hunters, as well as devour them, as the enemy, in Christian parlance, of the archetypal ‘souls’ of the Orwellian proles.
A Satanical ‘circle in hell',10 where every act presupposes a repetition of torment, as postulated in Part I, Inferno, of Italian poet Dante Alighieri’s Divine Comedy (c. 1321), and reified in men’s boys’ sons’ GAS extinction pogrom, where the absence of hermaphrodites, called as a human species, futanarian, or futa, means only the birth of ‘skull children’ for misogynist head-fuckers, whose belief, that the human penis was originally worn by the women alone, pedophiles want to maintain, as the grave ghouls want the children to gnaw as much as they can before they die.
The Romans had Jesus drink vinegar, as not letting everyone in on the jug, soured the wine; annoying the pedophile advocates of euthanasia, ‘Our days may come to seventy years, or eighty, if our strength endures; yet the best of them are but trouble and sorrow, for they quickly pass, and we fly away.’ (Ps: 90. 10) The role of men and women, as 'Punch and Judy', explains the 'trouble and strife', as London's cockney rhymers call a 'slapstick humor' wife, symbolized by English folklorists, the Morris dancers, with a balloon on a stick, representing wife and wife-beater, originating in 16th century Italy, as stock commedia dell'arte characters, Pulcinella and Joan.
Although Greek dramatist, Sophocles, in Oedipus Rex (c. 429 B.C.), more closely approximated the three-legged race, 'What goes on three legs in the evening?'11 The answer to the riddle is, 'Man'. However, although a carrot on a stick is more accurate, with Oedipus, king of Thebes, having blinded himself for unknowingly breaking the incest taboo with his mother, Jocasta, and thereafter guided by his daughter, Antigone, that the whore's needed to pull the cart, the carotid's on its penis, is all the hearse-riding vampire needs must remember.
Upon the cross, Jesus broke the curse of death, which was God’s promise to the futanarian seed of Eve, condemned as incest, for not understanding that their species' family shouldn't sexually reproduce, ‘You shall crush the head of the serpent with your foot, but he will bruise your heel.’ (Gen: 3. 15) It's putting the carotid before the whores, for God to explain that Eve's seed will be castrated by the serpent's, as that's the mechanism of Redemption she's chosen, with future breeding of women's seed the solution to escaping the vampire's curse. Jesus is God’s 'foot', restoring immortality, and Eve forgiven for accepting ‘the fruit of the tree of the knowledge of good and evil’ from Satan, which it was ‘death to taste’, in their original home, the paradise of Eden.
Adam, also accepting the evil fruit from Eve, they were expelled from God’s garden, as they’d been told, ‘eat only of the fruit of the tree of life’, which was immortality. To the evil, humanity is just a neck to live on, so they don’t want longevity and rejuvenation, as that’d be the gaining of knowledge to fight the vampire. 70-80 years is their propaganda; all must die. Lest Satan be slain.
Jesus was born of a virgin, Mary, as the jugs are relevant. Whereas Seaman Staines, cartoon character, aboard The Black Pig in BBC television’s Captain Pugwash (1957-),12 more primitive than KPop Demon Hunters, ‘cut-out figures moved by cardboard levers’,13 is irrelevant, although as much, if not more, can be learned from Horatio Pugwash. He’s a one jug comedy, in need of fresh jugs to sustain him, rather than semen stains, which is what humankind is for vampires. Although they do maintain the running jug, as it’s obviously important for them so to do.
1 Eun-jae, Kim (Ejae), Ido (YUHAN, ZHUN - Joongkyu Kwak, NHD - Nam Hee-dong), Mark Sonnenblick, 24 (Jeonghoon Seo), and Teddy Park, ‘Golden’, Huntrix (Ejae, as Rumi, Audrey Nuna [Audrey Chu], as Mira, and Rei Ami [Sarah Yee-un Lee], as Zoey, KPop Demon Hunters, Republic, 2025.
2 Eisendrath, Ian ‘Golden’, https://www.azlyrics.com/lyrics/kpopdemonhunterscast/golden.html .
3 Lewis, C. S. The Lion, The Witch and The Wardrobe, 'Chapter Two - What Lucy Found There', Geoffrey Bles, 1950, op. cit.
4 Hyo-soep, Ahn as Jinu, leader of the Saja Boys, KPop Demon Hunters, Sony Pictures Animation, 2025.
5 Eliot, T.S. The Waste Land, ‘II. A Game Of Chess’, 1922, l.102-3.
6 Ovid Metamorphoses, Bk VI, 8 C.E.
7 Fontana, Melanie, and Lindgren ‘Takedown’, Twice/Huntrix (Jeongyeon [Yoo Jeong-yeon], Jihyo [Park Ji-hyo], and Chaeyoung [Son Chae-young] ), KPop Demon Hunters, Republic, 2025, https://www.azlyrics.com/lyrics/twice/takedown.html .
8 Traditional Ballad Index, ‘Old MacDonald Had A Farm’, Sam Patterson Trio, Edison, 1925.
9 Swift, Jonathan Gulliver’s Travels, ‘Part I: A Voyage to Lilliput, 4 May 1699 - 13 April 1702’, Benjamin Motte, 1726, Ch.5.
10 Alighieri, Dante Inferno, Part I, Divine Comedy, c. 1321.
11 Apollodorus, Library of Apollod, 3.5.8.
12 Hawkins, Peter, as the voice of Seaman Staines in Captain Pugwash, John Ryan, BBC TV, October 22, 1957 - .
13 ‘History of the BBC’, Captain Pugwash, 22 October 1957, https://www.bbc.com/historyofthebbc/anniversaries/october/captain-pugwash .